Holmes: Art in the Blood

I began my notes on Jefferey Deaver’s “The Adventure of the Laughing Fisherman” by saying I wasn’t sure to include it in this index because it wasn’t a Sherlock Holmes story. “Art in the Blood” by Laura Caldwell is from the same anthology (In the Company of Sherlock Holmes, edited by King and Klinger) and it’s much the same, also being set in contemporary Manhattan with characters who are inspired by the canon but without Holmes. And though I thought it quite well written, it didn’t hit the mark for me.

The main character is an art dealer named Drew Dekalb VanWerden who finds out that someone has swapped a famous painting he’d just sold with a forgery, something that will destroy his reputation if the switch is ever discovered. That reputation is of being “the Sherlock Holmes of the art world,” a title granted by the press due to his skill at detecting a counterfeit. At first Dekalb rejects the idea that he could have been party to such a fraud, but after an inspection of the painting, which involves a bit of high-society comedy set in a fashionable apartment, he realizes that the claims are true.

What has happened is that a former lover of his, a young man named Benjamin (“Binny”) Moriarty, has pulled the swap, angry at how Dekalb had mistaken his love for Dekalb with mere social climbing. All of which results in a violent climax and the Sherlock Holmes of the art world landing in prison, where he gives lectures on old masters.

It’s a good read, but I didn’t see much of a connection to the canon aside from the names. Was Doyle’s Holmes, with his trained eye for physical detail like traces of tobacco or footprints, so poor a judge of character? That would be an interesting point to make, certainly arguable anyway, but I don’t think Caldwell does more than glance at it on her way.

Holmes index

In a way, it’s almost like I won

I don’t usually play the lottery, but if the prize money gets high enough I’ll pick up a ticket. A couple of weeks ago the prize was $90 million so I got a quick pick (which means the numbers are automatically generated). I just checked my ticket yesterday (I knew I hadn’t won the main prize) and was struck by my numbers. For this draw there are 52 numbers (1-52), so if your first number is a 44 you know you’ve got the back end covered! This ticket was the equivalent of the numbers being 1-2-3-4-6-8-9.  I don’t think I’ve ever had a ticket like this before.

Empire of the Dead: Act One

Empire of the Dead: Act One

The set-up for Empire of the Dead felt so much like that of George Romero’s movie Land of the Dead that I had to check the dates. Once again we’re in New York City (the “Empire” in the title is for “Empire State”) sometime after the zombie apocalypse. A social elite live in high-rises while a military force keeps the zombies at bay and an underclass survive on eating rats while being entertained by zombie fights held in Central Park. But the zombies, while always restless, are getting smarter. We follow one of them, a former SWAT team member named Xavier, as she returns to the city with actual thoughts in her head.

A lot of this sounds like Land of the Dead, but the movie had come out ten years earlier and this story adds one big wrinkle. Those elites who run the city are actually . . . vampires! It seems the bloodsuckers are a few rungs ahead of the flesh-eaters in the hierarchy of the undead, being smarter and all, but there are complications. As I understood it, a vampire can actually be turned into a zombie if they become infected, so if that happens they have to be “excommunicated.” To kill a zombie you still have to shoot them in the head, but to kill a vampire you have to split the heart in two, left side from right. It doesn’t have to be with a wooden stake.

At least that was what I thought was going on, mainly gleaned from some expository dialogue. But if you get killed by a vampire, do you come back to life as a vampire, or a zombie? Or a zombie-vampire? That seems to be a live question with one victim that the doctor character here is studying. I’ll also add that the doctor is the sister of Barbara from Night of the Living Dead, whose story is retold and extended a bit in a nice little bit of fan service.

You’ll have guessed from this that there’s a lot of world-building going on. And I did find the notion of zombies vs. vampires kind of interesting in an Underworld-style monster mash-up sort of way. But I don’t know if I’ll ever find out what happened as Act One is only the first of three volumes of this series (each containing five issues) and I haven’t been able to find the other two anywhere.

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Movie Mags: Marquee Volume 9 Number 6, August/September 1984

Marquee Volume 9 Number 6, August/September 1984

Steve Martin and Lily Tomlin in All of Me. I only have vague memories of seeing ads for this movie when it came out. Something about the two of them swapping bodies or something like that. I honestly don’t know. They were both pretty well known stars at the time. Today I think this movie has been almost totally forgotten.

But there are a lot of forgotten movies in this issue. The ad is for Cloak & Dagger, starring Dabney Coleman and Henry (E.T.) Thomas. The film being profiled on the facing page is The Adventures of Buckaroo Banzai Across the 8th Dimension. I’m pretty sure I saw that one, but I don’t recall it now. I think it has a bit of a cult following today.

For the films mentioned in the “On Location” feature: The River (didn’t see it, but was aware of it), Johnny Dangerously (I think maybe I did see it, but can’t remember it now), Dune (saw it), Oh, God III (they made three of those? I only saw the first one), The Goodbye People (never even heard of that one), Irreconcilable Differences (divorce was actually a big theme in movies into the 1980s), and American Dreamer (never heard of it).

Movie Mag index

Deck the yards

Over the last couple of years I’ve posted pics of some of the standout Halloween yard decorations. There were some more good ones this year.

I had a pic of this set-up in 2024 and thought it was quite busy then. Well, they’ve added even more to it. There’s a lot going on.

I never saw The Nightmare Before Christmas but I recognized this character as Jack Skellington. What I like about this display is that Jack’s ghost dog Zero is also included.

The standout is this giant Frankenstein’s monster. There’s actually a motion sensor built in to it, so when I’ve been walking by this week it comes on and Frankie’s eyes light up and he growls and waves both his arms up and down. Impressive. This second pic shows more of the yard.

Moonwalk

Seeing as Halloween is coming up this weekend I thought I’d post this pic of a full moon that I took while out for my morning walk a couple of mornings ago. It almost looks like a daytime shot, but actually it was hours before sunrise.

Criminal 7: Wrong Time Wrong Place

Criminal 7: Wrong Time Wrong Place

I’ve mentioned before how bleak the Criminal comics are. I don’t know if Wrong Time Wrong Place is any worse in that regard, but it’s a real downer. After surviving a brutal stint in prison in the mid-‘70s, Teeg Lawless takes his little boy Tracy on a road trip that’s directed toward various violent and criminal ends. The upshot of it being that Tracy realizes his course is already set in life and he’s just going to end up the same as his dad. It’s sad, but credit to Brubaker and Phillips for conveying that message so effectively.

It’s a simple story, padded out by lengthy fragments of comics that are being read by Teeg in prison (a Conan rip-off called Zangar the Savage) and Tracy on the road (a Werewolf by Night crossed with Shang-Chi effort called Fang the Kung-Fu Werewolf). This is a bit of self-regarding fun that the creators have indulged throughout the series, from the Frank Kafka strip in Bad Night to the Archie-style flashbacks in The Last of the Innocent. Unlike with those earlier examples though, I didn’t think the comic-within-a-comic thing served much of a purpose here. I suppose the comics are just meant to be escapist fantasies that also make some glancing comments on the action. Teeg is Zangar and Tracy is Fang, without the same scope for heroic action.

A coda has Teeg stealing some Christmas presents for his two boys that turn out to be girls’ toys. Another heist gone wrong in Center City, leaving everybody worse off and unhappier than before.

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