American Vampire Book Two

American Vampire Book Two

The initial run of American Vampire comics jumped around a bit time-wise, but told a coherent story about the spread of a special strain of vampirism in the American Old West, led by the original American vampire, Skinner Sweet. An American vampire is a tougher strain than his Old World forebears, you see, and Skinner himself is well-nigh indestructible. Luckily there are forces arrayed against him, including an ancient society of vampire hunters called the Vassals of the Morning Star and Skinner’s own vampiric (but upstanding) descendants: Jim and Felicia Book, and Pearl Jones and her normie husband Henry Preston.

This anthology collects four standalone storylines set in the same American Vampire universe and it constitutes more of a grab-bag than Book One. Scott Snyder is still the writer for all of them, though his original partner Rafael Albuquerque only draws the first and last sections. Once again we’re on a rollercoaster trip through American history. In the first story, “Ghost Wars,” it’s the Second World War and Henry Preston is sent on a mission with a bunch of guys from the Vassals of the Morning Star to take out a vampire colony on a Japanese-occupied island during the Pacific campaign. Skinner Sweet has come along for the ride, which, when Pearl finds out, leads to her joining her hubby on the island and leading to a lot of vampire-on-vampire violence. The second story, “Survival of the Fittest,” has Felicia Book and her boyfriend, Cash McCogan, heading off to Nazi Germany just before America’s entry into the war to investigate a possible cure for vampirism. There they run into a legion of Nazi vampires and an ancient race of super-vampires the Nazis were trying to exterminate. This leads to another battle royale and a lot of vampire-on-vampire violence. The third story, “The Beast in the Cave,” is set in New Mexico Territory in 1871, which is before Skinner Sweet has been turned into a vampire. He and Jim Book are U.S. soldiers fighting Indians and the natives have a secret weapon in the form of a reawakened vampire woman named Mimiteh. And in the final story, “Death Race,” we’re in California in the mid-1950s and a James Dean-type rebel in a hot rod turns out to actually be a vampire hunter named Travis Kidd. He’s on the trail of Skinner Sweet, who we must figure has a hundred lives by now. The Vassals try to give Travis a helping hand but he prefers to work alone.

In other words there’s a whole lot going on and things only connect in the loosest of ways. For what it’s worth, I thought the fourth story was the best and the third the weakest. I’d actually forgotten about Felicia Book and Cash McCogan from the original story, but the Raiders of the Lost Ark vibe from “Survival of the Fittest” worked pretty well. “Ghost Wars” had a lot of action but I thought the story flimsy. In any event, Snyder was clearly intent on stretching the basic mythology in a bunch of different directions, and while the results were a lot less coherent than the original series it’s all entertaining enough if you just want to enjoy the action.

Graphicalex

Bookmarked! 170: Cats and Frogs

A few months ago I posted some simple bookmarks they had at the checkout station in the library. Well, they’ve upped their game a bit with these. Sure they’re still just being punched out with a form, but they’re thicker paper and they’re colorful. So they look cute and do the trick.

Book: Volcanic: Vesuvius in the Age of Revolutions by John Brewer

Bookmarked Bookmarks

Holmes: Art in the Blood

I began my notes on Jefferey Deaver’s “The Adventure of the Laughing Fisherman” by saying I wasn’t sure to include it in this index because it wasn’t a Sherlock Holmes story. “Art in the Blood” by Laura Caldwell is from the same anthology (In the Company of Sherlock Holmes, edited by King and Klinger) and it’s much the same, also being set in contemporary Manhattan with characters who are inspired by the canon but without Holmes. And though I thought it quite well written, it didn’t hit the mark for me.

The main character is an art dealer named Drew Dekalb VanWerden who finds out that someone has swapped a famous painting he’d just sold with a forgery, something that will destroy his reputation if the switch is ever discovered. That reputation is of being “the Sherlock Holmes of the art world,” a title granted by the press due to his skill at detecting a counterfeit. At first Dekalb rejects the idea that he could have been party to such a fraud, but after an inspection of the painting, which involves a bit of high-society comedy set in a fashionable apartment, he realizes that the claims are true.

What has happened is that a former lover of his, a young man named Benjamin (“Binny”) Moriarty, has pulled the swap, angry at how Dekalb had mistaken his love for Dekalb with mere social climbing. All of which results in a violent climax and the Sherlock Holmes of the art world landing in prison, where he gives lectures on old masters.

It’s a good read, but I didn’t see much of a connection to the canon aside from the names. Was Doyle’s Holmes, with his trained eye for physical detail like traces of tobacco or footprints, so poor a judge of character? That would be an interesting point to make, certainly arguable anyway, but I don’t think Caldwell does more than glance at it on her way.

Holmes index

In a way, it’s almost like I won

I don’t usually play the lottery, but if the prize money gets high enough I’ll pick up a ticket. A couple of weeks ago the prize was $90 million so I got a quick pick (which means the numbers are automatically generated). I just checked my ticket yesterday (I knew I hadn’t won the main prize) and was struck by my numbers. For this draw there are 52 numbers (1-52), so if your first number is a 44 you know you’ve got the back end covered! This ticket was the equivalent of the numbers being 1-2-3-4-6-8-9.  I don’t think I’ve ever had a ticket like this before.

Empire of the Dead: Act One

Empire of the Dead: Act One

The set-up for Empire of the Dead felt so much like that of George Romero’s movie Land of the Dead that I had to check the dates. Once again we’re in New York City (the “Empire” in the title is for “Empire State”) sometime after the zombie apocalypse. A social elite live in high-rises while a military force keeps the zombies at bay and an underclass survive on eating rats while being entertained by zombie fights held in Central Park. But the zombies, while always restless, are getting smarter. We follow one of them, a former SWAT team member named Xavier, as she returns to the city with actual thoughts in her head.

A lot of this sounds like Land of the Dead, but the movie had come out ten years earlier and this story adds one big wrinkle. Those elites who run the city are actually . . . vampires! It seems the bloodsuckers are a few rungs ahead of the flesh-eaters in the hierarchy of the undead, being smarter and all, but there are complications. As I understood it, a vampire can actually be turned into a zombie if they become infected, so if that happens they have to be “excommunicated.” To kill a zombie you still have to shoot them in the head, but to kill a vampire you have to split the heart in two, left side from right. It doesn’t have to be with a wooden stake.

At least that was what I thought was going on, mainly gleaned from some expository dialogue. But if you get killed by a vampire, do you come back to life as a vampire, or a zombie? Or a zombie-vampire? That seems to be a live question with one victim that the doctor character here is studying. I’ll also add that the doctor is the sister of Barbara from Night of the Living Dead, whose story is retold and extended a bit in a nice little bit of fan service.

You’ll have guessed from this that there’s a lot of world-building going on. And I did find the notion of zombies vs. vampires kind of interesting in an Underworld-style monster mash-up sort of way. But I don’t know if I’ll ever find out what happened as Act One is only the first of three volumes of this series (each containing five issues) and I haven’t been able to find the other two anywhere.

Graphicalex

Movie Mags: Marquee Volume 9 Number 6, August/September 1984

Marquee Volume 9 Number 6, August/September 1984

Steve Martin and Lily Tomlin in All of Me. I only have vague memories of seeing ads for this movie when it came out. Something about the two of them swapping bodies or something like that. I honestly don’t know. They were both pretty well known stars at the time. Today I think this movie has been almost totally forgotten.

But there are a lot of forgotten movies in this issue. The ad is for Cloak & Dagger, starring Dabney Coleman and Henry (E.T.) Thomas. The film being profiled on the facing page is The Adventures of Buckaroo Banzai Across the 8th Dimension. I’m pretty sure I saw that one, but I don’t recall it now. I think it has a bit of a cult following today.

For the films mentioned in the “On Location” feature: The River (didn’t see it, but was aware of it), Johnny Dangerously (I think maybe I did see it, but can’t remember it now), Dune (saw it), Oh, God III (they made three of those? I only saw the first one), The Goodbye People (never even heard of that one), Irreconcilable Differences (divorce was actually a big theme in movies into the 1980s), and American Dreamer (never heard of it).

Movie Mag index

Deck the yards

Over the last couple of years I’ve posted pics of some of the standout Halloween yard decorations. There were some more good ones this year.

I had a pic of this set-up in 2024 and thought it was quite busy then. Well, they’ve added even more to it. There’s a lot going on.

I never saw The Nightmare Before Christmas but I recognized this character as Jack Skellington. What I like about this display is that Jack’s ghost dog Zero is also included.

The standout is this giant Frankenstein’s monster. There’s actually a motion sensor built in to it, so when I’ve been walking by this week it comes on and Frankie’s eyes light up and he growls and waves both his arms up and down. Impressive. This second pic shows more of the yard.