A foundation of despair

From “A Free Man’s Worship” (1903) by Bertrand Russell:

That Man is the product of causes which had no prevision of the end they were achieving; that his origin, his growth, his hopes and fears, his loves and his beliefs, are but the outcome of accidental collocations of atoms; that no fire, no heroism, no intensity of thought and feeling, can preserve an individual life beyond the grave; that all the labours of the ages, all the devotion, all the inspiration, all the noonday brightness of human genius, are destined to extinction in the vast death of the solar system, and that the whole temple of Man’s achievement must inevitably be buried beneath the débris of a universe in ruins—all these things, if not quite beyond dispute, are yet so nearly certain, that no philosophy which rejects them can hope to stand. Only within the scaffolding of these truths, only on the firm foundation of unyielding despair, can the soul’s habitation henceforth be safely built.

Easter design fail

Whose bright idea was this? I can just kind of get behind those Terry’s chocolate oranges, but who thinks chocolate and carrots go together? I guess some people do, but to me they’re like ice cream and mayonnaise. Not that this chocolate has a carrot taste. At least I didn’t detect any.

What bugged me the most though was the way that the green plastic stem goes right down into the carrot, so you can’t bite through it but have to nibble around the edges. The whole thing seems like a swallowing hazard for small children, and was super annoying for me. Too clever by half!

Green Lanterns Volume 1: Rage Planet

Green Lanterns Volume 1: Rage Planet

I have to imagine the creative team at DC sitting in a boardroom pitching ideas for the new arch-enemy of Green Lantern and the Green Lantern Corps. I guess they knew he was basically going to look like Thanos, but what was his name going to be? Then someone blurted out “Atrocitus!” and there were wide smiles all around. Atrocitus! That’s gold.

Atrocitus is the leader of the Red Lanterns, who are sort of like the dark side of the Force in the Star Wars universe, running on rage instead of willpower. And, like Thanos, The Big A actually has an argument to make about why being the heavies is important: without them there would be no balance of justice in the universe and everything would just be chaos. To that end he has decided to plant a “rage seed” at the centre of the Earth that will turn into some apocalyptic rage beast when it germinates. Or something like that. As part of the same “Red Dawn” operation he’s also going to infect humanity with a “rage virus” that turns people into violent zombies. If that sounds like the rage virus in 28 Days Later, well, I guess that’s where they got it from.

Opposing Atrocitus are Simon Baz and Jessica Cruz, Earth’s two newest Green Lanterns. They’re newbies and they’ve got to learn to work together as a team because they’re forced to share the same lantern supply source. So taking on Atrocitus and the Red Lanterns is kind of a big first challenge, especially as the Justice League aren’t taking any calls.

I wish I could say I liked this more. The action art is good, and Atrocitus and his conflicted but sexy sidekick Bleez (spandex garters!?) make good villains. But I wish more had been made of the rage magma that they vomit out (another nod to 28 Days Later). If that’s the superpower of the Red Lanterns it doesn’t hold up well against the “constructs” of the Greens.

What really drags things down though is the amount of interior monologue, which is colour-coded but still hard to sort out and isn’t very interesting anyway. Jessica’s character arc is the main thing to follow, as she learns to overcome her fears and focus her willpower. This is something she takes a long time to do, and when she finally does get the hang of it it’s almost automatic.

I guess it’s OK. I liked Green Lantern when I was a kid, but this is part of the DC Universe Rebirth project and it’s a long way from what I grew up with. I thought the characters – heroes and villains – were more interesting and well-rounded than usual, but something about it left me feeling kind of cold. Maybe it was the whole “fighting to save the universe” thing getting played out again. It felt very MCU, complete with the Hell Tower functioning as a sort of portal that dragged in the usual army of mooks to do battle with. For a launch of some new heroes maybe they should have started out taking some baby steps.

Graphicalex

The Emperor’s New Clothes

The Emperor’s New Clothes

Folktales keep hanging around because the sorts of lessons they teach are timeless and universal. That said, some gain more relevance than others over the years, and I’ve always thought The Emperor’s New Clothes one of the most pertinent to our own time.

Do we still believe in the wisdom of crowds? I think it’s hard to in the present day and age. What this parable warns us against is the danger of mass delusion, or “pluralistic ignorance.” It’s a top-down phenomenon, first infecting the court, which turns out to be the easiest part. Courtiers, aware of how slippery the greasy pole of advancement is, will do anything to get along. As for the Emperor himself, the whole idea works out pretty well for him. It’s a sort of shit test for the courtiers: if they’ll go along with this, they’re likely to go along with anything.

The tailors, meanwhile, are our influencers. We know they must be good because they’re making so much money. And the scam finally takes on a life of its own. Because even when exposed (literally) the Emperor has to keep pretending. The show must go on. The kid can say what he wants; if there’s enough money at stake the illusion will continue to be propped up.

Virginia Lee Burton’s illustrations go back to 1949 but they stand up well in terms of how she conceived the story, emphasizing mirror effects. Because we don’t see ourselves as we appear in a mirror, in an accurate reflection, but only as others see us. Reality is a carnival or funhouse. And even if we know that everything about it is a lie, we’ll all still play along.

Graphicalex

DNF files: The Last Week

The Last Week: What the Gospels Really Teach About Jesus’s Final Days in Jerusalem

By Marcus J. Borg and Dominic Crossan

Page I bailed on: 126

Verdict: This is a good book. I just didn’t feel I was learning much from it. And stuff I didn’t know anything about, like Mark’s narrative “framing technique” or how exceptional Caiaphas was at remaining high priest for so long, weren’t the kinds of things I’m likely to remember long. But you never know.

I think you’re in good hands with Borg and Crossan. What they’ve written here is a commentary on the events of Holy Week, using the account from Mark (because it was the earliest Gospel and the one that sticks most closely to a timeline that can be easily followed) as a spine. It’s basically the historical-critical method, though they address the meaning and significance of what happened from a Christian perspective, not as historians.

I had some issues with the amount of time spent repeating the passages they subjected to close reading, and while I usually like it when points of translation are gone into they seem to have been excessively nit-picking here. I guess it’s sort of interesting that the frequency of the Greek word hodos is concealed in English translations where it’s variously rendered as “way,” “road,” or “path,” but I didn’t find it all that important. And I couldn’t understand the point being made about the Greek lutron being misleadingly translated as ransom, and how it didn’t mean vicarious atonement, because it isn’t used in the Greek translation of the Hebrew Bible in that way, but rather participation in Jesus. My understanding is that the idea of vicarious atonement in the Christian sense was something new, so why would it be used earlier in that sense? I got the feeling a particular theological interpretation was what was being argued here more than an objective reading.

If you’ve read other books by Crossan (I’m not as familiar with Borg) you’ll know that his Jesus is the prophet against empire, very much a political figure, and that’s the route taken again here. It starts with contrasts drawn in the opening pages between “God’s passion for distributive justice” and Rome’s for “punitive justice,” and then two entries into Jerusalem on Palm Sunday: Jesus on a donkey and Pontius Pilate as part of an imperial procession.

Borg and Crossan aren’t wrong in emphasizing this. The fact is that the region was a hotbed of political turmoil at the time, and Jesus was executed for what were political reasons. I did wonder though about how much they were leaning on the idea of Jesus standing against the “domination systems” of the time. This is a pretty broad idea, and while Jesus did oppose the contemporary political and religious power elites, I don’t know if he was against political and religious power structures as such. Few rebels are, and I think this is probably reading a lot back into him. But then I’m a cynical sort of guy.

A good book that I’d even recommend for a lot of people, and I feel a little bad about including it in the DNF files. But I didn’t finish it, so.

The DNF files