Lady Killer Volume 1

Lady Killer Volume 1

Sometimes you get points for keeping it simple. There’s nothing complicated about Lady Killer. It’s the story of Josie Schuller, a suburban Seattle housewife in the early 1960s who is both a perfect wife, mom, and homemaker as well as a contract killer. Creator Joëlle Jones (who does the art and co-wrote with Jamie S. Rich) says she was inspired by advertising illustrations from the 1940s and ‘50s, so once again we’re ripping off the glossy, happy vision of the surface of American life in mid-century to show the violence and rot underneath. Josie can turn a kitchen into an abattoir and clean it up so it’s spotless afterward, standing as though she’s posing for one of the satire ads that appear at the start of each issue, pitching cars with enough trunk space for a dead body or stiletto heels that can be weaponized.

And that’s it. That’s the hook. Josie’s husband and kids don’t know anything about her double life, though her crabby mother-in-law has her suspicions. After spending some time in the business and achieving what must be a pretty impressive body count Josie might be turning domestic though, wanting out of Murder Inc. Her boss decides to terminate her employment. Will Josie be able to survive and still get dinner on the table?

Even if there’s not a whole lot here, I thought it was put forward brilliantly. Jones has the style down pat – and by that I don’t just mean the ad look but also Josie’s turn as fetish pin-up model – and it was also refreshing to read a story that didn’t feel it was necessary to throw a whole lot of crazy twists or tedious backstory into the mix. There are points that remain mysterious, but they were things I didn’t care much about anyway, like who was behind the Organization. Peck is only a killer Ken to set alongside Josie as psycho Barbie. So I just sat back and enjoyed the whole thing immensely, and it left me looking forward to Volume 2. I also hear there’s a movie in the works, but I’ll approach that with suspicion.

Graphicalex

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