I wonder how relieved Maigret feels that he didn’t have kids. He does mention here that he had a daughter who didn’t survive, which I’m sure is a source of regret, but in so many of the cases he investigates kids are what get people into trouble.

The reference to his daughter, by the way, comes during a courtroom scene where Maigret is being interrogated by a defence lawyer about having struck the accused after taking him into custody. “At one point I boxed his ears, as I might have done my own son,” he admits. There’s a bit that hasn’t worn well.

I like the story though. Louis Thouret is found dead, stabbed in the back in an alley. How did he get there? As Maigret pieces together the last few years of Thouret’s life he discovers that he had led a dual life, along the lines of the Michael Douglas character in the movie Falling Down or John Lanchester’s novel Mr. Phillips. It all comes from having to keep up appearances, which is something Louis’ wife nagged him about. These are the sort of people Maigret is most drawn to in the Parisian crowd:

In former days what had struck, you might even say romantically inspired, him about this crowd in perpetual movement were those people who, discouraged, defeated and resigned, had given up on life and been swept along by the flow.

Since then he had come to know them, and they were no longer the ones who made the biggest impression on him; rather, those who did were on the rung above, the decent, honest, inconspicuous types who struggled day in, day out to stay afloat, or to foster the illusion, the belief, that they really existed and that life was worth living.

Maigret and the Man on the Bench is also one of those books where the action is driven by predatory and cruel women, and the men who try to appease them. In our own time the bathrobe has come to seem like the uniform of the man on the make; in Maigret novels it’s more often a woman in a dressing gown with a breast falling out. I should have kept count at the start of this series of how many times this happens. It’s usually just a depressing attempt at seduction by some vamp who doesn’t realize that Maigret can’t be tempted in that sort of way (they’d do better by offering him a drink). In fact, he is usually repelled by boobs, as here when visiting a woman of a certain age and noticing how “one of her breasts – always the same one, soft and wobbly like bread dough – had a tendency to slip free of her dressing gown.”

I wonder how critical a comment that is meant to be. I think a breast like bread dough would be pretty firm for a woman over 50.

This was a good one, though the ending is presented as a sort of afterthought. I think the lesson learned is not to flash your cash around, especially in certain neighbourhoods. Also don’t have kids unless you’re prepared to slap them about to keep them in line.

Maigret index

When you’re as famous a detective as J.-J. Maigret (that’s Jules-Joseph) you don’t have to go looking for trouble; it comes to your door. In this case it takes the form of a disturbed young man who drops in at his apartment and is entertained by Madame Maigret for a while but who leaves before the Detective Chief Inspector arrives, taking with him Maigret’s revolver.

I have to say, Maigret doesn’t come away from this initial bit of business that’s used to get the plot rolling looking very good. Why doesn’t he rush home when his wife calls him? Why does he stop on his way at a brasserie to have a few pastis with a colleague? Later he will apologize – to the young man! – for not getting back more quickly. Meanwhile, it is Madame Maigret who wants to apologize for not keeping the young man at the apartment, while she’s having to cook Maigret’s lunch at the same time.

I guess it’s a minor point, but like I say, it doesn’t show our hero in a good light. Or later when the couple are walking to a friend’s place for dinner and she has to tell him “Don’t walk so fast,” because “He always walked too quickly for her.” Always? How long have they been married? Wouldn’t he know this by now and slow his pace when out with his wife?

All of this is by the way, but it is something I tripped over in the opening pages. Once the story gets going here it has Maigret pursuing the young man, and his revolver, to London, where Maigret meets up with cross-Channel colleague Inspector Pyke of Scotland Yard, who we remember from My Friend Maigret. But as usual any attempt at establishing a Maigret chronology is frustrated by the offhand remark that “they had not seen each other for some time.” How long a time? Don’t know.

In my notes on Maigret and the Old Lady I speculated on whether or not Maigret could be considered an alcoholic. That’s a thought I had again here, especially when he’s stuck staking out the lobby of the Savoy Hotel, with the bar closed. Then when the bar opens he can’t get to it! This, this is torture:

His throat was swollen with thirst and from where he stood he could see the bar full of customers, the pale martinis, which from a distance looked so cool in their clouded glasses, and the whiskies that the men standing at the bar were holding in their hands.

You can bet this is a thirst that water isn’t going to relieve. And in fact when he later has dinner with the young man he’s been hunting and the young man only orders water Maigret looks down on him as a child. Grown-ups order a bottle with their meals, and if the young man doesn’t want any then that just means more for Maigret.

A quick read with a silly plot that wraps up without much of a conclusion. Alas, as Maigret has to concede, he is not God the Father but only head of the Crime Squad. A mere mortal who needs to stop off on his way home for a few drinks and who gets parched standing in a hotel lobby.

Maigret index

The Maigret novels aren’t without their moments of humour, but I wouldn’t call any that I’ve read thus far comic. Maigret, Lognon and the Gangsters comes the closest, beginning with the sad sack Lognon himself, who I don’t recall appearing before Maigret at Picratt’s. Lognon goes by the nickname Inspector Hard-Done-By and is described as “the most lugubrious individual in the entire Parisian police force, a man whose bad luck was so proverbial some people claimed he was cursed.” Very much a comic figure then, and the book begins with his going missing and Maigret having to make a visit to his wife, a scene which plays out as farce.

There is, however, a dangerous subtext. Another potentially comic character Maigret meets is the café owner Pozzo (this book was published in 1952 and Waiting for Godot premiered in 1953, so Simenon wasn’t writing under the influence). Pozzo initially seems to be acting the clown and even later will look like “one of those old comic actors whose faces have become rubbery from all their contortions.” But beneath that rubbery face, and despite his costume of baggy pants and red slippers, he is a figure of threat, with eyes that remain hard and watchful. The same might be said of some of the gangsters, Americans who come with snappy names like Sweet Bill and Sloppy Joe. And the final gunfight, which is underscored by funny moments like Maigret having a pullet pass through his hat and a tiny French policeman trying to physically constrain a giant American woman.

So maybe this is a comic novel. I don’t even think anyone gets killed, though quite a few are shot and beaten up (including poor Lognon, who is removed from “his” case pretty quickly). The plot involves a bunch of gangsters arriving in Paris and behaving as very poor guests. Maigret takes their presence as a challenge – we know he loves a challenge – and makes their capture a point of national pride. I don’t have to tell you how that works out. He shows them all . . . Absolutely!

Maigret index

Over at Goodreports I’ve posted a review of three of the books that came out on the last days of Trump: Landslide by Michael Wolff, I Alone Can Fix It by Carol Leonnig and Philip Rucker, and Peril by Bob Woodward and Robert Costa. Could this be the final chapter of the Trump saga? Trump remains the undisputed leader of the Republican Party but my own sense is that his health isn’t going to hold up well enough to run again. That said, I guess anything can happen. There may be Four. More. Years!

Something about wicked women seems to have got Simenon’s creative juices flowing. Looking back on the books I’ve read in the series, it’s the bad girls who stand out the most. Madame Le Cloagulen in Signed, Picpus was probably the worst, but Madame Serre gives her a run for the money here. Related to this fascination with such women is an instinctive loathing of men who are excessively mothered.  The Flemish House and My Friend Maigret are the best examples. I wonder if there was some psychological projection going on here, as Maigret himself is waited on hand and foot by his wife.

In any event, Maigret and the Tall Woman combines both of these elements into one of the chief inspector’s most enjoyable cases. Enjoyable in part because Maigret himself is having so much fun. Guillaume Serre is actually bigger than Maigret is, which makes taking him down into a special challenge. This will be a heavyweight match-up for the ages!

Had it become a personal matter between him and Guillaume Serre? More precisely, would events have played out in the same manner, would Maigret have come to the same decision, at the same moment, if the man from Rue de la Ferme hadn’t been a heavyweight like him, both physically and psychologically?

From the start he seemed intent to test himself against him.

Alas, that’s not quite how things work out. But the sting in the tail of this one, a doctor’s stoppage almost, is even more satisfying than a knockout.

Maigret index

After a brief hiatus I’m back posting book reviews on Goodreports.net, kicking things off with a review of Michael Sandel’s The Tyranny of Merit.

I started Goodreports in 1998, so I’ve been at it for a while now. In recent years, however, I haven’t been updating it as much. This is not, however, because I’ve been spending all my time watching movies. I still read as much as ever, about 100-120 books a year. But my reading has changed.

Most of my reading these days is non-fiction. This is either history or current political events (for the last few years that latter category could be relabeled “books about Trump”). I’ve also spent a lot of time re-reading the classics — fiction, drama, and poetry. Currently I’m working my way through a lot of Milton and Joyce. I haven’t read either author in years and I’m having a great time. But I’m not going to review them!

What I’m not reading, at least in any great quantity, is new fiction. I still cover a bit of SF, but, aside from that, in the past year I haven’t read many new novels or story collections.

I don’t think this is because of anything I’ve got against new fiction. It’s probably more a result of aging. If you only have time for a certain number of books left, why not spend it with the masters? But also, as I get older I find that works by new (that is young) writers have less to say to me. Again, this isn’t a unique feeling. I’ve heard other (old) people express the same feelings.

I’m not giving up, however, and plan on making a commitment to reading more new fiction moving forward. I just need to find some more hours in the day to make it happen.

Why is Maigret taking a room? Because Madame Maigret is visiting her sister, leaving Jules feeling lonely. Or perhaps just in need of someone to take care of him. So when his favourite inspector, Janvier, is shot in the chest while staking out an apartment building it’s only natural that Maigret himself should take a room in that same building. To find out who shot Janvier? That seems a stretch. More likely he just wants the maternal concierge (“her large breasts wobbling in her blouse like jelly”) to make a fuss over him.

There’s even less detective work than usual here. Maigret solves the crime by just looking out the window of his room and having the truth dawn on him in the usual, wholly inexplicable, way. It’s still an enjoyable outing though, especially in the way the two women who are hiding men rhyme with each other, and in the wonderful description of Maigret’s first visit to Madame Boursicault, where she attempts to lull him to sleep with her voice droning on “monotonously, like a running tap.”

I guess the Maigrets didn’t have any kids. This may help explain his need to find a surrogate family, whether it be among his stable of inspectors (he calls Lucas “son” even though he’s only about ten years older) or with the roly-poly concierge. Given it’s Janvier who takes a bullet here I was a little surprised that we got the gentle, forgiving Maigret at the end, but maybe he was just feeling a bit more fatherly toward everyone.

Maigret index