Absolute Superman 1: Last Dust of Krypton
No, I didn’t like this much. It’s a collection of the first six issues of the Absolute Superman comic and it’s all backstory, explaining how Kal-El escaped the destruction of his home planet of Krypton and crash-landed onto the Kent homestead in Kansas. The way the story is told we switch back and forth between the events leading up to the death of Krypton “years ago,” and then what’s happening on Earth in the present.
The main conceit is that the two planets mirror each other exactly. On Krypton Kal-El is raised by homesteading parents, who are effectively Krypton’s version of farmers, in an area known as the Redlands. And just as Krypton is being destroyed by subterranean forces set loose by excessive mining or fracking and its social structure pressed to the point of revolution between the different political orders (scientists at the top, labourers at the bottom, a police state maintaining the hierarchy), so a near-future Earth is dominated by a militaristic technofascist organization (the Lazarus Corporation) that keeps the miners and other plebs under its heel by brute force. The Kents are the last of the yeoman farmers in America, so Kal-El is ready to join the revolutionary underclass when he grows up and becomes Superman. Meanwhile a shadowy figure named Brainiac is keeping tabs on Superman, though for what purpose isn’t clear, while a kick-ass Lazarus agent named Lois Lane is on Supe’s tail.
As with all the Absolute Universe stories this is a pretty radical re-imagining of the title character, though not as wild as Absolute Batman or Absolute Martian Manhunter. This feels more like the familiar Superman transported to a different or future timeline. The main change is that a lot of his power seems to come from his suit, which is operated by an AI called Sol that requires solar power to recharge and that provides Kal-El (his identity as Clark Kent is never mentioned) with helpful advice and information as he goes along. And Sol is also an aid to the reader, who is probably even more at sea given how much needs to be explained about what’s going on.
But no, I didn’t like it much. It feels like it’s all background with no clear story in the foreground or villain aside from the faceless Lazarus Corp. Brainiac remains mostly offscreen and it’s only on the final page that an angry Ra’s Al Ghul rises from a Lazarus pit (so that’s how it got its name!). There’s some conflict being set up, but it’s taking some time to get going and I can’t say it hooked me, I think mainly because Kal-El/Superman remains such a vague figure. I could understand him as a boy, but on Earth he struck me as a total cipher, and not that interesting either. Meanwhile, the political subtext was pretty standard stuff for a lot of SF stories, going back over a hundred years.
Will I read the next volume? Maybe. But I’m not in any rush.
So many different Supermans, I don’t suppose you can like them all.
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Hahaha. Nope!
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Sadly, the team handling Absolute Supes didn’t do nearly as good a job as Absolute Bats. I’ve maintained for years that most modern comic artists simply don’t understand Superman and that is definitely carried out here.
If you do read the next omnibus, I’ll be interested in how things proceed.
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With Batman it seems you can never go too dark. With Superman you can. I don’t know when or if I’ll continue with this one. I really didn’t feel hooked.
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Well, if you’re not even the tiny bit interested, you should probably read the next omnibus just to make your soul suffer 😉
and turning Kal-El into Iron Man is not cool. But given that turning Batman into the Punisher worked, I guess I can see why they tried it.
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Making Superman so dependent on his suit, which seems to contain most of his powers, was a real bad idea. But I wasn’t sure how any of it was working. Fie on it.
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and don’t forget a good old “forsooth’ along with your fie.
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I’m after talking like a right proper toff this morning.
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and don’t forget your cuppa and to raise the pinky. Or Queen Fraggle shall chastise thee for being a churlish knave.
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The Redlands, huh? Not exactly subtle, is it?
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Ha! You know, I never even thought of that. And I was thinking of the Superman: Red Son comic because there is the obvious idea of the proletarian/revolutionary Superman here. But I was dialed in to the way that motif plays out in other SF stories (the enslaved underclass working below grounds while the elite live in cities in the sky).
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In this Absolute universe are Lois and “Clark” really enemies? Or do they just start out that way? I guess you haven’t found out yet, but I mean do these stories really turn EVERYTHING upside down?
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Professionally they’re enemies because she works for Lazarus, but she can’t help liking him and he saves her life at one point and you know they’re going to team up eventually.
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Oh, good. It’s nice to know not even the technofascists can stop true love!
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Well, DC did just that for a couple of years with the New52 line. That setup had Supes and Wonderwoman as a couple. Not cool.
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Lois Lane is almost a kind of Wonder Woman here. She’s no lady reporter but a kick-ass special forces operative. Even has her hair cut short. Looks good!
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I always found Lois to be the connecting human factor for Supes. He doesn’t need a Super girlfriend/fiance/wife. He needs a human woman to remind him of the vulnerabilities of humanity.
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That’s probably even more true with this Superman. The fact that he’s an alien is played up quite a bit. Oh well!
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I wouldn’t like that either. Apart from just being wrong, those superheroes have got to be able to turn off. Otherwise they’ll go nuts with all that power.
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Exactly. When they lose their humanity, bad things happen. Or you end up with the perverse “The Boys” kind of superhuman story.
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