DNF files: Sapiens: A Graphic History

Sapiens: A Graphic History Volume One: The Birth of Humankind

By Yuval Noah Harari

Page I bailed on: 28.

Verdict: I really enjoyed Yuval Noah Harari’s Sapiens, which was a blockbuster Big History bestseller. Harari has a wonderful way of explaining ideas in a popular voice. Unfortunately, this graphic version tries to be even more reader-friendly without adding anything of value. The character of Harari’s niece Zoe is introduced to be a surrogate for the audience, so I take it the target reader here was young people. Younger than me anyway. I found it to be too cutesy by half and gave up pretty quickly. It did make me go back to re-read parts of Sapiens though, which I enjoyed very much and frankly found easier to follow.

If you just read graphic versions of books because you can’t bring yourself to read full text, then fine. Otherwise I don’t know why you’d bother.

The DNF files

Drew: The Secret of the Old Clock

I have to start with the matter of dates. I’d always thought of the Nancy Drew (and Hardy Boy) mysteries as being products of the 1950s, the golden age of capitalism that apparently was the period of “greatness” that America has ever since been wanting to return to. And this isn’t an entirely false memory. The series actually got started in 1930, with this novel, as a new franchise from the Edward Stratemeyer Syndicate, a book packaging company that published a number of popular children’s and YA titles. The name “Carolyn Keene” was a collective pseudonym for the authors assigned to write the Nancy Drew books, following outlines laid out by Stratemeyer and his daughters. As far as I can gather, Mildred Wirt Benson was the author of The Secret of the Old Clock, but not so much the author of the book as I read it.

More explanation: the Nancy Drew books were extensively revised under the editorship of Harriet Adams starting at the end of the 1950s. There were cosmetic changes made, like Nancy being 18 instead of 16 and her blue roadster changing to a convertible (which makes her getting caught in a thuderstorm an even greater emergency), but also more significant ones that adjusted the order of events and the presentation of characters. Critics have pointed out how with the revisions Nancy (a prototype of the modern, liberated young woman circa. 1930, whose name was originally going to be Stella Strong) became less of a tomboy and even more of a “daddy’s girl” thirty years later. The myth of the ‘50s was already well on its way to being written by the end of that decade.

What surprised me the most about the date though was that 1930 was the year when America was first facing the full shock of the Great Depression. While some of the people we meet in the novel are tight for cash – they could sure use that money from Josiah Crowley’s will! – there are no breadlines or tent cities. Women wear gloves when they go out, and people schedule luncheons. I haven’t heard the word luncheon in a long time. Yes, all seems quite happy in River Heights and its environs.

Selecting a recently constructed highway, Nancy rode along, glancing occasionally at the neatly planted fields on either side. Beyond were rolling hills.

“Pretty,” she commented to herself. “Oh, why can’t all people be nice like this scenery and not make trouble?”

Alas, people do make trouble. In particular a snotty family named the Tophams had basically kidnapped wealthy old guy Josiah Crowley (with a name like Josiah I think you’re automatically ancient) and now stand to inherit his fortune. I’m not sure exactly how the Tophams did this, or what the deal was. If Josiah was being taken care of by them then I can see why they would want to be sure that they were getting paid. I know families where there have been arrangements like that. And while the Tophams aren’t nice people and Josiah doesn’t seem to have liked them at all, there’s no evidence of abuse. Nevertheless, apparently Josiah had to sneak away at some point to make a second will that leaves money to a collection of needy friends and extended family. Nancy is sure this second will exists somewhere and sets out to find it so that the worthy poor can be rewarded and the Tophams (a married couple with a pair of “mean girl” daughters Nancy’s age) are cut off.

Actually, Nancy is quite a bitch about this. When she finds the second will (yes, it’s hidden in an old clock) a scene is arranged where her father Carson (“there’s no better lawyer in River Heights”) will read it to all the beneficiaries. “I believe you’re more thrilled than if you were inheriting the fortune yourself,” dad remarks. Nancy responds: “I am thrilled. . . . I can hardly wait until the will is read aloud. Won’t everyone be surprised? Especially the Tophams. Do you think they will come?”

So while Nancy wants the Hoovers and Abby Rowan and the Mathews brothers get their deserved reward, what she really wants to see is the Tophams receiving their comeuppance. And this gets rubbed in, as Mr. Topham has been speculating in the stock market and is ruined. His daughters are distraught:

Isabel gave a shriek. “Oh, no! Oh, no! Oh, Mother, all those bills! What’ll we do?”

Ada too had cried out. “I’ll have to go to work! Oh, I can’t bear the thought of it!”

Which is kind of funny, but then I don’t think Nancy is employed either and her response might have been similar.

In the original 1930 version of the story there is a scene after the reading of the will that underscores Nancy’s dark motivation even more. It was taken out in the revised edition so I’ll include it here:

After everyone had left the house, Mr. Drew turned to his daughter with a smile.

“Well, we administered the coup de grâce to the Tophams all right.”

“Yes, wasn’t it funny to watch their faces when they learned they were cut off without a cent?”

“They took it hard. It’s my opinion the Tophams won’t be able to hold their heads so high after this. Richard Topham looked rather sick when he left. I suspect he’s desperately in need of ready cash.”

“The Tophams deserved to be cut off without a cent,” Nancy Drew declared.

Damn, Nancy. That’s cold.

As an aside, and returning to the economic theme, I find it very strange that in the original novel under the will the Hoovers get $75,000 each, as does Abby Rowan. In 1959 the total estate is only valued at $100,000 and the beneficiaries only receive $10,000 each. And Richard Topham does actually get $5,000, so he’s not left without a cent. In terms of the amounts being handed out that’s quite a comedown, and remember that the issue during the Depression was that nobody had money.

Apparently they didn’t have much furniture either. The subplot here involves a trio of thieves with a moving fan who break into empty homes and steal all the furniture! Now this came as a real time shock, as most people today have to pay someone to take old furniture away, as half the time even charities don’t want it! But things were different in 1930. Indeed, it’s a matter of some dispute in the will as to who will get Josiah’s furniture. That stuff was gold!

Being both an old book and YA there is a lot to smile and shake your head at. Captured by the furniture thieves, 18-year-old Nancy is only locked in a closet when they leave the house they’ve broken into. There’s no hint of physical violence. And while lots of mysteries deal with wills and what’s in them, I thought the discussion of how this one worked was kind of questionable. But even more mysterious to me was how easily Carson Drew gets access to Josiah’s safety deposit box. I guess you just have to take it for granted that everything he’s doing is legit.

As for the mystery, there isn’t much of one. Nancy is a detective, but not the kind who puts things together or uses clues to figure things out. She just knows that there must be a second will and keeps asking people about it until she knows where it must be and then follows people around (trucks at the time left distinctive tire tracks on dirt roads, which makes things easy!) until she finds it. All of which leads to what is (for her) a satisfactory conclusion. There isn’t even any mystery to her thought processes, as she spends the whole book thinking aloud. But the hook is set as “a far more baffling case than the one she had just solved” beckons. Onward the franchise.

Drew index

Marvel Knights: Make the World Go Away

Marvel Knights: Make the World Go Away

The Marvel Knights are a superhero team with a complicated publishing backstory and, on Earth-616 (if you care about these things), a fluid line-up. I think they were always headed by Daredevil though.

What I like about them is that most of the members are meat-and-potatoes type grinders rather than mutants or aliens or deities with otherworldly powers. In this limited series written primarily by Donny Cates the Knights are Daredevil, Punisher, Elektra, and Black Panther, with the Hulk sort of tagging along to open doors. (Note: Before I get asked in the comments, I believe the figure on the cover appearing on the far right is Karnak, one of the Inhumans. I don’t know why his picture is on the cover. He’s not with the Marvel Knights here.) Aside from the Hulk they’re all just really athletic fighting machines, good with guns and martial arts but that’s about it. And that’s all I want most of the time.

The story here I found really intriguing. Matt Murdock (Daredevil) wakes up in a graveyard not knowing why he’s there or who he is. He’s met by Frank Castle (Punisher) who is a cop in this timeline, and who has also forgotten his secret identity but is being led around by a weird-acting Bruce Banner, contacting the members of the Knights. All of whom are stuck in the same state of amnesia.

But it’s not just the Knights. The whole world’s memory has been wiped by some unspecified “machine,” basically rebooting this corner of the Marvel universe. So reassembling the Knights is a difficult enterprise since none of the members knows or trusts any of the others. Poor Frank in particular gets the crap beaten out of him by pretty much everybody.

I thought this was an interesting premise and it worked well. Like I say, these heroes are grinders and that part of their identities is emphasized as they often make do with substitute, makeshift costumes. The Punisher just has a t-shirt with his logo. Black Panther has a face mask with some fangs on it.

Unfortunately, I thought it was an idea that needed more room to run. A lot more room. There are things going on that aren’t explained — though they may be elsewhere, in some other timestream. We’re not told what the machine is or its purpose. Doctor Doom and Kingpin are both involved, with Doctor Doom apparently knowing more about what’s going on, but neither of them tell us anything. (As an aside, I was also impressed at how powerful Kingpin has been getting. He’s almost another Hulk at this point, and just smashes Doctor Doom, which surprised me.) The status of Karen Page was mystifying. Angel? Ghost in the machine? And finally the ending was quite abrupt and anticlimactic. The Hulk does his thing and the machine has a reset button so that everyone can just get switched back to normal.

Disappointing then, but disappointing because there wasn’t more of it. I felt like they could have let it run for some more issues and given it a better ending. But comics are all about the churn and keeping the pipeline flowing. Finish one story arc and then on to the next.

Graphicalex

Churchgoing

I’ll bet you didn’t know Guelph had a B.A.C. That’s a Big Ass Cathedral. It’s right downtown and its proper name is the Basilica of Our Lady of the Immaculate Conception. Or just the Basilica of Our Lady for short. If you want the brochure bit:

The Basilica of our Lady Immaculate has been a place of worship and reflection for over 125 years. The Basilica is constructed of local limestone in the Gothic Revival style. It towers over the Guelph community as a constant reminder of God’s love and a community’s resilience. Designated a National Historic Site, it is the most visited tourist destination in the city of Guelph.

After an intensive five phase restoration spanning many years, the restoration was completed in December 2014. There was a special dedication mass at the Church on December 8, 2014, and it was at this mass that Bishop Crosby announced that our Holy Father Pope Francis had elevated our church to the status of a Basilica in honour of its rich history and the importance of this parish in the Diocese of Hamilton and the City of Guelph.

In the fall of 2015, the Basilica of our Lady Immaculate was recognized for the restoration of the church. The Canadian Association of Heritage Professionals awarded their 2015 Award of Excellence to our Church. This is the largest respected collective of heritage professionals involved in the preservation of our national heritage properties. In November we received the Peter Stokes Award by the Architectural Conservancy of Ontario.

You can read a lot more, and see professional pictures at their website.

I’ve been inside it exactly once, to listen to a chorus a friend was singing in.

This is a view from the parking lot.

And this is the view taken standing in the same spot as the first picture, but turned around and looking at beautiful downtown Guelph. Photos have a way of flattening hills. If you look over that hedge there are three steep flights of steps leading up to the cathedral. That street is a long way down.

Anyway, there’s your local tour. Drop by and visit anytime!

Holmes: The Case of the Gifted Amateur

The multifaceted J. C. Masterman published this slight send-up of a Holmes story in 1952, and it still stands as one of the more complex entries in that genre.

So much so that one might even ask if it’s a send-up. The story is narrated by Inspector Lestrade, who is being interviewed at a Surrey nursing home by a writer digging for Holmesiana. As is so often the case, Lestrade is less interested in Holmes’s exploits than he is in his own, being the hero of his own story. He does, however, manage to recall this tale of the theft of the Dark Diamond of Dungbura from a semi-locked room (we know who went in and out of the room, and that the thief couldn’t have been anyone else). The reason he shares this story with the interviewer is because he sees it as casting Holmes in a bad light, as little more than the “gifted amateur” he wants to make him out to be.

But does he? It’s a quick story with a nifty trick to it, as there’s one person with access to the room who we don’t suspect. The real question though is whether Holmes might be ahead of the game, and is only looking on with a sense of irony as the culprit falls into what was a trap while the Gifted Amateur ends up getting paid.

That’s the feeling I had anyway, coming away from the story thinking that it was another example of Lestrade being too thick to understand, even after the fact, that he’s been played.

Holmes index

“Love” sounds a little strong

They have these banners up now all over downtown. Civic pride, I guess. Because this town isn’t a real tourist destination so most of the people seeing them are locals anyway. So isn’t that a little like loving yourself?

Not sure I love Guelph. But on balance it’s a nice place to live. Nicer than most other places I’ve been, or can think of.

The crowns, by the way, are a reference to our identity as “The Royal City.”

Ka-Zar: Lord of the Shadow Land

Ka-Zar: Lord of the Savage Land

Not my thing.

Ka-Zar was basically Marvel’s answer to Tarzan, the son of an English lord who was raised by a saber-tooth cat named Zabu in the Savage Land after his father’s untimely death. He didn’t have much in the way of super powers, but was a muscular guy in a loincloth who could usually hold his own against most superheroes and villains. At some point he married a jungle babe named Shanna the She-Devil and had a son named Matthew. Also at some other point he got killed but he was brought back to life. Which is where this series kicks off as a hero reboot.

And it’s quite a power-up, right down to his now high-tech breeches. Ka-Zar has gone from being a Tarzan figure to becoming something more like DC’s Animal Man, channeling the strengths and abilities of whatever animal he wants (including dinosaurs, which still live in the Savage Land). In fact, he’s even more than this now, and the comparison I made most readily was to Swamp Thing as the Knight of the Green. But then Animal Man was more recently revealed to be the defender of the Red or animal world, so these books are all talking the same language. Suffice to say that Ka-Zar is not just the Lord of the Savage Land but a god. Indeed, he even proclaims himself the God of Balance, which I thought being a bit full of himself, even if it’s true.

To be honest I never found Ka-Zar that interesting, but somehow with this new mythological overlay I found him even less so. And his domestic set-up with Shanna and Matthew (now a teenager) was dull too. The only bright spot here is the bad guy he’s up against, a figure known as Domovoy the Flesh Weaver. Now I didn’t really know what Domovoy was, or what his issues were, but he looks like a sort of walking octopus and he’s the half-machine creator (or perhaps just the leader) of an army of “Polyscions” who are also biotech monstrosities. As far as I could Domovoy the Flesh Weaver and the Polyscions (a great band name) constituted some sort of Savage Land death cult. They sort of have an environmentalist point of view, but it’s tainted by all their machine parts. In any event, Ka-Zar has become one with all of nature and so has evolved to a point where he knows that “death is just the beginning of a new phase.” Like Swamp Thing, he is now an eternally dying and reviving god, here to preach a green gospel: “Domovoy’s technology won’t save us. It’s callous to think so. The only thing that can save us now is being mindful. We must focus on today and reintegrate ourselves with nature. It’s sincerely that simple.”

As with so many of today’s comics I found myself thinking that less would have been more. Shanna doesn’t have much to do here aside from nursing Ka-Zar back to health, while freckle-faced Matthew is the most annoying character I’ve come across in a long time. This would have been a better comic if those two had been left out of things and Ka-Zar had fought Domovoy one-on-one with only his hands and some stone-flaked knives. But the mythic impulse seems irresistible, and it’s become a fatal attraction.

Graphicalex

Bookmarked! #141: The Fun Years

Take a book to bed instead . . . of what? A bottle? A blonde?

I don’t know when I picked these up, but it says they were printed in the mid-1980s which sounds about right. Bookstores and libraries used to always have stacks of free bookmarks like these at the checkout but now you rarely see them.

Book: Written in Water: The Ephemeral Life of the Classic in Art by Rochelle Gurstein

Bookmarked Bookmarks