Over at Alex on Film I’ve been watching various movies about what’s known as TEOTWAWKI or The End of the World As We Know It. It seemed like a good time.
Most such movies have a common ancestor in Richard Matheson’s novella I Am Legend, though there are earlier literary precedents. It’s just that Matheson’s story tapped into what would become the dominant apocalyptic paradigm: not just the last man on earth scenario, but the war of that last man against all that remains. Hence the zombie apocalypse.
Matheson’s novel was first filmed in 1964 as The Last Man on Earth, and most recently in 2007 under its original title, but its most famous adaptation was 1971’s The Omega Man (not coincidentally, given the genre, these were all star vehicles, with Vincent Price, Will Smith, and Charlton Heston as the last men on earth). Unfortunately, watching The Omega Man again for the first time in years I found it fell short of how I remembered it. It’s really not much of a movie.
The Road (2009) is a more general vision of the end of days, with lots of faux-Biblical mutterings and a muddier more realistic look. I didn’t like it at all. But then I didn’t care for McCarthy’s novel much either.
Red Spring (2017) replaces zombies with vampires, which is actually more of a return to Matheson’s story. It’s hamstrung by a low budget. The Night Eats the World (2018) brings back the zombies and takes us to Paris, which was at least a nice change of scenery. I Think We’re Alone Now (2018) goes in a slightly different direction, being one of the few such stories to posit a last man on earth who is happy in that role. Until others come calling. Though not a great movie, it’s the most interesting of this bunch.