Superior Spider-Man Team-Up: Superior Six

Superior Spider-Man Team-Up: Superior Six

A pull quote on the cover says “This comic is a must read.” Meh. That’s generic praise. But then the source is a website called Unleash the Fanboy. What? Well, I’d like to tell you something about that site but when I went and checked it wasn’t there. So some pop-up blurb farm I guess.

I wouldn’t call Superior Six a must read but it is very good, continuing the high level of superhero action and storytelling chops on display in Versus. I think the character of the Superior Spider-Man was probably a lot of fun to write, given how he’s such a super-intelligent snob. But the different adventures he gets into are also well crafted and had me hooked.

There are three mini-stories in this volume. In the first Spidey has somehow gained mind control over the Sinister Six, rebranding them as the (you guessed it) Superior Six. Together they get in a fight with the Wrecking Crew and when Spidey’s control over his gang comes undone it looks like he’s in real trouble until a MacGuffin blows up and saves the day. In a coda, Superior Spider-Man wonders if maybe his arrogance is getting him into trouble and putting innocent people at risk. But a meeting with Namor (no slouch in the arrogance department himself) soon has him believing in himself again. That is, being an asshole. Thank goodness!

In the second story Spidey teams up with the Punisher and Daredevil to take on the Green Goblin’s crew, which has infiltrated the Spider-Base. This was just OK. It didn’t seem to go anywhere (because it’s part of a larger storyline), but I liked seeing the Punisher and Daredevil. Then in the final part we get a bunch of backstory about Doc Ock (as he then was) and Norman Osborn. This story ends up with the personality (soul?) of Peter Parker reasserting itself and Doctor Octopus fading away, leaving us with the original “Amazing” Spider-Man. And I think that was it for this series.

So good writing by Chris Yost and Kevin Shinick, but it’s kind of disjointed because with all the crossovers Marvel was running you feel you’re only getting pieces of other, larger arcs. Which sort of defeats the purpose of having these collected volumes in the first place.

Graphicalex

TCF: The Yoga Store Murder

The Yoga Store Murder: The Shocking True Account of the Lululemon Athletica Killing
By Dan Morse

The crime:

On the night of March 11 2011 twenty-eight-year-old Brittany Norwood beat her co-worker Jayna Murray to death in a Bethesda, Maryland Lululemon Athletica store. Norwood claimed the store had been invaded after hours by a pair of masked men who had killed Murray and tied Norwood up in the course of robbing the place, but that story soon unwound and it became clear that Norwood had staged the murder to make it look like a break-in. Norwood was convicted at trial of first-degree murder and sentenced to life without parole.

The book:

This was a very dumb crime that was easily figured out by the police after Norwood’s initial explanation of what happened started to come undone. You have to put a lot of planning and work into such a complex false narrative to pull it off, and Norwood seems to have given little thought into what she was doing at all. And that’s where the real mystery comes in.

It’s the same mystery that Dan Morse returns to again and again in this book: Just why did Norwood kill Murray? And in such a savage way?

Murray was beaten on by at least five and maybe as many as seven or eight different weapons. Norwood just grabbed whatever was at hand, including a knife, a hammer, a wrench, and a merchandise peg (a short, bent iron bar with a plate at the end used to hang clothes from). Forensics figured Murray was struck over three hundred and thirty times. There were also slicing and cutting wounds that experts interpreted as signs of sadism. It’s estimated that the beating continued for around fifteen minutes.

Obviously this was an act of extreme rage. But investigators couldn’t figure out why Norwood went off like this. The lead prosecutor even made the decision to try the case without putting forward a motive: “he knew he had to leave out one important detail that might prey on jurors’ minds: he couldn’t tell them why Brittany killed Jayna.” Later, during their deliberations, the jurors did indeed puzzle over this but finally had to shrug their shoulders and move on. They didn’t need to know her motive. “You know what?” one of them said. “Maybe in ten or fifteen years, Brittany Norwood will come out and explain why she did this. But the fact of the matter is we don’t have to know.”

It remains a mystery – Norwood didn’t testify at her trial and refused to be interviewed for this book – but maybe not as big a one as Morse makes it out to be. The murder was not deeply premeditated but a crime of passion. And Norwood was a hothead already, whose life was coming undone. She enjoyed living a lifestyle beyond her means, and working in a high-end shop in a tony neighbourhood probably didn’t help with her bad financial habits (a.k.a. “a taste for nice things”): eating at pricey restaurants and bars, buying fancy clothes, getting a membership at expensive gyms, attending NFL football games (in good seats), and having her hair done by top stylists.

No need to ask how she could afford any of this. She couldn’t. By the time of the murder she had ambitions to become a personal trainer but was in fact working as an escort as a side hustle, finding dates on sugar-daddy websites. Having reached such a point, and then being confronted by Murray with being fired (for a second time) on proof of theft from the store, she lost her shit. Or as her attorneys more diplomatically put it, “Ms. Norwood became overwhelmed with emotion during a confrontation, and before she could regain her composure, she committed the unthinkable.”

Morse looks into the possibility of psychopathy as well, but I’m not sure I’d go that far. Norwood was immoral, self-centered, and had a lack of empathy and poor impulse control (her out-of-control spending is evidence of that). But I don’t think she was a full-blown psycho. She wasn’t a good person, but I think her meltdown was the kind of thing that happens to a lot of people. It played out in a spectacular and tragic fashion though.

Noted in passing:

Morse puts Lululemon Athletica in lowercase throughout the book. So “lululemon athletica.” I think this is the way the company styles it for branding reasons but I don’t think it’s necessary or appropriate for a writer or journalist to follow those same guidelines and I found it really irritating.

Lululemon is a successful Canadian brand of athletic wear. I don’t know much about them, even though they seem to be what all the women are wearing at the gym these days. I guess they’re a good product, but the whole lifestyle-branding thing they push makes them sound like a cult to me. And a creepy corporate one at that. But this seems to be the way brands work these days.

Takeaways:

Norwood had worked previously at another Lululemon location but been fired by the store manager for suspicion of theft and abusing the discount privileges given employees. However the company did an internal investigation and found there were other cases of “discount abuse” that did not result in termination so they overturned the store manager’s decision and reinstated Norwood, telling her she could work at another location.

This is not the way to do it.

I’ve dealt with difficult and maybe even crazy people in workplace environments. People who just get warnings or who get moved around. I’m not saying it should be easier to fire people in general, but what I do advise is avoiding any half measures in cases like this. You can’t call bad employees in for a little talk and think things are going to improve. You get your ducks in the row and once you’re sure, you fire them. Lululemon should have got rid of Norwood when they had the opportunity – that is, before she came to the Bethesda store – but they dropped the ball.

True Crime Files

Batman: Year 100

Batman: Year 100

Batman: Year 100 begins with our hero being chased across the rooftop of an apartment building by a pack of dangerous-looking dogs while helicopters hover overhead and a police dragnet draws tighter. It’s a moment that’s effective for a couple of reasons. In the first place it throws us right into the middle of the action, which is set in the year 2039 (that’s a hundred years after Batman’s first appearance in 1939). What is Batman doing here? Did he invent a time machine? Get sucked into a dimensional vortex? Is this even the same, original Batman, now dimly remembered only as an urban legend or bogeyman? We don’t know the answers to these questions and indeed we never find out. It’s all just a given, and I think the comic is stronger for not trying to explain any of it.

The second reason I like this way of starting out is that it sets the tone for much of what follows. Batman is constantly being chased in this series, a wanted man in a dystopic future police state. The federal police (“wolves”) are the usual jackbooted thugs, but they’re only the foot soldiers of an oppressive surveillance apparatus that puts cameras in eyeballs and even includes the use of mind-reading telepaths. It’s all Batman can do to stay one jump ahead of these guys, and when they do catch up he really takes a beating.

One reason he suffers so much damage is that he’s not encased in his usual body armour. Instead, his costume looks like a lumpy pair of sweats. Paul Pope even deliberately made the sleeves too short so that his wrists poke out of the gap between the cuffs and his gloves, giving “a sense of his concealed human vulnerability.” This isn’t the mecha-Batman of Justice Buster or the more conventional massively-muscled All-American Batman. He looks more like a guy in burlap pyjamas, and I loved it.

In fact I loved almost everything about this comic. I’m constantly being impressed at how writers and artists can continue to make something not only new out of this old warhorse of a character but something really good. The story here is first-rate, with a really neat plot twist I wasn’t expecting, and while I’m not personally fond of Pope’s style of drawing I did get used to it and thought it made for an interesting complement to the violence the characters endure. Faces seemed slapped together out of clay, especially with regard to mouths, and when the beatings come they look like they’re being slapped apart again. There’s also a lot of room for ambiguity, beginning with the cover of the trade paperback which I had to look at for a long time to figure out. I think I finally got it, but there I felt like they should have gone with something different.

This collection of the full four-part series runs without breaks, which were so seamless I couldn’t identify them. Also included is Pope’s “The Berlin Batman,” which re-imagines Batman as a crime fighter in Weimar Germany. Batman in this story is the alter ego of “Baruch Wayne,” a wealthy socialite. I wasn’t blown away by this story, but it makes for a nice extra.

So there you have it. Off the top of my head I’d rank it only behind classics like Frank Miller’s The Dark Knight Returns and Loeb and Sale’s The Long Halloween in the running for my favourite Batman storyline. Maybe every ten years you can count on something this good coming out.

Graphicalex

Bookmarked! #76: Bookstores No More XI: The Book Cellar

This store wasn’t actually located in a cellar. I think they just liked the pun. It operated at street level, across from the fashionable Four Seasons Hotel in Yorkville (as the bookmark here proudly points out). Perhaps because of its convenient location it was apparently known as the book store to the stars because people like Elizabeth Taylor, Mick Jagger, and Madonna were seen shopping there. I believe it closed its doors in 1997.

Book: The New Princeton Encyclopedia of Poetry and Poetics (ed. Alex Preminger and T. V. F. Brogan

Bookmarked Bookmarks

Holmes: The Red-Headed League

I kicked off my thoughts on A Study in Scarlet by talking about the duality that the Holmes stories have been taken as embodying, and how one critic saw Holmes and Watson as just such a doubling, not unlike the “duality of man” theme explored in the Strange Case of Dr. Jekyll and Mr. Hyde. I thought of that again reading this story, not only because Watson explicitly draws attention to Holmes’s “dual nature” and its bipolar swinging “from extreme languor to devouring energy,” but for the way the pawn shop faces two ways: onto a quiet square and then, just around the corner, onto a fashionable main traffic artery. The two streets present “as great a contrast . . . as the front of a picture does to the back.” “It was difficult to realize as we looked at the line of fine shops and stately business premises that they really abutted on the other side upon the faded and stagnant square we had just quitted.” This is not unlike the home of Dr. Jekyll, which presents “a great air of wealth and comfort” at the front, while the back door (which Mr. Hyde uses) is in a state of dirty disrepair.

It’s just another connection that leads you to think not that Doyle was systematically building up this kind of dualistic model but that this was just the way his mind worked. And to be sure it was an idea that psychology was beginning to explore in more depth at the same time.

Putting all that aside, this was a favourite story of Doyle’s and has been for many of his readers, in large part I think because it’s so silly and relatively easy to solve. Mr. Jabez Wilson is slow not to see through the transparent ruse to get him out of the house for a few hours a day: paying him a goodly salary just for having red hair and being able to copy out pages of the Encyclopedia Britannica. Then again, he needed the money so we have to excuse him. People always believe what they want or need to believe to get them through the day. As readers, however, it’s pretty clear what’s going on, and at the first mention of the bank’s location you should be locked in.

I wonder when this particular criminal plot was first seen. The story came out in 1891 and I have to think somebody had come up with the idea before that. It may have been something Doyle got from an actual heist. In 1828 Australia’s first bank robbery had a gang of men tunneling off a sewer drain into a bank vault. I don’t know if there’d been many fictional accounts of similar operations though. There was a robbery in London (on Baker Street, no less) in 1971 that was apparently based on “The Red-Headed League.” “Life imitates Art far more than Art imitates Life” (Oscar Wilde, 1889).That Baker Street robbery was in turn dramatized in a 2008 film called The Bank Job, and may have also provided the inspiration for the heist in Sexy Beast. There are only so many plots for criminals, or authors, to make use of.

Holmes index

DNF files: There Is No Ethan

There Is No Ethan: How Three Women Caught America’s Biggest Catfish

By Anna Akbari

Page I bailed on: 20

Verdict: I had really, really high hopes for this one. A woman, with the help of some similarly situated friends, tracking down an Internet romance scammer sounded like a great story. And in fact the story turned out to be a lot weirder than I was expecting. As it turns out, the scammer here, who presented himself as “Ethan Schuman” online, was actually a New Jersey woman named Emily Slutsky who had degrees in nuclear science, biomedical engineering, and literature from M.I.T. and who was at the time a medical student in Ireland. She would later become a practicing gynecologist back in the U.S. That’s weird! And interesting. I mean, she wasn’t even getting any money from these women she met online. She just seemed addicted to the game.

But boy did the first chapter, which is all I read, put me off reading any more. I did skip ahead and read the Afterword, but after Ethan’s initial “courtship” of Akbari I had to pull the plug.

So what triggered me?

Akbari is a sociologist with a special interest in the construction and performance of identity. She also was a veteran of the online dating scene when “Ethan” hooked her. So no excuses there. What led to her undoing then? As has been stated countless times before, but is still worth repeating, a con works when it tells people what they want to hear, and encourages them to believe what they already want to believe. And for most people this isn’t something that’s hard to figure out, as most people want the same things. You may get upset at someone “telling you what you want,” but in fact this is easy to do. When it comes to dating it’s even easier, as there are mountains of data telling us exactly what it is we want. Romance scammers, appealing to either gender, don’t have to work very hard.

Akbari was an easy mark. She gives Slutsky far too much credit for her special insight into a well-educated, professional woman’s needs, due to her in fact being a well-educated, professional woman. But some guy working in a boiler room in Nigeria knows just as much what buttons to push. These aren’t professional secrets.

And so I laughed out loud at the dating profile “Ethan” had set up and posted on OKCupid. He was, of course, 6-foot-tall, good looking (Emily used some old pictures of a guy she knew, so “Ethan” also looked much younger than he claimed to be), a graduate of Columbia and M.I.T. (where he got a Ph.D. in applied math), drove a BMW, worked in finance (Morgan Stanley, of course), lived on the Upper West Side, split his time between NYC, DC, and Ireland, and had a dog named Harvey.

Oh, please! Tall, good-looking, rich (the Holy Trinity, or triple-6s), hyper-educated at the top schools, vaguely progressive, a job in international finance, a fashionable and affluent address, has a dog . . . it’s like Emily used a template, not even bothering if any of it was believable. It’s the equivalent of a female catfish dating profile of an attractive young woman in a bikini who loves to cook and “take care of her man.” In other words: a complete joke, and I would have thought a transparent one at that.

If “Ethan” were real these qualities would put him somewhere in the top 0.1% of the value charts. Guys like this are not on dating sites. And if they were, they likely wouldn’t be interested in the women who fall for them. But Akbari – who has to be praised for her openness and honesty, however deluded she may have been – “wanted an equal” and thought she’d found one in “Ethan.” “Ethan was impressive – there was no denying that,” she tells us. “But we felt well matched.” We felt? Who’s that we? Akbari had a Ph.D. in sociology and was teaching at NYU. As the Reverend Elton tries to explain to Emma Woodhouse, everybody has their level.

The word usually used to describe the dating strategy at work here is hypergamy: the idea that women only date and mate up (men are less concerned with status). Akbari, whose doctorial dissertation had been on “aspirational identity,” was dreaming a romantic cliché in thinking she’d found a soulmate in “Ethan.” But no different in any respect from any female victim of this con that we’ve heard about. And again I applaud these women for their honesty, and note in passing that I believe statistics show that slightly more men fall victim to romance scams than women, only we hear less from them. But just to take other examples that have recently been reported on in the news, there is no way a “starchitect” who designs luxury resort properties around the world, or a former special forces soldier who looks like a model from a men’s fitness magazine, or a businessman with his own private jet, is going to be interested in a middle-aged office administrator or nursing assistant living in Des Moines. Or, for that matter, a university teacher, tenured or not.

Akbari didn’t need to be more on guard, she needed to be more self-aware. Instead of admitting (to herself at least) that she was looking to move up she couches her quest to find love in terms of finding an “equal . . . who matched my energy and curiosity,” “romantic companionship” and “emotional connection.” This is the crap you put on your profile page. But you can’t believe your own propaganda.

My cynicism doesn’t come from any of this background analysis though, but instead is a response to how the language of love has degraded in the age of instant messaging. Even in the longer-form missives “Ethan” indulged in, he sounds dull, superficial, and frankly insulting toward Akbari right from the get-go. Is this what people mean by having “game”? Reading their correspondence I couldn’t for the life of me see what she was seeing in the guy’s personality. Which reinforced my feeling that she wasn’t interested in his personality at all, but perhaps more in the generic alpha-male profile. It was his “cleverness, his openness, and perhaps most of all, his eagerness to keep the conversation going that swept me off my digital feet.” No evidence is given of any of these qualities. Not one display of wit, creativity, humour, or even intelligence.

Was Akbari just lying to herself? Probably. But in writing a book about her experience I couldn’t help feeling that she either still hadn’t figured all this out or wasn’t being quite as open and honest as I was being led to expect. In any event, I was, as I say, triggered, and despite how interesting a story it seemed to be I just skipped to the end and tossed it.

The DNF files

Asterix and the Goths

Asterix and the Goths

I think the Asterix comics were all stand-alone stories. At least I never thought there was any sort of continuity in the series. But as things kick off here we have Panoramix heading into the Forest of the Carnutes for the annual druid convention, which is an event that had been foreshadowed in the previous volume, Asterix and the Golden Sickle. What set the ball rolling in that story was that Panoramix had broken his sickle just before the meeting of druids in the Forest of Carnutes. So it does feel like there’s a shared timeline in place.

There’s a lot of plot stuff here that already had become established. Like Asterix and Obelix letting themselves get captured and then turning the tables on their captors. What I found most interesting though was the way the Goths (broadly: Germans) are among the few non-Romans in the series to be presented in an almost entirely negative light. I’m guessing there’s some political-historical stuff going on there, especially when they’re wearing Pickelhaube and their standards have a Nazi colour to them. Gauls vs. Goths is French vs. Germans, and this time the French get to win.

Graphicalex

Pretty houses

Back when I was doing a lot of puzzles this kind were always my favourite. Because you can pick up almost any piece and from looking at the picture you had a pretty good idea of where it was going to go. We had a few of these folk-art inspired puzzles that I did several times.

Puzzled

Zomnibus

Zomnibus

The title actually means something here, as this is an omnibus edition of three very different comic series, all dealing with zombies. It’s a bit unevenly weighted though, as the first two series are pretty standard after-the-apocalypse, Walking Dead kind of stuff, while the third is billed as the “Complete Zombies vs. Robots,” which is something else entirely. So let’s break it down.

Feast!: this was a very meat-and-potatoes zombie story. A busload of dangerous convicts crashes just after the zombie apocalypse, leaving the cops and cons having to work together to survive. They wind up in a small town where some other survivors have boarded up a building hoping to ride things out. The usual small-group dynamics and power struggles ensue as the number of survivors gets whittled down.

Being a fan of all (or most) things zombie, I enjoyed reading it. And the downbeat ending helped give it a bit more punch. Because all things considered, there was nothing exceptional about it.

Eclipse of the Undead: I mentioned in my lede how the first two stories here are standard zombie stuff, and evidence for that includes the way characters in both recognize immediately that they are living in a world already defined by the rules laid down in zombie movies. In “Feast!” the first character to twig to what’s going on says “You fuckers ain’t ever watched the movies? Zombies, man . . . Zombies!” In this story, while nobody knows how it happened, the zombie apocalypse is old news on arrival. “We saw them in the movies, in the funnies, we were almost used to them – a joke like Frankenstein or Dracula – but the fact is . . . the dead came back.” Specifically, George Romero’s living dead came back. Welcome to the metaverse.

The story in “Eclipse” (so titled because there is an eclipse, though I don’t know what the significance of that is) is even more basic than “Feast!” What we have is a bunch of people, abandoned by the military, breaking through the zombies besieging their refugee camp, which has been set up in the Los Angeles Coliseum. The usual small-group dynamics and power struggles ensue. The same good-guys and bad-guys having to work together, or falling out in ways that lead to their destruction.

I guess this was OK, but again there was nothing new about it. Even the old samurai guy seemed like a cliché.

The Complete Zombies vs. Robots: here we have the meat and the brains of this particular zombie feast. A now classic comic written by Chris Wyall and illustrated by Ashley Wood, Zombies vs. Robots is  fun, smart, and looks great. I don’t know if the series is complete even now though, so I don’t know how accurate the title is. What you get here are the first two volumes: Zombies vs. Robots and Zombies vs. Robots vs. Amazons.

This is not a comic you can just breeze through. The first time I read it, which was I guess fifteen years ago, I remember being confused as to what was even going on. There’s a complicated plot that involves time-jumping and the unexplained appearance of mythical beasts to join in the fun. I don’t think there are layers to the story though, and it’s enough to just enjoy the general parallel drawn between “the inhuman and the no-longer-human.” Or as the first page breaks it down: “Zombies! Braindead automatons and rotting reminders of man’s hubris! Robots! Brainless automatons and constructed remainders of man’s potential!” That’s great stuff.

If I were to sort it out a bit, I thought the first volume was the best. I love the possessed warbot that looks like a cross between R2-D2 and a tank, with a Punisher logo for a face. I couldn’t really figure out where the Amazons were coming from in the second volume, and didn’t think they were as interesting as the scientists. But it still played well and I thought it made an original contribution to the annals of zombie lore. Alas, I’ve heard rumours of a movie being in the works, and I don’t see how that will pan out. I guess all we can do is hope for the best.

Graphicalex

Bookmarked! #75: Writers’ Trust

The Writers’ Trust has a bunch of literary prizes that they give out in different categories. The names sometimes change for branding purposes, but here’s a selection I’ve picked up celebrating the winners from previous years. From left to right: 2015 Vicky Metcalf Award for Literature for Young People, 2015 Hilary Weston Writers’ Trust Prize for Nonfiction, 2007 Rogers Writers’ Trust Prize for Fiction, 2015 Rogers Writers’ Trust Prize for Fiction, and the 2017 for Vicky Metcalf Award for Literature for Young People

Book: The Annotated Sherlock Holmes by Sir Arthur Conan Doyle (ed. William S. Baring-Gould)

Bookmarked Bookmarks