Don’t know much geography

Whose flag?

It was an oft-repeated criticism of American involvement in Vietnam that the U.S. was waging a war in a country that few of its citizens would be able to find on a map. That was a zinger, then and now, though, in the American public’s defence, at the time Vietnam was only twenty years old (it had most recently been French Indochina).

I was thinking of this recently when preparing my notes on the movie They’re Watching, which was set in Moldova. This threw me. Before finding out this little tidbit of information, if you’d asked me if there was a country of Moldova I would have said there wasn’t. I associated the name with a province in the former Austro-Hungarian Empire and thought that the filmmakers were invoking it as an imaginary place like Ruritania or the Duchy of Grand Fenwick. But actually Moldova is a sovereign state, having been one of the Soviet Socialist Republics and gaining independence when the Soviet Union collapsed.

This was humbling. I thought I knew enough of the basics of world geography that the existence of a European country I didn’t know of came as quite a surprise. But as I went flipping through a pocket atlas recently I found other examples of my ignorance of how the world is divided up. Just as surprising to me as the existence of Moldova was the discovery that there’s a part of Russia that isn’t connected to any other part of Russia (what’s called an exclave). This is the Kaliningrad Oblast, the old Prussian Königsberg. Who knew? Well, probably a lot of people. But I didn’t.

Political boundaries are often in flux, which justifies the printing of new atlases. I found several such boundary issues in my browsing. Suriname, for example, claims big chunks of both Guyana and French Guiana (the countries to its west and east respectively). I have no idea how valid these claims are, but on a map they look significant. Meanwhile, Western Sahara has been administered since 1979 by Morocco, but is still considered a (huge) disputed territory. I knew nothing of this.

The upshot is that I don’t have the right to make fun of anyone else’s ignorance of geography. There are plenty of places I not only couldn’t find on a map but that I’ve never even heard of. I guess I’m not a man of the world.

Raising hell

You know what he’s going to do, right? Tear your soul apart!

Over at Alex on Film I’ve been watching the Hellraiser movies, minus the last couple. You can say I wanted to cut my losses.

It’s disappointing how the series never went anywhere. I loved the first Hellraiser, and was actually at the world premiere of the second. But later entries were just cash grabs for the limited cash to be grabbed from direct-to-video release, often injecting Pinhead into scripts pulled off the shelf that had no connection to the Hellraiser mythos. Here’s the line-up:

Hellraiser (1987)
Hellbound: Hellraiser II (1988)
Hellraiser III: Hell on Earth (1992)
Hellraiser: Bloodline (1996)
Hellraiser: Inferno (2000)
Hellraiser: Hellseeker (2002)
Hellraiser: Deader (2005)
Hellraiser: Hellworld (2005)

Comic trilogy

Over at Alex on Film I’ve posted my thoughts on Glass, which completes the M. Night Shyamalan comic-book trilogy begun with Unbreakable and Split. These movies make a welcome antidote to the usual run of Marvel movies, but I don’t think Shyamalan had enough to say to cover three films. Glass in particular seems to just be putting in time, before coming to no very great conclusion.

Death wishes

Back at ya, Chuck.

Over at Alex on Film I’ve been watching some of the Death Wish movies. It’s almost a complete list. I guess the first film is of some historical/sociological interest, and if you’re interested in the whole raperevenge genre they might even be considered essential viewing, but I didn’t find much of value in any of them.

Death Wish (1974)
Death Wish II (1982)
Death Wish 3 (1985)
Death Wish 4: The Crackdown (1987)
Death Wish (2018)

Yorgos Lanthimos

Over at Alex on Film I’ve been watching the films of Yorgos Lanthimos. Even though they don’t share many similarities, I was reminded of Denis Villeneuve in at least one respect. Both directors have, in my estimation, made one really good film (Villeneuve’s Enemy and Lanthimos’s The Lobster). Their other films fall more into the “interesting” category. Anyway, here’s the Lanthimos line-up:

Dogtooth (2009)
Alps (2011)
The Lobster (2015)
The Killing of a Sacred Deer (2017)
The Favourite (2018)
Kinds of Kindness (2024)

Unwrapped

A particularly well-preserved mummy.

Over at Alex on Film I’ve been watching a bunch of mummy movies. It was not time well spent, as mummies make dull movie monsters and few of these movies are any good. The 1999 Brendan Fraser vehicle is still a bit of fun though, and Don Coscarelli’s Bubba Ho-Tep is worth checking out. Aside from that there’s the classic 1932 film that started it all and the 1959 Hammer version. They’re OK. The rest you can pass on.

The Mummy (1932)
The Mummy’s Hand (1942)
The Mummy’s Tomb (1942)
The Mummy’s Ghost (1944)
The Mummy’s Curse (1944)
Pharaoh’s Curse (1957)
Curse of the Aztec Mummy (1957)
The Robot vs. The Aztec Mummy (1958)
The Mummy (1959)
Orgy of the Dead (1965)
Death Curse of Tartu (1966)
The Mummy’s Shroud (1967)
Blood from the Mummy’s Tomb (1971)
Dawn of the Mummy (1981)
Bram Stoker’s Legend of the Mummy (1998)
The Mummy (1999)
The Mummy Returns (2001)
Bubba Ho-Tep (2002)
The Mummy: Tomb of the Dragon Emperor (2008)
The Mummy (2017)

Thomas Crown’s affairs

Free at last.

Over at Alex on Film I’ve posted my notes on the two film versions of The Thomas Crown Affair: 1968 and 1999. Both are slick, but thin on substance, which I think is their point. They offer impressions of the good life, which is all about expensive toys and being free. And this isn’t just the freedom to jet off to wherever you want, and do whatever you want, whenever you want to do it, but freedom to be a total scofflaw.  Thomas is, after all, a criminal who gets away with it. In fact, he probably gets away with more than just the heists he likes to pull on the side. I can’t imagine Crown’s business, whatever it is it does, being squeaky clean.

In the 1968 version Thomas was a rebel, and thirty years later a libertarian. Is there some hypocrisy in the political right criticizing the Woodstock generation for its “freedom, baby!” attitude while presenting itself as the upholder of law and order? I think so. From Steve McQueen to Bill Clinton to Pierce Brosnan to Donald Trump: hasn’t Thomas Crown just got older, without changing party?

Sleuths

Game, set, and . . .

Over at Alex on Film I’ve been watching some film versions of Anthony Shaffer’s play Sleuth. Or at least the 1972 Laurence Olivier-Michael Caine Sleuth and the 2007 Michael Caine-Jude Law Sleuth, with 1982’s Deathtrap (Michael Caine and Christopher Reeve) sandwiched in-between. Deathtrap is actually based on Ira Levin’s play, but it also clearly derives from Sleuth, and may even be closer to Shaffer’s play than the 2007 movie, which was written by Harold Pinter.