We’ve all heard of Harry Callahan, a cop in the San Francisco Police Department who despised legal niceties. And you may remember the backlash against him and his unorthodox methods from well-meaning liberal film critics. Wasn’t Harry really just a fascist with a badge?
The controversy over Dirty Harry had been prefigured a quarter-century earlier by the reaction of critics and book reviewers to Mike Hammer (“a dangerous paranoid, sadist, and masochist” per Malcolm Cowley). No surprise, as Hammer, in this his first book, sounds a lot like Harry. He’d have been a cop himself “if there weren’t so damn many rules and regulations to tie a guy down.” You see, “cops can’t break a guy’s arm to make him talk, and they can’t shove his teeth in with the muzzle of a .45 to remind him that you aren’t fooling.”
I, the Jury is the first of Mickey Spillane’s Mike Hammer novels and he claimed to have written it in nine days. That sounds right. When Mike’s buddy Jack is killed in a sadistic manner he swears vengeance, declaring that he’s “not letting the killer go through the tedious process of the law” just so some fast-talking attorney can get him off scot-free. Specifically, he promises to take the killer out the same way Jack died, “with a .45 slug in the gut, just a little below the belly button.”
A jury is cold and impartial like they’re supposed to be, while some snotty lawyer makes them pour tears as he tells them how his client was insane at the moment or had to shoot in self-defense. Swell. The law is fine. But this time I’m the law and I’m not going to be cold and impartial.
It’s Hammer time!
Spillane is writing tough-guy, American-style detective fiction, albeit with a bit more brutality than the likes of Chandler or Macdonald. For one thing, unlike Marlowe or Archer Hammer is a tank who never gets sapped (at least in this book). Sure, sometimes the bad guys get the drop on him, but it doesn’t take long for him to turn the tables. He’s a comic-book character, and in fact that’s where he started out (under the name “Mike Lancer”) when Spillane was writing comics. Hammer’s such a force of nature that I have to admit to doing a double-take when he reveals that he only weighs 190 pounds. And that’s meant to impress us. There’s been some inflation in action heroes since then. I think today we’d expect any tough guy to be coming in at around 220 pounds of lean muscle today. But then Spillane wanted readers to be able to relate to Mike Hammer, which is one reason he never described him in any detail.
Mike is a man’s man. Which doesn’t mean he’s a “fruit,” like the odd couple in this novel. No, he has an eye for the ladies, and they look right back at him. Even the ones who aren’t nymphomaniacs (and they’re here too). What kind of woman (or “wench”) does he go for? He’s not into girls who are “tall and on the thin side”: “Me, I like ‘em husky.” Husky and busty. Or maybe they come to the same thing. Private dicks at the time, and Archer is an equal offender in this regard, had a thing for ogling a woman’s frontage.
The female psychiatrist Charlotte Manning is a lady right up his alley. He first sees a picture of her in a bathing suit: “A little heavier than the movie experts consider good form, but the kind that makes you drool to look at.” She has muscular abs, broad shoulders, and “breasts that jutted out, seeking freedom from the restraining fabric of the suit.” When he later meets her in the flesh she’ll be dressed in business garb, but still he’ll notice how her “breasts fought the dress as valiantly as they had the bathing suit.” And here she is in evening wear: “Her breasts were laughing things that were firmly in place, although I could see no strap marks of a restraining bra.” It’s like they have a life of their own. When he kisses Charlotte he can even feel them “pulsating with passion.”
It’s not much of a detective story, with few real clues to follow. Hammer just has to beat enough heads in and survive long enough (meaning until all the main suspects are killed off) so he can take down the last one standing. Which he does in a great climax that comes by way of a strip-tease, ending with a notorious and brutal final line. Comic book stuff to be sure, but it’s comfort food that’s hard to put down once you get going.
He should be a PI himself with a name like Micky Spillane.
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He actually played Hammer in one of the movies!
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How many Hammer movies are there?
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I think maybe 4? Not many.
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He should have done them all!
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I think I’ll gladly be passing on any and all of these 🙂
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I think you’d love them. There’s even one where all he does is go around killing Commies (“the dirty Red bastards!”) as violently as he can.
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Killing commies is certainly a plus, but the plethora of bosom talk is not what I need to read.
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Everybody needs a bosom for a pillow.
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I thought it was a bosun!🤣 does Peperidge Farm remember that?
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I was actually going to say bosun, but then I started wondering if anyone still remembered that classic dixpo.
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Glad it was dixpo, had a bad feeling it might be one of mine! Can’t remember what the one was where you lot did me in over it!
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If it was on his site it was a dixpo! But now I don’t even remember whose site it was on. Oh well.
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🤷♀️😁
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We all had so many crossover conversations that it would be impossible to even track down, much less remember 😀
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True! I should have screenshotted the funny ones.
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I never thought we’d need to, so that idea never even crossed my mind.
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Nope, mine neither. Never mind at least we remembered bosuns 🤣🤣
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😀
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Pepperidge Farms does remember!
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Pepperidge Farms is right off Memory Lane!
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I liked it. And unlike Harry, Hammer comes off as a likeable guy in spite of his methods. Starting the series with the whole “I, the jury” thing was a masterstroke because what guy can’t identify with that?
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Spillane came up with some great titles. As for Mike, I’m working my way through the canon and he seems to get progressively more brutal and psychopathic. And Harry made better quips.
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The progression tracks: I’ve only read 1 and 6 and he’s pretty primitive in KMD. I enjoyed both at the 3-star level, and I think I’ve got all or most of the series, but I’m not sure I’ll ever get around to reading the others.
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I have to take him in small doses. Spillane could write, but you can tell he was working at speed.
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At speed, or ON speed?
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