Phoenix

Phoenix

This is where I came in.

What I mean is that it was the story arc that had the X-Men taking on the Hellfire Club, with “Jason Wyngarde”/Mastermind seducing Jean Grey/Phoenix and turning her into Dark Phoenix in the process, that made me an X-Men fanboy. These were issues I bought when I was a teenager and I think I still have them in storage somewhere — but they’re in pretty bad shape because I re-read them dozens of times. This was simply one of the best superhero stories I’d ever read, and Wolverine rising from the dead, claws extended, snarling “Now it’s my turn!” (at the end of issue #132) is the greatest comic panel ever. It looms so large in my memory that I was sure it was a full-page spread. It isn’t, but it works even better with the build-up to the hand reaching out of the water and grabbing the sewer pipe first.

So when this deluxe edition of the full Phoenix saga came out I figured I’d splurge on it, albeit at a discount price. I mean, $125 in Canada is steep. I paid $40, which I thought was fair. You get 34 comics basically covering Phoenix’s origin through her evolution into a God-like cosmic power and then her eventual death. Bonuses include interviews with the creative talent behind the saga, like writer Chris Claremont and penciler John Byrne. It took me quite a while to get through the whole book, but I enjoyed most of it very much. I especially liked seeing how the X-Men managed to deal with Proteus, “The Deadliest Mutant Alive.” I had issue #127, you see, but not #128, so I never saw what they did to take him down. For forty years I’ve lived in suspense. And I have to say I was not disappointed.

As far as the larger story arc we follow here, I wasn’t as thrilled at the cosmic Phoenix “goddess on a mountaintop” as I was by the Hellfire Club plot. This is a complaint I make with a lot of superhero comics. As heroes and villains keep leveling up, to the point where they’re single-handedly destroying galaxies and universes, it’s hard to care anymore. And everyone knew that was a problem here, as it’s something they talk about in the roundtable at the end. Phoenix was going to be an analog to Thor in being a “female cosmic hero,” but when she turned into a god “she was so powerful that she . . . made the rest of the group kind of redundant.” That’s a feeling I shared. I mean Phoenix is a force that can’t be stopped by anyone, and when she dies at the end she’s really committing suicide.

Meanwhile, what Claremont does so well is present the story on a human level. First and foremost this means setting up the fights. Of course, most superhero comics follow a conventional format where the story is all about building up to climactic fights between heroes and their rivals. What Claremont did was to infuse these battles with a shot of emotional intensity that you rarely found in other comics. You always get the sense that the heroes fighting in these comics are angry, that they really hate each other. Wolverine pulling himself out of the storm drain is just the best example. He’s pissed off now and someone’s going to pay!

Speaking of making someone pay, I laughed out loud at the scene in the diner/grocery store where Wolverine/Logan is flipping through a Penthouse magazine and the store owner tells him “This ain’t no library, fella. You want to read the magazine, buy the magazine.” This triggers Logan, who “don’t like bein’ tapped, bub. Or ordered around.” The owner holds his ground, saying “I don’t like people readin’ without payin’. Wanna make something of it?” Wolverine is about to tear into him before the bad guys arrive. Our heroes can be such squalid types. But something about Wolvering perving out to a dirty mag seemed so right. If you were a teenage boy at the time, you could relate.

Getting back to Claremont’s ability to humanize these figures, I also really liked the way the seduction of Jean Grey played out. That’s genuinely erotic, even without the crazy fetish outfit she dresses up in as the Black Queen. And the thing is, Jean is a hot lady. When she’s going through her transformation into Dark Phoenix Storm senses “pain, great sadness – and an awful, all-consuming lust” within her. Then, when Phoenix summons the lightning she laughs “as the awesome bolts of energy caress her body like a lover.” All this power is turning her on in more ways than one.

The X-Men comics are great. The Classic X-Men titles also included here are not. I just had the sense that Phoenix was a character Claremont couldn’t leave alone, though he really should have. Still, if you want as much Phoenix as you can get in a single volume this is the place to find her. And the central part of the book, meaning the X-Men vs. Hellfire Club storyline remains a classic in every dimension of comic art. I haven’t mentioned Tom Orzechowski’s lettering, but it’s always impressed me as setting a certain standard too. Though rigorously standardized, it has a thickness to it that carries a human timbre. It’s the way I thought all comic dialogue should be written, and has a distinctive character to this day.

So I’m still a fan. And if you want to know why the X-Men (and Wolverine) became the franchise figures they did, it’s all right here. They’d go on to have a pretty good run in comics after this, but more recently they’ve lost the plot in the chaos of the Marvel multiverse meltdown that’s pretty much wrecked everything, even while harkening back to the characters, plotlines, and even tag lines from these glory days.

Graphicalex

Bookmarked! #59: Book Sale Bookmarks

Since this past weekend was the annual Friends of the Guelph Public Library Book Sale I thought I’d post a pic of this year’s bookmark, and one from way back in 2017. A long time ago! At some point I guess they got demoted from a Giant Book Sale to a Big Book Sale. I don’t know why. This year it was held at a bigger location.

Book: Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction by Alec Nevala-Lee

Bookmarked Bookmarks

What does that even mean? Part III

As earlier reported, I attended the annual Friends of the Guelph Public Library Book Sale this past weekend. In preparation, I made sure to check out the sale’s FAQ page online. Because I’m a man of a certain age and was going to have to spend quite a bit of time on a bus going there and coming back, it seemed prudent to see if there were any facilities at the location. What I found was this. So I take it the answer is Yes. But no.

Index

The Immortal Hulk Volume 4: Abomination

The Immortal Hulk Volume 4: Abomination

At the end of Hulk in Hell I mentioned how immortality seemed to be catching, with characters like Rick Jones and Betty Ross climbing out of their graves. They’re both back here, reborn as the Abomination and Harpy respectively. How could you imagine unquiet slumbers for the sleepers in this quiet series? I mean, Harpy even tears the Hulk’s heart out and eats it here, not in order to destroy him but as a way of giving him a “hard reset” that will jump-start his healing after he’s basically been dissolved by the Abomination’s acid reflux.

Aside from this, the roller coaster I’ve been on with the Immortal Hulk series continues even within this volume, which abruptly mixes good and bad. In the latter parts we get blocks of exposition with repetitive art as characters try to give us some idea of what is going on. Which helped a bit, though I was still confused even when Bushwacker held up a helpful chart on which he’d broken down the different Hulk identities in play. On the plus side though there’s a pretty good three-way battle between the Hulk, Abomination, and Harpy. The main monster motif throughout this series is a plasticity in form that recalls the shape-shifting monster in John Carpenter’s The Thing. The Hulk can get big or skinny and even displays the faces of victims he’s eaten when he transforms. Inside the head of Abomination he sees various smaller heads. Bushwacker’s very body is some military-grade plastic and can transform into various weapons. All these bodies keep melting and reconstituting over and over, Thing-style. This means that the fight scenes get really messy, even though given that no matter how badly characters get torn apart they keep coming back it plays out less as horror than as a sort of gory kaiju.

On the strength of the monster mash stuff I’d recommend this. I still don’t understand what’s going on with the “Cosmic Satan,” the “one below all” who’s coming through the green door, and I have a suspicion that I’m not going to be terribly impressed when I find out, but it’s a series worth sticking with a bit longer.

Graphicalex

Books Books and Beyond

They had a row of little signs like this posted outside the sale.

This past weekend, actually Thursday through Sunday, was the 16th annual Friends of the Guelph Public Library Book Sale. I’ve written about this before in 2016, 2019, 2022, and 2023 (they took some time off in 2020 and 2021 for some reason I can’t remember). I’d mentioned in my posts on the last couple of sales that the space they were using was too small. I also talked about how long a hike it was for me, especially coming uphill on the way back with several heavy bags of books to carry!

Well, this year sort of took care of both problems. The FGPL got to use a warehouse that a local cabinet manufacturer hadn’t moved into yet, so there was lots of space. But the location was really out in the back of beyond (meaning the city’s industrial park) so while there was no walking involved there was a really long bus ride. I much preferred the long walk uphill.

In fact, I found the bus ride so depressing on the first day that I never went back. Usually I attend at least three days of the sale, and sometimes four. This time I just showed up on the opening day.

There were lots of people and not much parking so the road the warehouse was on was double-parked for miles. I had to shake my head at people who were driving up ten minutes before the doors opened. They were going to have to park at least a good twenty-minute walk away. What were they thinking?

The one highlight was that the fellow in line behind me waiting for the sale to start was a middle-aged retail minister. Or I don’t know what you’d call him. Covered in tattoos all down his arms and up his neck. He was coming to the sale to buy Bibles that he gave away to people because when he tried to get people to accept Jesus he thought the word of God did a better job than he could. I’m not so sure he was right about that. He seemed quite a talker, and people today aren’t great readers. Especially of the Bible, a lot of which can be hard to get through.

What puzzled me though was that if you’re in that line of work there are plenty of places out there where you can get Bibles for free. Also, having attended these sales for the last several years I was hard put to recall ever seeing any Bibles for sale. In fact, I wasn’t even sure if they accepted them for donation. I hope the fellow wasn’t too disappointed. But I never saw him again.

As he was talking to the people who were behind him in line he did say something that made me turn my head around in baffled surprise. He made the modest but confident claim that when he went before the seat of judgment he hoped he would have all the people he had converted standing behind him. Maybe 50 people, he thought. Maybe 20. Maybe only 5. Whatever the number, he knew he’d done enough to get his mansion. But, he wanted his listeners to know, even though he would live in a mansion he “would not be a dictator.”

I said it was a WTF? moment.

Not a bad haul, but I didn’t pick up anything too impressive. I even bought one book I already owned. I thought I might have already had it, but for $3 I thought it was worth the risk. Oh well. I’ll donate it to next year’s sale.

TCF: Number Go Up

Number Go Up: Inside Crypto’s Wild Rise and Staggering Fall
By Zeke Faux

The crime:

In 2022 the cryptocurrency exchange FTX (short for “Futures Exchange”) went bankrupt, after having hit a peak valuation of $32 billion just weeks earlier. The founder and CEO Sam Bankman-Fried (popularly designated SBF) was later convicted of fraud, conspiracy, and money laundering.

The book:

The FTX story is only the best known part of the crypto chronicle Zeke Faux tells here. There’s a funny image of an SBF coin on the cover with the latin tag “Nihil Valet” (No Value), but this is really a more general look at, as the subtitle has it, the rise and fall of cryptocurrency. In fact, the main target of Faux’s suspicions throughout is the “stablecoin” Tether, which turns into a kind of crypto white whale that he never lands. Nevertheless, Money Go Up is a great read: tart, funny, and filled with telling anecdotes from a journalist who circled the globe, apparently several times, to get the story. I burned through it in a day.

It’s not the whole story of crypto, or, for that matter, of FTX. For example, Faux deliberately eschews going into much detail about how cryptocurrencies works. This is something I can’t fault him for though, as I’ve consumed a number of explainers on the subject and come away with only the fuzziest notion of how the system operates. In my personal experience, however, I’ve found I know more than most people who’ve dabbled in cryptocurrency (including many obnoxious true believers mixed in with the merely crypto-curious), and there are several times in Faux’s narrative where he has crypto insiders admit that they don’t know much more.

Of course, being opaque has always been a feature and not a bug when it comes to crypto. As its name suggests, this is a currency whose whole point is to slam the door on transparency. And it is this character that, in turn, has made crypto the currency of choice for all kinds of criminal activity: Internet scams, tax evasion, human trafficking, and (most of all) money laundering. As a lawyer I knew told me back when this stuff just started taking off: there’s a reason why they want to keep it secret. And as I wrote here several years ago:

As with anything involving a lot of tech, a lot of money, and a lot of secrecy, I am suspicious of all of this. “Cutting out the middleman” and facilitating faster financial transactions may be of some value, but they don’t seem like really pressing needs for anyone. Meanwhile, avoiding any oversight is the kind of thing mostly bad actors want to take advantage of.

What’s the point of crypto anyway? As Faux entertainingly makes clear, it is not a convenience. The middlemen aren’t cut out, and indeed they take an even bigger piece of the crypto action than the much-despised banks do with regular (fiat) currency. When, strictly for journalistic purposes, Faux purchases and then sells a mutant ape NFT he names Doctor Scum the process is described as “excruciating” and confusing (the NFT is actually sold hours before he knows about it, which he accounts “some of the worst hours of my life”). Then there are the extra costs involved (and keep in mind this was only a $20,000 sale):

Had I been trading in U.S. dollars, I would have lost about $800. But in crypto, there’s a fee associated with every transaction. I ended up wasting at least another $1,160: $36 to Coinbase, $497 to Yuga Labs for their 2.5 percent cut on all ape sales, another $497 to the NFT marketplace, $90 to Bank of America, and about $40 in Ethereum fees.

Convenience? Getting rid of the middle man? Lower fees and transaction costs? Not likely. When Faux travels around the world trying to use crypto, even in states where its use is encouraged by the government, all it leaves him with is

a new appreciation for my Visa card. It worked instantly, with just a tap, charged no fees, and never asked me to memorize long strings of numbers, or to bury codes in my backyard. It even gave me airline miles. When my wife’s account was hacked and used to book an Airbnb, we were given a full refund with just a phone call.

Say what you want about the inconvenience of dealing with your bank, and I could say a lot, when it comes to customer service for your cryptocash account the bottom line, as relayed by one artist profiled here, is “SORRY YOU’RE FUCKED.”

The inconvenience of actually using crypto for anything leads to some funny stories, but they underline that question I asked earlier: What’s the point of crypto? Some of its popularity seems to be driven by the kind of thing that in politics is referred to as negative or affective polarization. A good example of this comes when Faux attends a crypto conference in the Bahamas (a “giant volcano of crypto bullshit”) where SBF was interviewed on stage by business author Michael Lewis. Now at the time Lewis was writing a book on Bankman-Fried (Going Infinite), which is always a bad sign. A very bad sign. Faux describes him as “lavishing praise” on big tech’s latest wunderkind, and asking questions “so fawning, they seemed inappropriate for a journalist.” But aside from that, it’s interesting to note some other things.

Lewis said he knew next to nothing about cryptocurrency. But he seemed quite confident that it was great. The writer said that, contrary to popular opinion, crypto was not well suited for crime. He posited that U.S. regulators were hostile to the industry because they’d been brainwashed or bought off by established Wall Street banks. I wondered if he simply hadn’t heard about the countless crypto scams, but the thought seemed preposterous.

“You look at the existing financial system, then you look at what’s been built outside the existing financial system by crypto, and the crypto version is better,” Lewis said.

Better? In what way? Michael Lewis is no dummy. So why, aside from the fact that he was being given access to SBF in order to write his book, was he so deep in the tank for crypto? One part of it, I think, is that negative polarization I mentioned. Crypto is obviously shady, but the government, the “established Wall Street banks,” “the existing financial system” and the elites running it, they are the enemy that needs to be destroyed. The hate, amplified by media and social media, becomes such a powerful drug that even successful elites become willing to cut off their nose to spite their face.

Another draw for crypto is that it is, effectively, a form of gambling, with supposed insiders and people who know the system making piles of money off of the suckers. At several points Faux even likens the crypto exchanges as being a casino. Meanwhile, time and again he tries to think of some real world use for cryptocurrency and comes up with nothing, aside from (obviously) enabling and concealing criminal activity. And, I suppose, letting rich kids play at being crypto bros, happy to give their money to bored billionaires rather than having to do anything so déclassé as paying taxes. Bored billionaires who, in turn, don’t give a damn about consumer protections or safeguards and are just squirreling their money away in offshore boltholes while running schemes many of them openly acknowledge to be fraudulent. One crypto executive thought his job title should be “Ponzi Consultant.” Another “happily” described his business as a “never-ending Ponzi scheme . . . what I call Ponzinomics.”

One thing that struck me is how brief a run FTX enjoyed. The exchange was only founded in 2019, took just a couple of years to reach stratospheric valuations, and was then kaput by 2022. The rise and fall of crypto (and at this point we can only pray that crypto won’t make a comeback, at least to the kind of hysterical levels described here) didn’t take very long. J. P. Morgan CEO Jamie Dimon compared it to a pet rock, and I don’t think NFTs lasted any longer than that iconic fad from from the 1970s. Do we even remember the bored ape NFTs anymore? Or Razzlekhan, the self-styled rapper who was one half of the biggest heist in history? If not, at least we won’t have to explain them to future generations.

That said, crypto is still with us, and all the terrible shit that comes with it. As Annie Lowrey recently reported in The Atlantic:

The FBI reports that cyper-investment scams cost Americans $4.6 billion in 2023 [remember: FTX collapsed in 2022], up 38 percent from the year before, and 1,700 percent over the previous five years. That’s more than ransomware scams, fake tech-support swindles, web extortion schemes, phishing attacks, malware breaches, and nonpayment and nondelivery frauds combined. And it is an undercount, given that it includes only complaints made to law enforcement; most folks don’t bother making a police report in an attempt to get their bitcoin back, knowing it is hopeless.

So why does crypto persist? Because people, greedy people looking to make a very quick and very easy million, or billion, want to believe in it. It’s basically a cult, and Faux isn’t under any illusions that it will be going away anytime soon.

I didn’t think the prices of all of the cryptocurrencies were about to go to zero, or that we’d never see another hot new coin mint overnight billionaires. On the stock market, pump-and-dump scams have persisted for hundreds of years, and yet there are still new suckers willing to buy shares in some shell company that claims to have struck gold.

The one coin I especially wouldn’t bet against is Bitcoin. It’s not that it’s useful – if anything, it’s more unwieldy than the others. But Bitcoin’s true believers are so convinced that it’s hard to imagine anything will change their minds. To them, whatever the question, the answer is “buy Bitcoin.” Everything they see is evidence Bitcoin will rise, like the members of a cult certain that the apocalypse – and their salvation – is just around the corner.

What surprised me, after finishing Number Go Up, was how little I ended up caring about SBF. Perhaps it’s just because that, while a crook, he was far from the worst crook in an industry rife with scammers. But I also couldn’t help feeling that he didn’t care all that much either way about the money. To be sure, he was no altruist, effective or any other kind. But the impression I had was that he knew all along FTX was a joke, a funhouse ride filled with smoke and mirrors, and he was just waiting for the inevitable collapse in his 12,000-square-foot Bahamian penthouse, eating junk food and playing videogames until the Feds came calling. Faux registers surprise at how blasé he appeared when the whole house of cards came crashing down, which for some reason made me think of the response the chief weapons investigator had when he informed George W. Bush that Iraq didn’t have any weapons of mass destruction. He was struck by how uninterested the president seemed. Did he believe they did? Or did he just not care? That’s the thing about bullshit, as defined by Harry Frankfurt. It’s not a lie if you don’t care if it’s true or not. I think SBF was living in an entire ecosystem of bullshit, unconcerned over whether any of it was real.

This is part of what makes Number Go Up such an entertaining and even downright funny a book. But that would be the wrong takeaway. Yes, there are plenty of freaks and geeks to amuse us, like the “laughably weird founders” of Tether. The crypto world is one, Faux tells us, “where a lack of experience or competence has never been a barrier to fame and fortune.” So much for the meritocracy! But dig a little deeper, as Faux does, and you see beyond the great fortunes to the destroyed lives and violent crimes that are such a big part of the crypto story. The book gets progressively darker, finally taking us to a slave-labour cyber-scam camp in Cambodia. It’s a horrifying vision of a world we rarely get to see, and the worst part of it is that it’s probably not even the smallest or most evil part of what’s really going on.

Noted in passing:

What does money buy?

Alex Mashinsky was co-founder and CEO of the crypto lending network Celsius, a company whose business model never seemed to make the slightest bit of sense. When we last see Mashinsky it’s in a Manhattan courtroom, as part of a hearing into a dispute between Celsius and a former employee after Celsius’s bankruptcy (Mashinsky himself would later be arrested and tried for fraud). But when Faux interviewed him at a smoothie shop he was still riding high.

The interview doesn’t go well. Mashinsky blows a bunch of smoke at Faux about Celsius being a five-legged stool or a candy shop, but then gets distracted by his disintegrating paper straw which requires him to order his public relations representative to bring him another one. I’m sure it’s just me, but I would hope that if I ever get to be really rich I’ll never ask someone to fetch me a straw. I’ll get my own.

Things get worse though when Mashinsky gets annoyed at the noise of the smoothie shop’s blender (something I would have thought very much part of the atmosphere in such a joint). “Can we get out of here? It’s just driving me crazy!” he yells. Retreating to his $8.7 million apartment the interview continues as picks “at a tray of fruit brought by another assistant.”

Why do people want to be rich? For some of them it’s just so they can be like this.

Takeaways:

You don’t really invest in cryptocurrency. Investment means buying shares in a company which then does things in a real economy, like employ people and make things. At best, cryptocurrency is a form of gambling. As Faux concludes, the promises made about crypto have proven empty, while “the benefits of crypto to the rest of the world seemed to be limited to enabling a zero-sum gambling mania.” And gambling is always odious and profoundly damaging to society and individuals.

And, just to repeat: it’s only gambling at best. It can be a lot of other things that are worse.

True Crime Files

Archie vs. Predator

Archie vs. Predator

Archie vs. Predator isn’t part of the Archie Horror imprint that launched in 2013 with the zombies-in-Riverdale title Afterlife with Archie, but is instead a mash-up from Dark Horse Comics that was no doubt inspired by the success of Afterlife but also by a much earlier crossover, Archie Meets the Punisher (1994). And indeed it’s closer in spirit to the latter in that it’s illustrated in the classic Archie style (very unlike the Archie Horror comics where even Archie himself is unrecognizable) and keeps something of the sweetness and innocence of the Archie-verse going in a story filled with splatter and just the slightest suggestion of an adult gaze (as both Betty and Veronica provocatively strip down to their underwear at different points). It’s a comic that wants to have its cake and eat it, and for the most part it works. When Betty says to the Predator “You are one ugly melon farmer,” it’s a good line.

But while enjoyable, I thought the writing was quite a letdown from the Archie Horror comics I’ve read. There are no funny jokes and the plot is incredibly slapdash, even by Archie standards. Why whisk the gang down to the Caribbean for a holiday? Why wouldn’t the Predator just land in Riverdale? Why introduce all the nonsense about the curse of the local Jaguar Goddess into a Predator story? Did it even mean anything? Is the teenage Predator in love with Betty and Veronica? Does that add anything? The skips in the narrative made the breaks between the individual issues invisible, and led me on at least two occasions to try to pull pages apart because I was sure something had gone missing. As a way of shuttling things along, Mr. Lodge’s medi-lab serves as a really awkward plot device. I mean, it gets us Super-Archie and the gag ending, but you’d think they would have come up with something a little more grounded. A lot of what goes on here doesn’t feel like it belongs in either the Archie or the Predator universe.

There are some parts that did share a strange continuity with the Archie Horror titles. Like the pre-eminence of Jughead as the ultimate victim (he’d been the first human zombie in Afterlife, and the werewolf in Jughead: The Hunger). Here he gets his severed head and spinal column stuffed in a snack machine. Meanwhile, Dilton Doiley has gained in importance from the classic Archie days as Reggie Mantle has all but disappeared. There’s one great panel that has Reggie taking a selfie of himself blasting away at the Predator with a machine gun, but I think he’s blown up just after this. And the fact that I have to say I think he gets blown up is telling, because I wasn’t sure and anyway that’s it for him. He doesn’t get a signature execution scene or anything. He just disappears. I find this strange because Reggie was one of the four main characters in the comic, being the dark foil to Archie, so that the two balanced out the equally light/dark competition between frenemies Betty and Veronica. He was a more interesting character than Jughead, and more worthy of receiving a gory comeuppance, but in the alt-Archie comics he’s largely forgotten.

Overall then, Archie vs. Predator is a lot of fun but not as good as I was expecting. I really liked seeing the Predator drawn in the Archie style, along with the assorted mayhem, but as I’ve pointed out the writing doesn’t deliver. It’s just not as clever a comic as it could and should have been.

Graphicalex

No more books

A subject that always gets me to sit up and take notice whenever it’s mentioned in the news is the ongoing decline in reading. So of course I had to click on a story headlined “Not-so-great expectations: Students are reading fewer books in English class.” Here are some highlights.

In many English classrooms across America, assignments to read full-length novels are becoming less common. Some teachers focus instead on selected passages — a concession to perceptions of shorter attention spans, pressure to prepare for standardized tests and a sense that short-form content will prepare students for the modern, digital world.

I hear this a lot. I can understand cutting reading requirements because we no longer live in a text-based culture. Reading novels, even for English class, may be seen as having few practical applications in the real world. But I don’t buy that studying short-form content will prepare students for much of anything.

The National Council of Teachers of English acknowledged the shift in a 2022 statement on media education, saying: “The time has come to decenter book reading and essay-writing as the pinnacles of English language arts education.”

The idea is not to remove books but to teach media literacy and add other texts that feel relevant to students, said Seth French, one of the statement’s co-authors. In the English class he taught before becoming a dean last year at Bentonville High School in Arkansas, students engaged with plays, poetry and articles but read just one book together as a class.

This is another idea I’ve always taken exception to. I remember arguing against this kind of thinking thirty years ago. It’s typical of people advocating for change to say that they’re just adding new kinds of learning but keeping all the old. It’s not an “either . . . or” proposition, but “both . . . and.” Which is nonsense. It’s a zero sum game when it comes to students’ time and attention. The “idea” may be “not to remove books” from the curriculum, but that’s what’s going to happen.

Also, it’s not so much that book reading and essay-writing are the “pinnacle of English language arts education” as it is that the Humanities are essentially fields of study that are grounded in the reading of books. That’s what a degree in Literature, History, Philosophy, etc. is. The arts without reading is a contradiction in terms. If students aren’t prepared for that in grade school than the game is already over.

There’s little data on how many books are assigned by schools. But in general, students are reading less. Federal data from last year shows only 14% of young teens say they read for fun daily, compared with 27% in 2012.

Whoa! The number of kids reading for fun (meaning: the number of kids reading at all) has been cut in half in only ten years?

Teachers say the slide has its roots in the COVID-19 crisis.

“There was a trend, it happened when COVID hit, to stop reading full-length novels because students were in trauma; we were in a pandemic. The problem is we haven’t quite come back from that,” said Kristy Acevedo, who teaches English at a vocational high school in New Bedford, Massachusetts.

Wouldn’t spending lots of time indoors, in lockdown, mean that you’d be likely to read more? I guess not. Because . . . trauma.

For some students, it’s a struggle to read at all. Only around a third of fourth and eighth graders reached reading proficiency in the 2022 National Assessment of Educational Progress, down significantly from 2019.

Another “significant” and recent decline. And I wonder what “reading proficiency” means. Are we talking basic literacy? So only a third of these students are literate? And we’re talking about reading proficiency here. I assume that anyone who isn’t able to read proficiently also can’t write. That’s the way these things usually work.

Terri White, a teacher at South Windsor High School in Connecticut, no longer makes her honors ninth-grade English class read all of To Kill a Mockingbird. She assigns about a third of the book and a synopsis of the rest. They have to move on quickly because of pressure for teachers to cram more into the curriculum, she said.

A ninth-grade English class can’t read all of To Kill a Mockingbird! So the teacher assigns a third of it and hands out a synopsis of the rest. What percentage of the class even reads the third of the book that’s assigned? And the idea of just giving kids a synopsis of the book is wrongheaded. You don’t read literature to find out what the story was about, who died in the end and whodunit. That’s treating books as just being sources of information. But unless we’re talking about some (not all) reference works, books also contain ideas and experiences that the act and (I would say) art of reading draws out. A bare synopsis misses all of this.

But of course, if you’re just looking to acquire information from a book in order to pass some standardized test, then I can see thinking that reading is no longer the pinnacle of an arts education. Or, for that matter, even relevant.

Talent

Talent

I give Talent high marks for its premise. It’s brilliant. A bomb takes out a passenger jet and there is one survivor, Nicholas Dane, who has somehow taken on the memories and talents (there’s your title) of everyone else who was on the plane. This serves him in good stead when the ruthless gang that bombed the jet come hunting after him, because now he instead of just being a lowly English professor (and that’s really low!) he is a trained killer, among other things.

The potential such an idea has is immeasurable. But it remains potential. A great premise is not a great story, it’s just the start. And the story here is lousy. The criminal enterprise that’s hunting Dane is a clichéd conspiracy of hooded figures known as the Cardinals. I had no idea who they were or what they were up to. After four issues the series abruptly ended in 2006 and hasn’t been continued.

Nor do I have any idea of how Dane got his powers. A mysterious female figure appears to him on occasion to try to explain what’s going on, but things remain pretty . . . vague. Basically he has become an agent of something called “the balance.” What is the balance? “It is what it is. The balance of all things, light and dark – yin and yang – good and evil, if the concepts do not offend you. The balance is the power that keeps the two opposing forces in check.”

Wow. “It is what it is.” I do not think they put a lot of time into figuring this balance thing out.

What disappointed me the most about Talent is that the concept could have been taken in so many interesting directions. There’s so much talent out there! Nearly everyone you meet has a talent for doing something. I could imagine storylines where Dane is tapping into the talents of an electrician or a cab driver or a dental hygienist. But they don’t do anything like that. The only talents sampled are those of a hired killer, a champion boxer, and a woman who makes origami. Now the first two are very useful in terms of their particular set of skills, but also a bit dull. There’s nothing interesting about how their talents are put to use. Dane just beats people up and shoots them.

So in the end I can’t say I liked this very much. Paul Azaceta’s art is very chunky, turning people into shapes and thick lines, so you don’t get to read any emotion on the faces. Indeed, it can be hard telling some of the characters apart. And the story is just a mess. Is Dane only staying alive, or is he on a mission of vengeance? Or is something else going on? I guess at some point they had plans for taking this further but for whatever reason that didn’t happen so what we’re left with is something that doesn’t add up and doesn’t come to any sort of a conclusion.  But apparently it’s in development as a cable series, and they still might be able to make something good out of it. I hope they do, because as I say the idea here is great.

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