The debt bomb

A couple of months ago I had a post wondering about the possibility of a Great Crash occurring in 2026. There were various reasons for concern, which I tend to focus on because in investment terms I’m what’s known as a permabear. Meaning I always feel like everything is about to collapse.

I was thinking more on this subject this past week for a couple of reasons. First of all, I was talking to an acquaintance who is a financial advisor and I told him how I thought the economy was about to go smash and that the trigger was going to be a debt crisis. This rhymed with something Andrew Ross Sorkin says in the introduction to his recent book 1929: “The almost singular through line behind every major financial crisis is one thing: debt.” If you had parents or grandparents who grew up in the Great Depression you know this because they probably drilled it into you. When things get bad, debt is the multiplying force, making everything much worse.

When I said this to the financial advisor he immediately asked what kind of debt I was talking about. I said every kind. Or all three levels, as these things are usually arranged. To go through them in order:

(1) National debt: A few days ago the U.S. announced that their debt had hit $40 trillion, a number that would have been simply unimaginable only ten years ago. In that same decade (actually it’s been less than ten years) the debt has doubled. As a result, the U.S. has spent almost $1.4 trillion in the last 12 months alone on interest payments, which is more than they spend on their military or on Medicare (and they spend a lot on those things). The numbers are staggering, and unsustainable. Note how this chart just begins in 1995.

There are only a few ways of getting out of such a debt spiral. First, the U.S. could renounce their debt completely and effectively declare bankruptcy. This is unlikely. Second: the usual right-wing talking point has it that the economy can grow its way out of any debt. This is frankly impossible now, so much so that my jaw actually dropped when Treasury Secretary Scott Bessent said in an interview just a couple of days ago that “there’s nothing magic about the $40 trillion number, and we can grow our way out of that.”

This is a fantasy and Bessent knows it. If he didn’t, he found out when he tried to bring bond rates down by buying up debt (at the same time as he was claiming $40 trillion was just a number), an action that brought less than 24 hours of relief. Nevertheless, his boss would echo Bessent’s statement just a little later the same day, saying “The way you take care of debt is with growth . . . the growth will take care of that [the debt] very easily.” The commander-in-chief then made the bizarre pronouncement that “The ultimate intervention is our military. And if we have to use that, we will.” No one knew what he was talking about.

So that leaves the third alternative, inflation, which is already rising as a result of tariffs, an energy shock, and the rate at which the Federal Reserve has been printing money since COVID. This is the most likely scenario, but it’s one where the solution brings a host of other problems in its wake.

There are two things I’d add. First of all, I’ve been talking about the American situation only because any American crisis is going to be felt all over the world, maybe even worse than in the U.S. And second, the situation in the U.S. is all the fault of their federal government. The war in Iran was a war of choice. The One Big Beautiful Bill (a budget bill) blew up the debt. Trade wars and tariffs are inherently inflationary. What’s happening now is the result of deliberate policy decisions. None of it had to happen.

(2) Business or corporate debt: I think this is a huge problem but not discussed as much because much of the debt is hidden in the labyrinth of private equity and the shadow banking system. Enough is known about the sheer amount of debt being concealed though to cause some anxiety, as credit spreads are widening and lenders are looking to insure themselves (read: cover their asses) by creating the sort of hedges that will sound familiar to anyone who remembers 2008. Collateralized debt obligations (CDOs). Special purpose vehicles. Subprime lending. It’s all coming back. They haven’t even changed the names.

The purpose of all these maneuvers is to keep debt off the books. And we’re talking a lot of debt, though the exact figure is being kept as secret as possible. When the tide goes out though, as Warren Buffett has said, we’re going to see a lot of people have been swimming naked.

(3) Personal debt. Consumer debt and credit card debt is at an all-time high and personal savings are now at their lowest levels since it became possible to keep track of such things. What I find particularly concerning though is how margin debt in the U.S. (money borrowed to invest in the stock market) has exploded by nearly 50% in the past year, going from $1 trillion to $1.4 trillion. One place you see this is in the take-off in the number of leveraged ETFs that are being launched, though the preferred language now is to call these “enhanced” rather than “leveraged” funds. Note in this chart that the numbers for 2026 are lighter shaded because they only count funds launched so far, not for the full year.

A little leverage can be a useful part of any investment portfolio, juicing your gains, but leverage works against you when things go south. This was seen in a couple of examples just this month: (1)  the frequent shutdown of the Korean stock exchange as single-stock leverage ETFs went into death spirals and (2) the collapse of the Situational Awareness hedge fund, which skyrocketed by making leveraged bets in AI infrastructure stocks but then had to be sold off when its positions (they were leveraged up to 400%) became untenable.

Retail investors buying stock on margin is of course one of the things that created the conditions for the Great Crash in 1929. It is taking off again now as more and more people come to view investing as the equivalent of gambling or sports betting. The consequences may be the same. Most people will lose.

No one can say for sure what’s going to happen to the global economy in the months ahead, but my concern is only growing more pronounced as I see these conditions worsening and not much in the way of a rational political response. Meanwhile, any increase in interest rates now will be seen as the sounding of the final trumpet in the Book of Revelation, which perhaps it would be since the debt accumulated has been the result of cheap money and any tick upward in its cost will be disastrous. There are a lot of bad loans out there.

So I think we’re moving ineluctably towards something more profound than a mere stock market correction, and I think the triggering event for a significant economic crisis is going to be related in some way to these debt issues. But as a permabear I always expect disaster, which means I’m always happy to be proven wrong. I hope for the best while fearing the worst. Nevertheless, I feel so sure about a crash coming within the next year that I’m happy to put a pin in this prediction. A year from now we’ll see if I was right or wrong.

Captain America: Winter Soldier

Captain America: Winter Soldier

I actually hadn’t read this comic, which came out in 2005-2006, before seeing the 2014 movie they made of the same name that was loosely based on it. I remember liking the movie but honestly can’t remember a thing about it now except for the return of Bucky Barnes as a Russian killing machine with a cyborg arm. Which was all it really took from the comic, as it turns out.

Apparently bringing Bucky back from the dead was a big deal, as writer Ed Brubaker tells us in an afterword to this collected edition that recounts how Winter Soldier came to be. “There are several constant truths in Marvel Comics, or unwritten rules, if you will. And one of them was, no matter what else you did, Uncle Ben, Gwen Stacy . . . and Bucky Barnes all stayed dead.” So, leaving aside the long, phantasmagoric afterlife of Gwen Stacy, coming up with a storyline where Bucky didn’t die in that midair explosion but fell into the sea and was flash frozen, to be picked up by the Russians and turned into a super Cold Warrior, was pretty radical.

And it works. I thought Brubaker crafted a detailed and complex story with plenty of moving pieces and WW2 flashbacks. It really sucked me in. Indeed, the only problem I had with it is that it wrapped up too quickly, with the aid of that laziest of all plot devices the Cosmic Cube. Otherwise I was on board with all of it, which I wasn’t expecting given that Bucky Barnes was one of those teenage superhero sidekicks I dislike so much. Robin. Rick Jones. Bucky Barnes. I can’t stand them.

But Bucky, who was Brubaker’s “favorite character” as a comic-loving kid, is all grown up here and he’s quite the bad-ass. The thing is though, he’s not really that important a character in this story arc. He’s mostly kept in the shadows until the end, and the main story line has to do with Cap trying to figure out what’s going on with the Russian general and the Cosmic Cube. I found all of this quite engaging though, both in terms of the plot and the characters. The art wasn’t quite my thing aside from the somber palette, but overall I think this is a comic that deserves its high reputation in the Captain American canon.

Graphicalex

Bookmarked! #159: Upper Canada Village

Upper Canada was what Ontario was known as in the olde days. Upper because it was further up the St. Lawrence, as opposed to Quebec, which was Lower Canada. Upper Canada Village is a “living history” tourist destination located in Morrisburg, a town on the St. Lawrence. I think I may have gone there once as a kid, but I don’t remember. If I did, I’m sure I didn’t get this bookmark on that visit so somebody must have got it for me later.

Book: Nature and Selected Essays by Ralph Waldo Emerson

Bookmarked Bookmarks

Holmes: The Rape of the Sherlock

In his introduction to this squib in The Big Book of Sherlock Holmes Stories, editor Otto Penzler says that “To describe it as trivial overpraises it. It is included here as a curiosity – nothing more.”

Small praise indeed! But understandable, given how slight a story it is. Its main claim to fame is that it was written by Winnie the Pooh author A. A. Milne, who was also a mystery writer himself. It was first published in October 1903, making it contemporary with Doyle’s “The Adventure of the Empty House,” which was the story that brought Holmes back from the dead. So here we have Holmes appearing to Watson like a ghost and explaining that he’d been in hiding since apparently falling from the Reichenbach Falls. The title has no relation to anything, not even Pope’s poem. As for Moriarty, “There is no such man. It is merely the name of a soup.”

That’s not much of a punchline, and it’s not much of a story. I include it here only as a curiosity.

Holmes index

Criminal 1: Coward

Criminal 1: Coward

Coward is the first volume in the Criminal series of semi-standalone neo-noir crime stories by Ed Brubaker and Sean Phillips. I say semi-standalone because each can be read independently but they’re set in the same fictional “universe” (as we have to call these things nowadays) and they share recurring characters and themes.

The coward of the title is a thief named Leo Patterson, though his reputation as yellow is partly a disguise. It leads people to underestimate him, and the fact is he isn’t so much cowardly as careful, always thinking of the ways a job can go wrong and planning in advance. His caution keeps him out of jail and makes him a survivor.

There is a plot here involving some crooked cops enlisting Leo to help them with a heist, but the way it works out is pretty much just the regular sort of thing, with double-crosses and fallings out. What I thought set Coward apart was the character of Leo, who feels authentic and well-rounded. He grew up in the trade, and now cares for his elderly uncle Ivan, who is both a junky and suffering from Alzheimer’s. Though despite this Ivan is still mostly functional, or functional enough to be a problem.

We’re very much in Sin City-style territory here, and if I had a gripe about Coward it’s that the ending is so clichéd and predictable. But it’s still better than most contemporary crime comics, thanks to Brubaker’s writing and Sean Phillips’s thick lines, shadowed faces, and signature starburst gun flares. I’m sure the rest of the series will be more of the same, but I’m down for it anyway.

Graphicalex

Curb appeal

Hats off to the people living in this house, which I often walk by on my way to the bank. All of these flowers are planted outside their backyard fence, so they can be enjoyed by pedestrians. That just makes the world a nicer, brighter place. (You can click on the pic to make it bigger.)

Hulk: Gray

Hulk: Gray

This was a six-issue miniseries by the all-star team of writer Jeph Loeb and artist Tim Sale that was first published in 2003-2004. It’s an oversize comic, on the scale of Marvel’s Grand Design series, though I believe it came out before that series started.

I loved seeing Sale’s art blown-up to this size, though I could have lived without the wide side borders on every page. The full-page and double-page spreads are like movie posters and they’re used really effectively throughout. The Hulk is a big dude and he can fill a page any size. Sale has a great sense of space and he can move from epic vistas looking like Monument Valley to close-ups of the Hulk’s mouth full of rocky teeth. You can tell Sale had a lot of fun with those teeth.

As great as it is to look at, I’ll admit that after a while I was just turning pages without reading it very closely. I thought Loeb, whose The Long Halloween is probably my favourite Batman comic, really mailed this one in. It’s a tired story that basically retells the Hulk’s origins, covering the 24 hours after Dr. Bruce Banner was caught in the explosion of the Gamma Bomb. The Hulk steals away into the desert with Betty Ross, and first Iron Man (in his vintage yellow “tin can” suit) and then General “Thunderbolt” Ross (Betty’s father) chase after him. The whole thing takes the form of a flashback, with Bruce relating these events to the superhero shrink Dr. Leonard Samson. It’s a narrative device that didn’t serve any real purpose, as their back-and-forth didn’t add anything and the ending was the flabbiest part. I guess it’s a breakthrough for Bruce to realize that Betty Ross really loved him as both monster and man? I don’t know. It all seemed pointless to me.

So a great comic to look at, with nice lettering too by Richard Starkings, but the effect is almost like a coffee-table book that you just want to pick up and flip through. I ended up doing that a lot. But I wasn’t into reading it.

Graphicalex