I don’t remember where I got this, or how long ago. It looks neat though.
Book: Mary Queen of Scots by Antonia Fraser
I don’t remember where I got this, or how long ago. It looks neat though.
Book: Mary Queen of Scots by Antonia Fraser
Tim Hortons Apple Fritter Cereal
Overview: An iconic Canadian brand enters the breakfast cereal market with a Post crossover of one of their best-loved donuts. At least I’m calling their apple fritters a donut because they’re baked. But some people would argue the point.
Label: Well, this really is the story isn’t it? The day before posting this review there was a story on the CBC website headlined “Bowled over: Why some Canadians are feeling duped by their breakfast cereal.” The big sticking point with labels on breakfast cereal is, and always has been, whether they include the milk you put on it with the total. Now some companies do you the courtesy of stating if the nutritional values are including milk, and in the case of this box of Apple Fritter cereal they have two columns, with and without a half cup of skim milk (yeah, as if I have any skim milk in my house). However, a lot of cereal packaging does not, which might confuse some people, especially if they’re expecting a big whack of protein. The other bit of misleading information that’s often included has to do with the presence of real fruit in fruit cereals. That can be trickier. I mean, this box says there are “no artificial flavours,” which didn’t make any sense to me. According to the ingredients listed there aren’t any apples in it so . . .
I guess it depends how you define artificial and natural. I take it these words have a technical or legal meaning, but I’m not sure what it is.
Since I always add fruit to my breakfast cereal and I sure wasn’t expecting anything healthy out of the box for a cereal based on apple fritters, this didn’t bother me. But what did was that comparing labels for different cereals is so hard. This is because they are all based on the nutritional values per one cup of cereal. But one cup is 32 grams of Apple Crisp, 43 grams of Honey Bunches of Oats, 55 grams of Shreddies, and a whopping 102 grams of Honey Nut Harvest Crunch (these are all drawn from what I have in my cereal cupboard currently). So if you want to compare them you have to get out a calculator.
I did my best with the math and was actually a bit surprised to see that Apple Fritter Cereal didn’t come off badly at all. Basically most of these cereals are pretty close in terms of sugar. Shreddies does better with fibre, which Apple Fritter Cereal has almost none of. But the bottom line is that this wasn’t as bad as I was expecting. A lot better for you than an actual Tim Hortons Apple Fritter. Donuts are deadly. With (skim) milk, a bowl of this cereal is 170 calories, with 2-3 grams of fat. An apple fritter donut at Tims is 330 calories with 11 grams of fat. Look, nobody thinks breakfast cereal is good for you. But compared to donuts or a muffin, it’s a lifesaving choice.
Review:
The flipside of this being not as devastating as I was expecting nutritionally is that the taste was quite disappointing. I thought I was going to be blown away by apple cinnamon flavour, but in this regard it doesn’t hold a candle to Apple Cinnamon Cheerios. In fact, I didn’t think there was much taste here at all. In shape and texture, the individual “fritters” closely resemble pieces of Cap’n Crunch, but that’s where the resemblance ends. Say what you want about Cap’n Crunch, but that cereal has zip. This was bland, and not in the least filling. I’m not hating on it or saying it’s inedible, but given that I have a list now of a half-dozen or so go-to breakfast cereals I can’t imagine I’ll try it again.
Price: $2.88 on sale.
Score: 4 / 10

The crimes:
“The Jefferson Bottles”: a billionaire oenophile makes it his mission to take down a fraudster selling new wine in old bottles.
“Crime Family”: a Dutch woman turns informer on her crime boss brother.
“The Avenger”: a documentary filmmaker goes after one of the key figures behind the Lockerbie bombing.
“The Empire of Edge”: insider information fuels a high-profile hedge fund.
“A Loaded Gun”: a university neurobiologist goes postal at a faculty meeting.
“The Hunt for El Chapo”: the Mexican, and ultimately U.S. authorities, finally get their man.
“Winning”: television producer Mark Burnett and the making of Donald Trump.
“Swiss Bank Heist”: a tech guy blows the whistle on a Swiss bank.
“The Prince of Marbella”: the pursuit of a high-rolling arms merchant.
“The Worst of the Worst”: a top death-row defence lawyer represents one of the Boston Marathon bombers.
“Buried Secrets”: an Israeli billionaire gets involved in the dirty business of resource development in Guinea.
“Journeyman”: a look at the life of chef/author/TV personality Anthony Bourdain.
All of these stories first appeared in The New Yorker. But even having such a prestigious publication behind you doesn’t always land you access. Keefe begins his prefatory remarks by talking about how many of these pieces were “writearounds”: “an article about a subject who declines to grant an interview.” But, he goes on to say, this does not diminish them. “Some journalists hate writearounds,” he tells us, “but I’ve always enjoyed the challenge they pose. It takes a lot of creative reporting to produce a vivid portrait of someone without ever getting to speak to them, but these pieces are often more revealing than the scripted encounters you end up with when the politician or CEO actually cooperates.”
What Keefe says here rhymed with something Michael Lista talks about in his true-crime collection The Human Scale, a book I was reviewing at the same time as I was reading Rogues. Lista describes “end-runs” (it means the same thing as writearound) and says that writing his own fair share of them “proved something profound to me: the interview isn’t necessarily the best way to know the subject of a story.”
I agree wholeheartedly, and indeed I would go even further and say chances are that a writearound or end-run is more likely to reveal something significant about the subject of a piece than one where there is a formal sit-down interview “for the record.” Because what are most interviewees going to say? Only what you would expect them to say. They have no interest in telling the truth while (ostensibly) setting the record straight or explaining themselves. They only want to shape the narrative in what are obviously self-serving ways. The reporter or biographer is better off just ignoring them and doing their own research. But writing about celebrities or people in a position of power, and the compromises that are necessarily made, is something I’ve considered at length elsewhere.
Turning to the people Keefe is writing about here, what would talking to Mark Burnett or Donald Trump have told him? I would expect Burnett to be smarter and more careful in how he expressed himself, but I’m pretty sure neither individual would say anything but what I’d expect them to say. In other words, nothing much. The futility of interviewing people like this is underscored when Keefe does, somewhat surprisingly, get to talk to Beny Steinmetz (“by some estimates, the richest man in Israel”) about his buying up mountains of iron ore in Guinea. It goes down in a totally predictable way. The point isn’t that Steinmetz just blows a lot of smoke, it’s that all he ends up saying is exactly what Keefe must have known he was going to say. He did nothing wrong. Other people are out to get him. They’re the bad guys. We all know how this story goes. So why even bother?
And why would the subjects bother, assuming they knew Keefe wasn’t just going to be a tool? At least for wealthy rogues it makes more sense to operate in the darkness. This ties into another connected theme: privacy.
In my notes on The Missing Crypto Queen I talked about how, whatever their other functions, the main reason for having cryptocurrencies is that they do an end run around the law (taxes and other financial regulations) and are used mainly for the purpose of money laundering and to keep shading dealings away from the prying eyes of law enforcement. I was thinking of that again when I came to a part in the story about sketchy Swiss banking practices and how fanatical they were to maintain their clients’ privacy. And not just their clients. Called before a committee of the British House of Commons, one bank CEO named Stuart Gulliver talked about how, at his institution, he had implemented “root and branch” reform:
But it was hard to see him as an agent of change. When committee members inquired how he chose to receive his personal compensation from the bank, Gulliver acknowledged that for many years he was paid through an anonymous shell company that he had set up in Panama – through Mossack Fonseca [the Panamanian law firm that was shut down after being exposed in the so-called Panama Papers as being involved in various tax evasion and money laundering schemes]. Gulliver insisted that he had always paid his taxes and that he employed the Panamanian shell simply for “privacy.” But he admitted his “inability to convince anyone that these arrangements were not put in place for reasons of tax evasion.”
I can see why that might be a hard sell.
It’s easy to feel ambivalent about privacy. It’s not well known, but the U.S. Supreme Court’s decision in Roe v. Wade was based on finding a Constitutional right to privacy. And fifty years later, privacy is seen as an important right in an age of non-stop monitoring and surveillance. But at the same time, privacy is also used as a shield by bad actors, particularly those with deep pockets, who can afford to buy the sort of cover that allows them to work in secret. Like people being paid in crypto, or setting up shell companies in offshore tax havens. When Keefe starts looking into Beny Steinmetz he begins by noting how “Despite his great wealth, Steinmetz has maintained an exceptionally low profile.” Despite? I think most billionaires avoid appearing on Lifestyles of the Rich and Famous or as one of the Rich Kids of Instagram. “He’s a very private guy,” one of Steinmetz’s friends tells Keefe. This is said, by the friend, to be mainly because Steinmetz is a family guy, but it has other obvious benefits. When being investigated on charges of corruption, it comes in particularly useful.
But how do you prove corruption? By its nature, corruption is covert; payoffs are designed to be difficult to detect. The international financial system has evolved to accommodate a wide array of illicit activities, and shell companies and banking havens make it easy to camouflage transfers, payment orders, and copies of checks. . . . The result . . . is “a web of corporate opacity” that is spun largely by wealthy professionals in financial capitals like London and New York. A recent study found that the easiest country in which to establish an untraceable shell company is not some tropical banking haven but the United States.
So what do you want? Protection for the little guy, a right to be left alone and to not have your data harvested with every click and text? Or more transparency for billionaires and corporate bad actors? It’s hard not to think that the rich and powerful are always going to find some way to weaponize every nice thing that comes along, so I guess we’re stuck with taking the bad with the good. All you can do, and probably should do, is be suspicious of any rich person with secrets.
This is a solid collection of reporting that reads long in a good way. The last story on Anthony Bourdain seemed the most of out of place, though I guess his drug use made him into a bit of a “rogue.” In any event, I can understand Bourdain’s popularity though his beat – food and travel – are subjects that don’t interest me much and I never watched his show. I also managed to avoid ever seeing more than maybe a couple of episodes of The Apprentice, and it’s interesting how I guess it’s taken for granted that Trump (and maybe Burnett) were both rogues without being involved in anything illegal. That we know of. But of course, we’d likely never know.
Noted in passing:
It’s often remarked how stupid even highly educated and indeed highly intelligent people can be. I was thinking of this when reading about Amy Bishop’s meltdown at a meeting of the faculty that had recently denied her tenure, which ended with her killing three of them. One of the profs in attendance who had voted against Bishop receiving tenure considered herself to be close to Bishop, and before things went to hell had “made a mental note to ask Bishop how her search for a new job was going.”
I have a hard time imagining how she thought Bishop, who she must have known was someone who did not enjoy robust mental health, was likely to take such a friendly inquiry. As it is, she ended up on her knees begging Bishop to spare her and her life was only saved because Bishop’s gun jammed. Bishop did actually try to shoot her twice.
I may have already known that the bulletproof glass in the president’s armoured car (nicknamed “The Beast”) was 5 inches thick, but it still surprised me. How do you see anything out of glass 5 inches thick?
Even more impressive though was the front door to one of El Chapo’s safe houses. Breaking this down turned out to be no easy matter.
The marines readied their weapons and produced a battering ram, but when they moved to breach the front door, it didn’t budge. A wooden door would have splintered off its hinges, but this door was a marvel of reinforced steel – some of the marines later likened it to an air lock on a submarine. For all the noise that their efforts made, the door seemed indestructible. Normally, the friction of a battering ram would heat the steel, rendering it more pliable. But the door was custom-made: inside the steel skin, it was filled with water so that if anyone tried to break it down, the heat from the impact would not spread. The marines hammered the door again and again, until the ram buckled and had to be replaced. It took ten minutes to gain entry to the house.
That’s some door! Provides quite a bit of privacy, I would think.
I’m always amazed at how cheap really rich people can be. Beny Steinmetz made a killing flipping part of his company’s interest in the iron ore range, turning a profit of over $2 billion. However, his company apparently only offered one of the parties to the deal $1 million to destroy some documents they were supposed to have. The payoff would have gone up to $5 million, but only if the company was able to win at trial and hold on to the assets. If I’d been offered such a cheap bribe I would have rejected it just on general principle.
Takeaways:
It’s hard to go through life trusting no one, but at the very least you shouldn’t extend trust to anyone who doesn’t trust you.
The Mighty Marvel Masterworks volumes present the early days of familiar heroes and in the case of the X-Men we’re talking about a clean start because they aren’t heroes who made guest appearances in other comics before getting their own. They debuted with The X-Men #1 in September 1963 as something totally new. They also didn’t have any kind of origin story because Stan Lee was apparently tired of those so he just made up the idea of them being mutants (the original name of the comic was going to be The Mutants).
But I just exaggerated when I called them something totally new. We hadn’t heard these names or seen these faces before, but as the covers of the first two issues made clear, this was a superhero team that was very much “in the sensational Fantastic Four style!” So there’s a brainy leader (Reed Richards, Mr. X/Cyclops), a pretty girl with psychokinetic powers (Invisible Woman, Marvel Girl), some muscle (the Thing, the Beast), and a Mr. Cold (Iceman) instead of a Mr. Hot (the Human Torch). I guess the main difference here is that the whole team are supposed to be teens. Or, as the cover again heralds, “the most unusual teen-agers of all time . . .” I never thought of the X-Men as teens because they weren’t in the comics I read as a kid. But again they were just starting out here (the volume collects X-Men #1-10) and Marvel was appealing directly to a teen audience. Even Namor and Professor X have faces that make them look all of about 15 years old. Iceman is the youngest, for which he is mocked and even addressed as a “teen-age brat of a mutant” by Unus the Untouchable, but I don’t see how he can be much younger than the others if they are all teens. We’re told at one point that he’s 16, so he might still be in high school whereas the others are the equivalent of college freshmen, if any of them actually go to a real school.
So the “gang” (as they refer to themselves) were still finding their way. That’s clearest in the character of the Beast, who begins not as the blue gorilla he later transformed into but a wisecracker more like Ben Grimm. But then starting in X-Men #3 he’s shown reading an Advanced Calculus textbook and his vocabulary takes a big jump up. As a character he’s found his voice, and it won’t be long before he’ll be calling Namor a “piscatorial pirate.” That’s the Beast we all know.
Given how much I like (1) early Marvel comics, and (2) the X-Men franchise, I thought I would enjoy this a lot more. The thing is, I didn’t know the early X-Men well, aside from the odd costumes. But I think you would have been hard pressed in the mid-1960s to see anything in this series. They just aren’t very good comics. A lot of the super powers on display – like the psychokinesis of Marvel Girl and Magneto, the thought projections of Professor X, and the repulsion force of Unus – are invisible energy fields that can only be represented by squiggly lines. I think every issue has a page or two or three set in the training area of the Danger Room, and these are dull and repetitive filler. The budding love between Scott (Cyclops) and Jean (Marvel Girl) is schmaltzy true romance stuff. He thinks: “If only I could tell her the words I really want to say! How gorgeous her lips are . . . how silken her hair is . . . how I love her! But, I dare not . . .” She thinks: “I can’t listen to my own heart! I must be detached . . . unemotional!” When he is injured she indulges further: “Oh, Scott! My heart just breaks when I see you so pale, so shaken! If only I could comfort you with my arms . . . my lips . . . But I know I mustn’t! As our acting leader, you’ve no time for thoughts of romance! If only we were ordinary humans . . . free to follow the urgings of our hearts! But, I mustn’t allow myself such hopeless dreams.” And he thinks: “When she stands this close to me, I forget everything but my desire to reach out . . . to embrace her!”
They definitely don’t write comics like that anymore. And that’s progress. I mean, in one startling aside we even find out that Professor X is pining after Jean but dares not express his love for her. And that’s creepy.
So here’s the first ten issues of The X-Men and they’re really not very good. There are a surprising number of typos in the text. There’s more interesting drama going on in Magneto’s League of Evil Mutants than there is among the gifted teens. And when your best villain is a truculent, unmoveable force like the Blob and supplemental figures like the Tarzan rip-off Ka-Zar are your guest headliners, then it just feels like a lot of B-listers are duking it out. I mean, get a load of the Vanisher’s costume! Is he supposed to be dressed as a flower? Even the source of the team’s name is kind of dumb: “I call my students . . . X-Men, for Ex-tra power!” Sheesh. They really needed Wolverine.
I did get a smile though out of the Vanisher demanding ten million dollars “tax-free” from the government. Because what supervillain wants to pay taxes on his blackmail money?
This was a recent present from my neighbours. They have a black cat named Kiki so they wrote in his name on the cat’s tail.
Book: Thomas Cromwell: A Life by Diarmaid MacCulloch

The crime:
On the morning of March 5, 1992 the body of 60-year-old Roger Zygmunt de la Burde was discovered lying on a couch in the library of his Virginia estate with a revolver next to him and a bullet in his head. Originally considered a suicide, police investigators began to suspect Burde’s lover, Beverly Monroe, of being his killer. Monroe had been with Burde the previous evening and was the last person known to have seen him alive. After a long battery of coercive interrogation Monroe seemed to confess to killing him. Upon being formally charged she denied having been involved and claimed to have been brainwashed by the police. She was convicted at trial, but the decision was reversed on appeal in 2003 and Monroe was released from prison. It’s still unknown who killed Burde, or if it was a case of suicide.
A year or so ago I did a bunch of research into the culture that has grown up online that deals out supposed “hard truths” about dating and relationships grounded in evolutionary psychology and big data. A lot of this on the male side – the manosphere or red-pill community – is openly misogynist, though there are similar hard truths, culled from the same sources, for women to take aim at men with.
I found myself thinking about these findings when reading The Count and the Confession because they provided a helpful paradigm for thinking about the relationship between Roger de la Burde and Beverly Monroe. Helpful in the sense of making understandable what, on the face of it, made little sense to me. This isn’t to say that I took the book as endorsing any of these paradigms, whose validity I find open to question in various ways, but I do think they provide an interesting entry point to the case. With that caveat registered, let’s dig in.
In the first place you have the question of what men want. At the most basic biological level this can be boiled down to reproductive success for young men and end-of-life health care for older ones. Burde wanted both. In terms of reproduction this was mixed in with a twist of Old World chauvinism, as only a male heir would do. He had daughters but they really didn’t count. He wanted someone to carry on his (made-up) family name. This became nothing short of an obsession in his final years, as he took to basically looking for any available womb and inquiring if it might be for rent. And I very much don’t mean he was looking for sex with younger women. He wanted a woman who was capable of having children and that was it. When he found one it was straight off to the fertility clinic and drawing up a legal agreement laying out how all this was going to work (Item 3: “Child/children will carry de la Burde name. This name cannot be changed until maturity or marriage.”).
The last part of the written arrangement, however, also provided for the second biological imperative. Item 6 states that the surrogate “obliges herself to help care and cater to R. B. in his advancing age.” One suspects this is why he kept Monroe around as well. She was past child-bearing age but could still function adequately as a nurse. Oh, those selfish genes!
Then you have the question of what women want. Again staying at the most basic level, this is usually reduced to resources. In cultural terms this translates as status, which is something that even outlives the reproductive imperative. Which is to say, even after menopause women are still mating for status.
But the thing about status is that it isn’t a real thing. The perception of status is the reality. This, at least, is the only explanation I had for Monroe’s attraction to Burde. As far as can be gleaned from the story here, Burde wasn’t just a complete phoney (his claims to being a Polish aristocrat were entirely bogus and even some of his much ballyhooed art collection was apparently forged) but someone who alienated many of the people who knew him best, including his own kids. Despite living in a big house he wasn’t that rich, and money troubles may have been one of the things weighing on him at the end. But he was educated and he did go to swank parties and he dressed well and he lived on that big estate. In short, he had status.
I wasn’t the only one scratching my head over Monroe’s attraction. Even she had to sit down and write out her thoughts on why she stayed with him to try to understand. Meanwhile, the jury found Burde “so despicable a person” that while finding Monroe guilty of murder “it was almost justifiable homicide.” The incredulity of one lawyer at the trial sums the matter up pretty nicely:
Warren Von Schuch, who had not known what Krystyna’s testimony would be [Krystyna was the woman Burde had gotten pregnant just before his death], listened with mounting incredulity to her story. The feminist movement would not be pleased, he decided. Beverly with her master’s degree and Krystyna with her Ph.D. in biochemistry and they’re fighting over Roger de la Burde. Twenty-five years of feminism and this was far as they’d gotten.
Even Monroe’s defence lawyer had to go out of his way to address the point. “You may ask yourself why . . . why did this lady, this nice-looking lady sitting behind me, why did she put up with all this malarkey, this junk? Why didn’t she say, ‘I want out of here,’ ‘Hit the road,’ ‘Forget it fellow’? And the answer is . . . she loved him.”
And I’m sure she did. But this begs the question of what is meant by “love.” Wasn’t what Roger felt for the future mother of his children love? Wasn’t it love he felt for the woman, or women, who would promise to “care and cater” to him in his old age? This is where I find the harsher, evolutionary psychology approach to relationships comes into things. It’s incredible to me that Monroe could have loved someone like Burde, but if you translate “love” as an attraction to a man who had status and presumably some charm, however false, then it makes sense. One of the harsher mantras among the red-pill community is that women don’t fall in love with a man but a lifestyle. The lifestyle is something Burde had. The man was worthless.
I don’t know if that’s what was going on. It’s just a way of viewing the personalities involved through a particular lens. But in a “true murder mystery” like this you naturally start looking around for guideposts. For what it’s worth, it seems highly unlikely to me that Monroe killed Burde. Her behaviour after the fact, especially in relation to the police, doesn’t make any sense if she did. Her “confession,” such as it was, was so obscure as to seem almost surreal even when placed in context. It also appears to have been co-opted, and the behaviour of the police went beyond the usual (and inevitably disastrous) tunnel vision into something altogether darker. One of the investigators hired by the defence made a note on how he thought the agent in charge might even have been insane.
John Taylor provides a very full reckoning of the case. Indeed, I thought there was more here than I cared to have, especially with regard to Monroe’s family (one of her daughters played a key role in her appeals). Though not a particularly long book, it feels heavier than its page count and I could have wished it a hundred pages shorter. It does read well, however, and for anyone interested in the psychology of the false confession, or just looking for a true crime story that has the drama of a well-scripted podcast without playing fast and loose with the facts, it can be heartily recommended.
Noted in passing:
Why are polygraph devices or “lie detectors” (I have to put the scare quotes on such a name) still in use? Just to manufacture evidence in cases where the police have nothing else to go on? I think they must be like diet pills for obese people: a magic bullet that will make the problem go away without having to actually do the hard work of losing weight/investigating a crime. They’ve never been shown to have any significant scientific validity and yet they’re still widely employed by law enforcement.
So why are they still with us? Wikipedia provides one answer:
In 2018, Wired magazine reported that an estimated 2.5 million polygraph tests were given each year in the United States, with the majority administered to paramedics, police officers, firefighters, and state troopers. The average cost to administer the test is more than $700 and is part of a $2 billion industry.
Takeaways:
Innocent or guilty, you have nothing to gain by talking to the police. It won’t do you any good and could get you in a lot trouble.
Over at Alex on Film you can read my year-end awards for the best (and worst) of 2023 on screen. The small screen that is, as I just watch movies on DVD.
Batman: His Greatest Adventures is a collection of standalone titles from Batman Adventures, which was the tie-in comic to the Batman: The Animated Series show. That’s where the style of artwork comes from, which you either love or hate. Personally, I love it. It’s highly stylized, with exaggerated but simplified forms. Batman’s face is represented as a flat plane like the side of an office building, and the Penguin (who in one story arc becomes mayor of Gotham) has the appearance of an Art Deco paperweight. Even Cat Woman, who looks more like a cartoon mouse with giant ears than a cat, is lots of fun.
The Joker and Riddler also show up, as well as Spellbinder in the final story, which is set in the Batman Beyond universe. Two villains you won’t see though are Two-Face and Poison Ivy, who are the two figures standing behind Batman on the cover. Talk about false advertising! How do comics get away with this?
Things start off great, with the first story being the best. It seems the Penguin has taken over Gotham Zoo with a flock of radio-controlled birds. I didn’t care as much for the other episodes. The Cat Woman story was good and the rest were only so-so. I thought the Batman Beyond episode had too much going on to fit into one comic, and the Scarecrow comic was just weak. All of the stories tend to wrap up quickly, but that’s the format.
Neither as dark as Batman too often gets, nor overly complicated in plot terms, this is just a bit of throwback comic fun. I haven’t read widely enough in the Batman Adventures to know if the stories collected here are the best in that series, but I had a real good time.
I started my book review site Good Reports in 1998, which I believe makes it one of the longest-running personal book sites in the history of the Internet. I’ve just finished putting a quarter-century in. I launched Alex on Film and this site in 2014, so I’m wrapping up my first decade with both of them. A good time then to take a look back, and ahead.
For the last several years I’ve talked about how I’d like to do more book reviewing at Good Reports, but it’s been hard. Between the regular science-fiction reviewing I do (at Alex on SF) and new features I’ve started on this site like the True Crime Files and Graphicalex, I’ve moved my book commentary around a bit. But I also read less literary stuff, especially fiction. As I’ve said before here, I’ve fallen into “old man” reading habits: mainly history and politics. And at this point I really don’t see that changing. Another old-man habit is wanting to re-read favourites, or spend more time with the classics. You give up a bit on newer stuff that, even if you think it’s well done, doesn’t speak to you as much. And finally there is the fact that some of the reviews I’ve been doing at Good Reports have been a lot of work. My omnibus review on books about evangelical support for Trump was 2,500 words, and the one on the “Road to Trump” clocked in at over 7,600 words. I find these subjects fascinating, but still that’s a big commitment, for both me and the reader.
Alex on Film continues to get the most traffic of any of my sites now, which makes sense because it’s (1) the site that updates the most, and (2) it’s about movies. That said, I haven’t been writing as much there either. After a while, you feel like you’ve said all you have to say and you’re stuck repeating yourself. There’s also the problem that I don’t care much for new movies and old movies come with so much baggage they feel like a burden to write about. What’s the point of doing up my notes on Citizen Kane or Vertigo or Blade Runner? I’m pretty sure everything that not only needs to be said but could be said about these movies is already out there.
And of course weighing down on all of this there has been the burden of real life. 2023 was a horrible year. I was actually a bit surprised I managed to get through it in one piece. Having made it to the finish line I know I’ll be taking some time off in 2024. I’m very much in need of it. Moving forward, I think I’ll just be updating whenever I can or have something to say. There will be fewer regular postings. At some point in 2024 I hope to start a showcase for my bookmark collection, but that’s the only big new development I see happening. A return to movie quizzes will probably have to wait until 2025, if I manage to last that long.
So there you have it with 25 years online. 1,250 book reviews at Good Reports, another 370 at Alex on SF, just over 2,000 film reviews at Alex on Film with 200 quizzes, and then lots of other stuff that I’ve posted on here to pass the time. This has always been just a hobby and I think the main thing that’s kept me going is that I’ve only followed my own interests and never taken any of it very seriously. That mindset might see me sticking around for another 25 years, or walking away. You never can tell.