Marple: Tape-Measure Murder

I have to give Agatha Christie a lot of credit for being able to write in such a way that she somehow manages to conceal her clues in plain sight. This is a quick story and very simple in outline and I went in to it figuring I’d catch her out. But I must have been half asleep because she gives it away right in the title, and with a ridiculously conspicuous clue in the middle of the story that Miss Marple herself points to.

I remember years ago reading an analysis of Christie’s writing that showed how it had measurable soporific qualities. So maybe I was half asleep. It’s the only explanation I can come up with. Yes, there is some misdirection, but even that’s pretty obvious. And it’s not like we’re provided with all the information Miss Marple has. But we do get enough to finger the guilty party. I failed, and have no excuse.

Adding to my collection of Britishisms, I was surprised at the use of the word “tweeny” to describe a member of the household staff. I thought the girl in question might have been quite young and what was meant was that she was a “tween,” which is a term sometimes used to describe kids aged 8-14. But I looked into it and in fact it has (or had) a more specific meaning: a maid who assists both cook and housemaid. Since most households these days don’t have regular cooks and housemaids, I imagine “tweeny” in this sense has pretty much gone out of use as well.

Marple index

Putting my feet up

Not every word I pull a blank on is some obscure, archaic, or technical term that I feel no shame in not knowing. Sometimes I’m baffled by a fairly common or everyday word that I’ve just never heard before. Ignorance may be embarrassing to admit, but we can’t grow our vocabulary through shame. In that spirit . . .

I was recently re-reading Ross Macdonald’s first Lew Archer novel. The Moving Target, and in the final pages came across a description of a young lady sitting in a living room, “hugging her legs on a hassock beside the fireplace.”

Hassock? I was reaching for a dictionary.

Here’s what I learned. The word “hassock” has its origin in the Old English hasec, which means a clump of grass. And in some dictionaries it still has that secondary meaning. Which is apparently the same as “tussock,” another word I never use though one I have at least heard of.

From being a clump of grass the use of hassock was transferred to something soft to either sit or kneel upon. Specifically, it was used to describe the cushioned rest that you kneel on when praying in church. These are also called “kneelers.” I’ve never heard them referred to as hassocks, but then I don’t spend a lot of time in church.

More commonly though, a hassock is a large thick cushion used either as a seat or for resting your feet on. This is how it is used in The Moving Target. I would just call it a footstool or ottoman, and have never heard the word hassock before. At leat that I can remember. I’d read The Moving Target before but I guess I just skipped over it.

If you go online you will find that there is a distinction that’s made between ottomans and hassocks. Here’s how one website put it: “Ottomans are versatile and multifunctional, working as footrests, extra seating, coffee tables, or storage. They often have a flat, sturdy surface, perfect for holding items. Hassocks, on the other hand, are all about simplicity and comfort. They’re smaller, often cushioned all around, and mainly used as footrests.”

The key distinction is that ottomans have storage space while hassocks do not. This surprised me, as I wouldn’t have thought of ottomans as storing anything. I just thought they were cushioned footrests. Like hassocks. Except hassock is a word I’ve never used.

From my readings I think it’s clear that the word hassock isn’t used a lot by anyone anymore, and no longer serves much of a function since ottoman and footstool or footrest basically mean the same thing now.

Words, words, words

Chew Volume Four: Flambé

Chew Volume Four: Flambé

Are things coming together, or breaking further apart? I’m not sure. The previous Chew volume, Just Desserts, ended with strange letters in flames being written in the sky, presumably by aliens. In this book a couple of people seem to have a vision of what the letters mean, but one of them is a voresoph – someone capable of superhuman mental feats after consuming vast quantities of food (so the more he eats, the smarter he gets) – and he basically eats himself to death, while the other is the mysterious Mason Savoy, and at this point in the story nobody knows what he’s up to.

Some old characters are back doing their thing, like Poyo the killer cockerel, the busty lethal ladies of the USDA, and the murderous Vampire, while we’re finding out more about others, such as the fact that Tony’s sister, Toni, as well as his daughter Olive, are cibopaths as well. One very fringe figure comes back from an earlier comic, reborn as the high priestess of a chicken cult, while other characters that were fairly central (Tony’s girlfriend Amelia Mintz and Ray Jack Montero, the guy who was trying to make frogs taste like chicken) are MIA.

In short, more weirdness. But I liked it and respected that it felt like Layman and Guillory were still stretching the limits of what they could do with all this.

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Ghostyards

Halloween is coming up this week. These inflatable lawn decorations seem to be all the rage.  I did a post on one of the more excessive last year. Here are a couple of others I saw yesterday morning. I like the pirate ship with the skeletons overboard. (You can click on the pics to make them bigger.)

MAD’s Al Jaffee Spews Out More Snappy Answers to Stupid Questions

MAD’s Al Jaffee Spews Out More Snappy Answers to Stupid Questions

The title is quite the mouthful, but it was a follow-up to a previous volume of Snappy Answers to Stupid Questions. Al Jaffee explains the background in an introductory interview with Nick Meglin:

NM: Is this book a sequel to “Snappy Answers to Stupid Questions”?

AJ: No, it’s a sequel to the Bible!

NM: Was the first book a success?

AJ: No, it was a failure! They always do sequels of failures!

NM: Was it difficult coming up with entirely new situations and gags?

AJ: No, it was easier! It’s always easier after you’ve done it all and there’s nothing else to write about!

That should give you some idea of the sort of humour that’s on tap. And surprisingly it works. You’d think such a simple idea, repeated over and over again, would get tired pretty quickly, but Jaffee mixes things up well. For example, he includes mini-stories told in the form of a series of snappy answers to stupid questions, one of which is even done in rhyme, with a “smart aleck Hippie” getting blown up by some hardhat workers.

Now personally I don’t like snappy answers to any questions when I encounter them in the real world or online. I think it’s just people trying to be smart and usually succeeding only in being rude. But I didn’t mind the insults here, plus there were also some “stinging comebacks to snappy answers” and other jabs at the snapsters along the way (including what happens to the aforementioned hippie). So it was all fun in MAD’s typical early ‘70s style. A style that’s maintained right down to the plugs and the book’s dedication:

To the people at MAD who made it possible, and the people at the Internal Revenue Service who made it necessary!

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Holmes: The Crooked Man

When it comes to mystery and detective fiction I’ll confess I subscribe to the “fair play” doctrine. This is the principle, which some authors make expressly, that the reader gets all the same clues as the detective. What this avoids is a situation where the detective just pulls a rabbit out of a hat at the end, explaining the mystery by way of some evidence that we haven’t been told about. Sure you can still have a great mystery that doesn’t play by these rules, but I appreciate it when the author sets a fair challenge.

Sherlock Holmes seems to have felt the same way, as we learn when he upbraids Watson at the beginning of “The Crooked Man.” It’s a point he makes just after remarking on how Watson has had a busy day. Watson doesn’t know how he managed to deduce this and so Holmes explains:

“I have the advantage of knowing your habits, my dear Watson,” said he. “When your round is a short one you walk, and when it is a long one you use a hansom. As I perceive that your boots, although used, are by no means dirty, I cannot doubt that you are at present busy enough to justify the hansom.”

“Excellent!” I cried.

“Elementary,” said he. “It is one of those instances where the reasoner can produce an effect which seems remarkable to his neighbor, because the latter has missed the one little point which is the basis of the deduction. The same may be said, my dear fellow, for the effect of some of these little sketches of yours, which is entirely meretricious, depending as it does upon your retaining in your own hands some factors in the problem which are never imparted to the reader.”

That said, the effect here is again at least mostly meretricious, as Holmes basically just walks back the events of the night Colonel Barclay dies until he comes to their source in the titular crooked man, who quickly spills the beans. There are red herrings, like the footprints made by a small animal, but little in the way of clues. Even the use of the name “David” is an allusion that ties into an exotic backstory that Holmes had no way of knowing anything about until Harry Wood told him what happened back in India during the days of the Mutiny.

As a bonus, Holmes never says “Elementary, my dear Watson” anywhere in the canon. What he says in the passage quoted above is as close as he ever comes to that famous line. That kind of thing happens more than you might think. Bogart, for example, never says “Play it again, Sam” in Casablanca.

Holmes index

Daredevil: Know Fear

Daredevil: Know Fear

This volume is the beginning of a Daredevil story arc written by Chip Zdarsky and illustrated by Marco Checchetto. It’s a bit of a “born again” theme, again, but it’s an odd sort of a launch because Daredevil is coming back to life from a near fatal collision (the “Death of Daredevil”) only to get the crap kicked out of him by nearly every bad guy he meets and then being argued into retirement by Spider-Man

The overall tenor is quite dark. Wilson Fisk is mayor of New York City in this timeline, and you know he’s up to no good. Daredevil himself is a diminished thing. He hasn’t fully recovered from his last near-death experience, has a few days’ worth of stubble growing under his mask, and has trouble even taking out street thugs, much less bona fide supervillains. Even the tough-as-nails Chicago cop Cole North can beat him up in a fist fight. On different occasions he has to be bailed out by superpals like Luke Cage and Iron Fist, or the Punisher (who often pops up at such moments). At one point he’s shot, but (you’ll never guess) it’s only in the shoulder, so he can keep going by taking pain meds. On top of all this he’s starting to wonder if he’s maybe doing more harm than good, especially when he accidentally kills a perp. This leads to lots of tortured reflections and flashbacks to his Catholic upbringing, and his eventual decision to get out of superheroing altogether. He’s not only the man without fear now, but a man without a real purpose in life.

When I say the tenor is dark this is what I mean. It’s Batman dark, and that’s the main feeling I got reading it. Matt Murdock is feeling some Bruce Wayne-level angst, and being the Red Knight is the cross his therapy bears. There isn’t a whole lot of story going on either, as it’s mostly character- and world-building. Which is normally not something I’d go in for, but I thought Zdarsky did a good job with it and I came away wanting to read more. You know DD just has to get back up, dust himself off, and start all over again.

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