No more books

A subject that always gets me to sit up and take notice whenever it’s mentioned in the news is the ongoing decline in reading. So of course I had to click on a story headlined “Not-so-great expectations: Students are reading fewer books in English class.” Here are some highlights.

In many English classrooms across America, assignments to read full-length novels are becoming less common. Some teachers focus instead on selected passages — a concession to perceptions of shorter attention spans, pressure to prepare for standardized tests and a sense that short-form content will prepare students for the modern, digital world.

I hear this a lot. I can understand cutting reading requirements because we no longer live in a text-based culture. Reading novels, even for English class, may be seen as having few practical applications in the real world. But I don’t buy that studying short-form content will prepare students for much of anything.

The National Council of Teachers of English acknowledged the shift in a 2022 statement on media education, saying: “The time has come to decenter book reading and essay-writing as the pinnacles of English language arts education.”

The idea is not to remove books but to teach media literacy and add other texts that feel relevant to students, said Seth French, one of the statement’s co-authors. In the English class he taught before becoming a dean last year at Bentonville High School in Arkansas, students engaged with plays, poetry and articles but read just one book together as a class.

This is another idea I’ve always taken exception to. I remember arguing against this kind of thinking thirty years ago. It’s typical of people advocating for change to say that they’re just adding new kinds of learning but keeping all the old. It’s not an “either . . . or” proposition, but “both . . . and.” Which is nonsense. It’s a zero sum game when it comes to students’ time and attention. The “idea” may be “not to remove books” from the curriculum, but that’s what’s going to happen.

Also, it’s not so much that book reading and essay-writing are the “pinnacle of English language arts education” as it is that the Humanities are essentially fields of study that are grounded in the reading of books. That’s what a degree in Literature, History, Philosophy, etc. is. The arts without reading is a contradiction in terms. If students aren’t prepared for that in grade school than the game is already over.

There’s little data on how many books are assigned by schools. But in general, students are reading less. Federal data from last year shows only 14% of young teens say they read for fun daily, compared with 27% in 2012.

Whoa! The number of kids reading for fun (meaning: the number of kids reading at all) has been cut in half in only ten years?

Teachers say the slide has its roots in the COVID-19 crisis.

“There was a trend, it happened when COVID hit, to stop reading full-length novels because students were in trauma; we were in a pandemic. The problem is we haven’t quite come back from that,” said Kristy Acevedo, who teaches English at a vocational high school in New Bedford, Massachusetts.

Wouldn’t spending lots of time indoors, in lockdown, mean that you’d be likely to read more? I guess not. Because . . . trauma.

For some students, it’s a struggle to read at all. Only around a third of fourth and eighth graders reached reading proficiency in the 2022 National Assessment of Educational Progress, down significantly from 2019.

Another “significant” and recent decline. And I wonder what “reading proficiency” means. Are we talking basic literacy? So only a third of these students are literate? And we’re talking about reading proficiency here. I assume that anyone who isn’t able to read proficiently also can’t write. That’s the way these things usually work.

Terri White, a teacher at South Windsor High School in Connecticut, no longer makes her honors ninth-grade English class read all of To Kill a Mockingbird. She assigns about a third of the book and a synopsis of the rest. They have to move on quickly because of pressure for teachers to cram more into the curriculum, she said.

A ninth-grade English class can’t read all of To Kill a Mockingbird! So the teacher assigns a third of it and hands out a synopsis of the rest. What percentage of the class even reads the third of the book that’s assigned? And the idea of just giving kids a synopsis of the book is wrongheaded. You don’t read literature to find out what the story was about, who died in the end and whodunit. That’s treating books as just being sources of information. But unless we’re talking about some (not all) reference works, books also contain ideas and experiences that the act and (I would say) art of reading draws out. A bare synopsis misses all of this.

But of course, if you’re just looking to acquire information from a book in order to pass some standardized test, then I can see thinking that reading is no longer the pinnacle of an arts education. Or, for that matter, even relevant.

Talent

Talent

I give Talent high marks for its premise. It’s brilliant. A bomb takes out a passenger jet and there is one survivor, Nicholas Dane, who has somehow taken on the memories and talents (there’s your title) of everyone else who was on the plane. This serves him in good stead when the ruthless gang that bombed the jet come hunting after him, because now he instead of just being a lowly English professor (and that’s really low!) he is a trained killer, among other things.

The potential such an idea has is immeasurable. But it remains potential. A great premise is not a great story, it’s just the start. And the story here is lousy. The criminal enterprise that’s hunting Dane is a clichéd conspiracy of hooded figures known as the Cardinals. I had no idea who they were or what they were up to. After four issues the series abruptly ended in 2006 and hasn’t been continued.

Nor do I have any idea of how Dane got his powers. A mysterious female figure appears to him on occasion to try to explain what’s going on, but things remain pretty . . . vague. Basically he has become an agent of something called “the balance.” What is the balance? “It is what it is. The balance of all things, light and dark – yin and yang – good and evil, if the concepts do not offend you. The balance is the power that keeps the two opposing forces in check.”

Wow. “It is what it is.” I do not think they put a lot of time into figuring this balance thing out.

What disappointed me the most about Talent is that the concept could have been taken in so many interesting directions. There’s so much talent out there! Nearly everyone you meet has a talent for doing something. I could imagine storylines where Dane is tapping into the talents of an electrician or a cab driver or a dental hygienist. But they don’t do anything like that. The only talents sampled are those of a hired killer, a champion boxer, and a woman who makes origami. Now the first two are very useful in terms of their particular set of skills, but also a bit dull. There’s nothing interesting about how their talents are put to use. Dane just beats people up and shoots them.

So in the end I can’t say I liked this very much. Paul Azaceta’s art is very chunky, turning people into shapes and thick lines, so you don’t get to read any emotion on the faces. Indeed, it can be hard telling some of the characters apart. And the story is just a mess. Is Dane only staying alive, or is he on a mission of vengeance? Or is something else going on? I guess at some point they had plans for taking this further but for whatever reason that didn’t happen so what we’re left with is something that doesn’t add up and doesn’t come to any sort of a conclusion.  But apparently it’s in development as a cable series, and they still might be able to make something good out of it. I hope they do, because as I say the idea here is great.

Graphicalex

Time Lapse: Basement VI

Things are getting busy, as you can tell from this construction site pic. And if you’re wondering about those hats, they belong to the people who built the shelves because they are Mennonites.

And here we see the shelves all up and installed, and even some of the lighting done. Things are coming along! (You can click on the pics to make them bigger.)

1984

1984

One of the points I sometimes make about film and comic adaptations of classic novels is whether they provide a decent crib for students who don’t want to bother reading the book they’re based on. Because let’s face it, that’s what students do. Most of the time these “classics illustrated” are no substitute at all for the original works, but Fido Nesti’s adaptation of George Orwell’s famous dystopian text is an exception.

I’m not saying people can or should pass on Orwell and just read this comic version. I’d never recommend that for any book. But what Nesti gives us here is a remarkably thorough adaptation, including not only the complete text of Goldstein’s book but also “The Principles of Newspeak” appendix. You’re going to do a lot of reading here. Of course you’re not getting the full book, but there are times when you may feel like you are.

And that’s not to put down Nesti’s art. I really like what he’s done here. The generally drab colouring and layouts only make the imaginative moments (like the surveillance technology becoming a snaky network of wires, tubes, and monitors) stand out more. Plus the world of Airstrip One is supposed to be drab, with Winston and Julia just a couple of Claymation potato people with holes for eyes, fishy lips, and lumpy overalls. The lead comes straight from Orwell: “It was curious how that beetle-like type proliferated in the Ministries: little dumpy men, growing stout very early in life, with short legs, swift scuttling movements, and fat inscrutable faces with very small eyes. It was the type that seemed to flourish best under the dominion of the Party.” So if eyes are the windows to the soul it makes sense that O’Brien doesn’t seem to have any, as they’re either hidden behind his glasses or are just dots (in the case of the former there may be a nod here to Orwell’s description of speakers of propaganda in “Politics and the English Language” whose spectacles become “blank discs which seem to have no eyes behind them”). The only time O’Brien seems to come to life is when he’s really laying it on Winston. But soul by this point has leached out of everyone anyway.

I think of a good graphic novel adaptation as being like a band covering a classic song. The artist needs to bring something fresh to the table, some display of talent, imagination, and personality that does justice to the original while adding to it and making it new. I think Nesti does that here and his 1984 is more than a cut above the usual run of these things. Not a substitute for reading Orwell, but a worthy complement to his timeless prophecy.

Graphicalex

Bookmarked! #57: Bookstores No More IX: Booksmith

There are several bookstores named Booksmith that are still going. I think the most famous one may be in San Francisco. But I picked up these bookmarks on my one and only trip to New Hampshire in 1996, and I don’t think this particular Booksmith, which had three locations at the time, is still in existence. At least that’s what I’m given to understand by my sources on the ground in the Granite State. Which leads me to believe that this particular Booksmith is a Bookstore No More.

Book: Number Go Up: Inside Crypto’s Wild Rise and Staggering Fall by Zeke Faux

Bookmarked Bookmarks

Marple: The Affair at the Bungalow

I don’t think there can be any question that Agatha Christie got tired of the mystery formula. And indeed in her Miss Marple novels and stories she often takes a poke at its conventions. The events are often compared, for example, to the sort of thing you might read in detective fiction. The Body in the Library makes this explicit, with the titular crime being a challenge Christie set for herself to try to see what she could do with such a cliché.

“The Affair at the Bungalow” is another such experiment in playing with the reader’s expectations. We’re led to have our doubts about the story Jane Helier is telling right from the start, but the trick Christie is playing is in the fact that, satisfied with knowing this much, we don’t doubt Jane any further.

It’s a clever conceit, but the crime that doesn’t happen in this case is just as far-fetched as most of the crimes that do in the Marple canon. Making it something different, but not in a good way or enough.

Marple index

Do not mmow

So my neighbours have been struggling to grow some grass on a corner of their front lawn. They’ve reseeded it and water it regularly but it’s been slow to take. In order to keep the landscaping company off it they put up this helpful sign. And every time I walk by and read it I feel a pain in my head.

Bookmarked! #56: Bookstores No More VIII: Macondo Books

This bookmark isn’t in the best of shape, but like a lot of these Bookstores No More bookmarks it represents a bit of history. Macondo is of course the fictional town that provides the setting for Gabriel García Márquez’s novel One Hundred Years of Solitude, but it’s also the name of a second-hand bookstore that was located just across the street from City Hall in Guelph for 36 years. “Established 1978 — Open 7 Days a Week.” It closed doors in 2014 for all the usual reasons. As the owner put it, “It’s a business that is no longer sustainable. It has been a great business over the last 36 years, but it has slowly fallen off. And we recognize that it is a big cultural shift that’s not going to change, or change in time to help us.”

Book: Why Liberalism Failed by Patrick Deneen

Bookmarked Bookmarks

Gryphon days

This is the first full week of classes at University of Guelph. Lots of students bustling about, which always cheers me up.

In 2014, which was the university’s 50th anniversary (it had been an agricultural college before that), a giant brass statue of a gryphon was unveiled at the entrance to the campus. A gryphon is the mascot for the university’s athletic teams.

At the time, I thought it was a sort of silly looking thing, but it’s really grown on me. It certainly took off immediately in becoming the university’s favourite site for having your picture taken in your graduation gown with all your pals. Ten years later, it’s become one of the city’s best known landmarks.