TCF: Deadly Little Secrets

Deadly Little Secrets: The Minister, his Mistress, and a Heartless Texas Murder
By Kathryn Casey

The crime:

When Kari Baker was found dead by her husband Matt on April 7, 2006 it was judged to be a suicide by drug overdose, mainly because that is what Matt, a Baptist minister, told the authorities had happened. He also showed them a suicide note. Kari’s family, however, didn’t believe she would have killed herself and pursued a wrongful death civil case against Matt. After much prodding the police filed charges and, with Matt’s mistress testifying against him, he was found guilty of murder and sentenced to 65 years in prison.

The book:

There’s a blurb of praise from Ann Rule on the cover of Deadly Little Secrets and I think that’s entirely apt as Kathryn Casey has always struck me as the Texas version of Ann Rule. What I mean is that while both authors cover a fair bit of ground, their real specialty is doing these deep dives into marriages and relationships that hit the rocks in a big, bad way. And I’m not knocking that, since I think there’s a real value in digging into such stories, precisely because they are so commonplace. If you’re going to be murdered, chances are pretty good it will be at the hands of a domestic partner. It’s certainly a lot more likely than being killed by a stranger. So it helps to be familiar with some of the warning signs.

Matt Baker’s murder of his wife Kari was a terrible tragedy but at the same time it was nothing much out of the ordinary. I was even a bit surprised that national news programs like 48 Hours and 20/20 ran segments on it, as I would have thought it was mainly a story of local interest. But I guess the “murdering minister” angle, which is all that sets it apart from countless similar stories of husbands killing their wives, played well in the media.

That a so-called “man of god” could go bad, or be bad in the first place, didn’t strike me as being news. I’m more concerned at how many people there still are who think individuals in positions of trust and authority are deserving of so much respect and deference. Cops, doctors, and clergy, to take just the most obvious examples, are no better or worse than anyone else out there. Given that, and the fact that at over 400 pages this is a book that goes into Matt and Kari’s break-up in granular detail, what lessons can we learn?

I think the red flags with Matt were all the obvious ones. He was overly possessive and controlling. He had no friends. He couldn’t stick with any one job for very long, usually being dismissed for some inappropriate conduct that wherever he was working wanted to keep hushed up. He was a sex addict. None of this meant he was bound to end up killing his wife, but they were bad signs. Only being a minister bought him a lot of trust, and Kari never wanted to believe the worst.

The other thing that stood out to me for it’s not being remarkable was the way the police investigation got off on the wrong foot and then only got worse because people in authority never want to admit making a mistake. By sheer coincidence I read David Wilson’s A Plot to Kill right after Deadly Little Secrets and both books deal with murders involving drug overdoses that were originally considered to be suicides or accidents so that the authorities didn’t have to perform an autopsy. When Wilson tried to get a copy of the coroner’s report on Peter Farquhar he was shut down in a way that he clearly felt miffed by. But I think he also understood why he was getting that treatment, and it’s not because he was a famous author. There are few rules more absolute when it comes to corporate culture than CYA (Cover Your Ass), and the police are nothing if not a corporate bureaucracy.

As with any bureaucracy, the failure of the police in this case wasn’t the result of corruption or incompetence but instead could mainly be put down to simple laziness. In my experience this is the Occam’s Razor of explaining how things go wrong in most organizations. It’s not the fault of bad people so much as people who can’t be bothered doing anything more than the bare minimum to keep their jobs. In this case, the police were offered an easy explanation for Kari’s death so they just took it at face value (a typewritten suicide note?) and called it a day. No need to bother with an investigation.

Because there was so little physical evidence collected the trial itself turned into a very near-run thing. Matt might have even been able to beat it if he’d known enough, or been better advised, to keep his mouth shut. You should always keep your mouth shut in such situations. This was the takeaway I offered in my review of The Count and the Confession: “Innocent or guilty, you have nothing to gain by talking to the police. It won’t do you any good and could get you in a lot trouble.” Talking to the police almost sent Beverly Monroe to prison for life, and she was innocent. It’s what nailed Matt, who otherwise had a good chance of walking out of court  a free man.

Noted in passing:

Guy James Gray, Matt’s defense lawyer, got angry with Matt when he found out that Matt had been lying to him about not having an affair with the younger woman he hooked up with after Kari’s death. Indeed, Gray was so furious that he filed a motion to be taken off the case, citing a “serious breach of confidence.”

That didn’t sit well with Gray, who’d convinced himself early on that he had an innocent client. Suddenly Gray, like the prosecutors, had Baker pegged as a liar. “I think the judge should have let me leave,” he says, with a frown. “From that point on, I never talked to Baker unless I legally had to. I wanted nothing to do with him.”

This isn’t how it works. Or at least it’s not how it’s supposed to work. In the first place, Matt had only confessed at this point to lying about his affair, he hadn’t admitted to killing Kari so was still at least potentially an “innocent client.” But more than that, a defense attorney has a professional duty to present his or her client’s case as best they can, and the question of whether their client is actually guilty or innocent doesn’t come into it. For Gray to suggest he gave up on the case, a sort of “quiet quitting,” when he wasn’t allowed to resign (which would have been very difficult given how late in the day it was) is something I found really surprising.

Takeaways:

One can make any number of stupid mistakes in killing someone and still get away with it. Matt Baker was no criminal genius and should have been caught dead to rights but for the fact that he was a minister. What finally tripped him up though was the fact that his wife had a lot of close family members and friends who weren’t going to let the matter of her death slide and who had the resources to pursue Matt when the police and DA didn’t want to get involved.

There’s a reason so many serial killers manage to keep murdering for years without getting caught. They tend to prey on individuals who are socially isolated or who exist on the fringes of society. Runaways, homeless people, the down-and-out. Killing people with stronger connections to their community is a lot riskier.

True Crime Files

Marvel Zombies Volume 1

Marvel Zombies Volume 1

Disappointing.

2005 was near the point of peak zombie, a genre fad that writer Robert (he’ll let you call him “the zombie guy”) Kirkman had ridden to huge success with his Walking Dead comics. I liked The Walking Dead, and indeed you could say I’m a big zombie fan, so I was definitely on board for seeing how zombification would go with the Marvel universe.

The answer? Meh.

The idea for Marvel Zombies took its start from a storyline in the Ultimate Fantastic Four, and as things kick off here the zombie apocalypse/virus has actually run its course. We’re in the ruins of a depopulated city with only superheroes left. Zombie superheroes, that is. I assume they’ve eaten everyone else.

These aren’t your usual zombies though, and not just because they still have their super powers. It’s not clear what the cause of the zombie outbreak was but the effect is somewhat similar to the classic Romero strain: those infected have a hunger for human flesh, and whoever they bite suffers the same fate (that is, if they aren’t fully consumed). What’s different is that though dead they have their minds entire. They know what’s happened to them, it’s just that they can’t control their appetite for flesh. After a good feast of flesh they’re able to function somewhat normally, but then the hunger begins to grow again . . .

They are, in other words, junkies.

I think more than anything else this is what gives Marvel Zombies its depressing air. To be sure, zombies have been used from the beginning as a kind of metaphor. They started life (after death) as slave labour in the cane fields of Haiti and went on to be identified with the lumpenproletariat, the underclass, or simply the masses. On a planet with too many mouths to feed and an economy without enough decent jobs for everyone, the zombie apocalypse was just what the name suggests: not a vision of the future but a revelation of our own class divisions and environmental crisis. Throw in the generic landscape of bombed-out, urban decay and everything about the premise here just feels grim. And then it gets grimmer.

I appreciated how Kirkman took things in a different direction here, and how dark it all was, but I can’t say I enjoyed it very much. It’s not that it’s too bleak or depressing, but more that the story, at least in the early going, doesn’t have much to do. What we get are fights between the zombies and the usual ascending order of level bad guys (who are now sort-of good guys). They kill Magneto and eat him. Then they kill the Silver Surfer and eat him. And finally they kill Galactus (!) and eat him. In this they are helped along by what I thought was a stupid plot device of having the heroes who eat the Silver Surfer absorbing some of his “cosmic powers” along with his flesh (or whatever it is the Surfer is made of). They need such an energy boost because their rotting bodies keep getting torn apart in their various battles. Captain America has the top of his skull sheared off. Spidey loses a leg. Iron Man loses his entire bottom half. Wolverine and Luke Cage both lose an arm. But they can keep going without losing a step because of the “cosmic powers” (or Power Cosmic) of the Surfer. I thought this was stupid. Given Kirkman had the whole Marvel line-up to play with I thought he should have had more of the heroes being destroyed completely.

The art by Sean Phillips is fine. The zombies are identified clearly by pupil-less eyes and the way lips and gums have disappeared from their mouths, which foregrounds shiny grills of teeth. For whatever reason the sun has gone missing so everything is equally dark, inside and out. Again: depressing. Arthur Suydam reimagines classic Marvel covers with zombie makeovers, even though these have nothing to do with the action inside.

The human story has it that Black Panther (who zombie Giant-Man had been keeping alive to munch on) has teamed up with Magneto’s Acolytes to maybe find some kind of cure. That part seemed kind of vague, but they manage to salvage the head of zombie Wasp so maybe they’ll be able to learn something from that. Meanwhile, the zombies who ate Galactus are hungry again and we’re left with them invading another planet. I can’t say this left me all that interested to see what was going to happen next, but maybe interested enough to carry on a bit more.

Graphicalex

Marple: The Tuesday Night Club

This story marks the first appearance of Miss (Jane) Marple. It came out in something called The Royal Magazine in 1927 and was followed up by a number of others that fell into two sequences, and which were later collected in the volume The Thirteen Problems. I think all of the stories were written before the first Miss Marple novel, The Murder at the Vicarage, which itself was an outlier in terms of its publication date (the next Miss Marple novel wouldn’t come out for another dozen years).

Christie’s inspiration was to make older spinsters more visible and give them a voice. That invisibility is very much pointed at here, as Miss Marple (you feel you have to always type that out with the “Miss”; she’s not like Holmes or Poirot or Wolfe) is one of a circle of friends who have gathered to discuss unsolved mysteries, but she’s mostly ignored as she knits in the corner listening to the others. Indeed at a couple of points in the story she is completely forgotten. And the group have assembled in her house!

Anyway, everyone decides that it would be fun to have the members of the newly formed Tuesday Night Club take turns telling mystery stories that they know the answer to and that the others will try to solve. Why? Because they all think they’re so smart. There’s a writer (Miss Marple’s nephew, Raymond West), an artist (the only other woman), a retired police commissioner, a clergyman, and a solicitor. They are all professionals, with the host being the one true “amateur.” But this will turn out to be her strength. She is a student of human nature, with fewer presuppositions based on a particular life history. Her method is to draw from her knowledge of other incidents in village life and find correspondences between them and the case in hand. And so in this story she is the one who is able to “hit upon the truth,” even as her correct conclusions are dismissed (twice, using the same language) in the final pages.

It’s quick and goes down easy. The solution, however, is probably well out of the grasp of twenty-first century North American readers. Indeed, I don’t think there are very many British readers who will still know the meaning of “banting” (dieting) or that “hundreds and thousands” are what we call sprinkles. And yet these are the two big clues used to unlock the mystery. While she may be a classic, Christie really wasn’t timeless. Which I guess is also a big part of her charm.

Marple index

Miss Marple of St. Mary Mead

An index to my reviews of the Miss Marple stories and novels by Agatha Christie (and others).

The Tuesday Night Club
The Idol House of Astarte
Ingots of Gold
The Bloodstained Pavement
Motive v. Opportunity
The Thumb Mark of St. Peter
The Blue Geranium
The Companion
The Four Suspects
A Christmas Tragedy
The Herb of Death
The Affair at the Bungalow
The Murder at the Vicarage
Death by Drowning
Miss Marple Tells a Story
Strange Jest
The Body in the Library
The Case of the Perfect Maid
The Case of the Caretaker
Tape-Measure Murder
The Moving Finger
A Murder is Announced
They Do It with Mirrors
4.50 from Paddington
Greenshaw’s Folly
Sanctuary

Deuterocanonical Works

Evil in Small Places by Lucy Foley
The Jade Empress by Jean Kwok
Miss Marple’s Christmas by Ruth Ware
Miss Marple Takes Manhattan by Alyssa Cole
The Open Mind by Naomi Alderman
The Second Murder at the Vicarage by Val McDermid
The Unravelling by Natalie Haynes

Mystery and Detective Fiction

TMI

From The Twittering Machine (2020) by Richard Seymour:

We naively think of ourselves as either “information rich” or “information poor.” What if it doesn’t work that way? What if information is like sugar, and  a high-information diet is a benchmark of cultural poverty? What if information, beyond a certain point, is toxic?

All-New X-Men: Here to Stay

All-New X-Men: Here to Stay

Well, as the title indicates the classic X-Men are here to stay in our own time, where they will have to deal with the Scott Summers/Cyclops-led evil X-Men. Meanwhile, Jean Grey continues to come to grips with her growing psychic powers, people start to question Hank McCoy’s messing with the space-time continuum, Kitty Pryde gets exasperated trying to bring the teenage X-Men up to speed, Angel meets a new friend, Mystique assembles her own gang of supervillains, and Wolverine is angry all the time.

I had a feeling that they were sort of marking time here, especially given that there are two big fight scenes, one a battle with Hydra that feels like a simulation in the Danger Room and the other being a fight against Sentinels that is a simulation in the Danger Room. Neither amounts to much. But overall Brian Michael Bendis keeps the different balls in the air pretty well and the writing is better than average. I particularly like the way Bendis spices up dialogue scenes in interesting ways. In the previous volume it was the two Hank McCoys talking to each other via psychic link-up. In this one we get a heated conversation between Beast and Captain America as filtered through Iceman and Kitty Pride. I thought that was neat.

Unfortunately, I really didn’t like the art from David Marquez (issues #6-8). It felt very generic and crude, with a blandness that seems almost AI generated, and there’s not a lot going on in the individual cells, either in the background or expressed on faces. It’s similar to Stuart Immonen’s work (who did issues #9-10 here), but more cartoonish, if I can make a distinction between a cartoon and a comic style. I can see some people liking it, but it’s not my thing.

Not a great instalment then, but the story interests me and I’ll stick with it for a while. I may not be here to stay, but I’ll hang around for a bit longer.

Graphicalex

TCF: Summer for the Gods

Summer for the Gods: The Scopes Trial and America’s Continuing Debate Over Science and Religion
By Edward J. Larson

The crime:

A media circus came to Dayton, Tennessee for a couple of weeks in July 1925 as high school teacher John T. Scopes was put on trial for teaching evolution in a state-funded school. William Jennings Bryan joined the prosecution, while Clarence Darrow served on the defence team. Scopes was found guilty and fined $100, a verdict that was later overturned on a flimsy technicality so that there was no conviction to be appealed.

The book:

In my review of Blood & Ink I brought up the subject of a “trial of the century.” I don’t know if the Hall-Mills trial was ever referred to as such, but the author Joe Pompeo uses it as a chapter heading in that book. In any event, the Scopes Trial took place the year before and Edward Larson notes how calling it the trial of the century was already a “shopworn designation,” especially since Darrow’s previous case, the Leopold and Loeb trial that took place just the year before, had been widely referred to in the same terms.

Was the Leopold and Loeb trial the first trial of the century, or the first trial to be named as such in the media? I don’t know. But the Scopes Trial was a big deal and so probably belongs on a shortlist of contenders for that title. There is a strong counterargument to be made against its inclusion in such a list though. Just for starters, it was always meant to be a media event – a symbolic statute, a show trial – and very little was at stake. Technically it was a criminal misdemeanour case, though as the Chicago Tribune would sniff at the time, “It is not a criminal trial, as that term is ordinarily understood.” But then, they were saying that because they were broadcasting it live via radio and they wanted to allay concerns that this wasn’t in some way improper. Then, after the verdict, the media were quick to dismiss the whole show as a sort of nine days’ wonder. The New York Times would say that the abrupt end of the trial saved “the public from having its ears bethumped with millions more of irrelevant words.” This from the paper of record that, as Larson observes, had “used as many as five telegraph wires at a time to carry reports from Dayton.”

Another point against its century status is that it was unclear, even at the time, what the trial was actually about or what the different sides were trying to prove. For Bryan, the issue had to do with the principle of majority rule. “It is the easiest case to explain I have ever found,” he wrote to a fellow prosecutor at the start of the trial. “The right of the people speaking through the legislature, to control the schools which they create and support is the real issue as I see it” (emphases in the original). Darrow was playing for different stakes: “Nothing will satisfy us but broad victory, a knockout which will have an everlasting precedent to prove that America is founded on liberty and not on narrow, mean, intolerable and brainless prejudice of soulless religio-maniacs.”

Given these different agendas, both sides were able to claim victory: “The prosecution claimed a legal victory; the defense a moral one.” At the same time, neither side was satisfied: the defence complaining that nothing had been settled while supporters of the statute “could scarcely hail a ruling that all but directed prosecutors not to enforce the law.” Which makes you wonder to what extent a win-win is always a lose-lose.

A final point against calling it a trial of the century is that the verdict seems never to have been in doubt. This was evidenced by its immediacy:

The jury received the case shortly before noon and returned its verdict nine minutes later. They spent most of this time getting in and out of the crowded courtroom. “The jurors didn’t even sit down to think it over,” one observer noted, “but stood huddled together in the hallway of the courthouse for the brief interval.”

Nine minutes! I’m not sure, but that must be some kind of record, especially for a case this long.

Given the larger-than-life personalities of Bryan and Darrow the table was set for high drama, but the great debate between the two comes off, at least to my ear listening to it a century later, sounding scripted and pointless. Maybe it’s the effect of having Inherit the Wind playing in my head (a text that’s duly questioned here). But more than that, you really can’t defend the Bible as history or science. Religion doesn’t make any kind of sense if you look at it that way. So all the back-and-forth about when God created the world is silly, as I think most people understood at the time.

But, to advocate for the other side, you can still make an argument for its “trial of the century” status. But this is mainly because of its long cultural afterlife. “Dozens of prosecutions have received such a designation over the years,” Larson concludes, “but only the Scopes trial fully lives up to its billing by continuing to echo through the century.” That probably has more to do with political developments though, and in particular the rise of evangelicalism as a political force in the U.S., than with the trial itself. In the battle between modernists and fundamentalists that the Scopes trial represented it seemed at the time as though the fundamentalists had been thoroughly beaten. They would, however, rise again, gaining strength from a resurgent Southern pride and sense of regional identity.

Given its now “mythic” status, it’s nice to have something like an authoritative version of the events setting the record straight. That said, I can’t say I enjoyed Summer for the Gods very much. It’s not a great read and the characters are poorly drawn. Darrow comes off a bit worse for wear and Bryan a bit better. The secondary players are indistinguishable and the legal maneuvering difficult to follow. It did win the Pulitzer Prize for history and I’m guessing that was for its research.

Noted in passing:

I don’t think Bobby Franks is properly described as a “former schoolmate” of Leopold and Loeb. He lived across the street from Loeb, to whom he was related, and went to the same high school Leopold had attended, but he was quite a bit younger.

Takeaways:

Trying to establish the “truth” of a religion, whatever that might mean, is pointless. And even if that were your goal, a criminal trial wouldn’t be the place for it.

True Crime Files

Swamp Thing: The Bronze Age Volume 2

Swamp Thing: The Bronze Age Volume 2

We sort of swing from the good to the bad here. First up we have the back half of the initial run of Swamp Thing comics, issues #14-24. This has lots of the usual nuttiness, including Swampy fighting demons, robots, and even a clone of himself that grew out of the arm that was cut off in an earlier story (this gives us the awesome Swamp Thing vs. Swamp Thing cover for issue #20 that also fronts this omnibus edition). I especially loved the Dr. Seuss-inspired Ultra-Cerebralociter, a machine that has the power to turn the brains of all the world’s leaders into “mush.” It even comes with a DANGER: HIGH VOLTAGE warning label on it. You’ve gotta love this stuff. Then of course there’s the purple writing that was the house style of the time, with Swamp Thing being described so often as a “mockery” (as in a “muck-draped mockery” of a man, or a mockery of life itself) that I was wondering if there was something in the style guide that said the word mockery had to be used a certain number of times every issue.

Unfortunately, sales were really poor so the series was discontinued. Issue #24 was the last, though the script and draft pencils and inks for the never-published issue #25 are included as an appendix with this edition, which is a really nice bonus.

The rest of the book has Swampy (along with Deadman) teaming up with the Challengers of the Unknown, a team of heroes who are now as unknown as their challenges. Who were the Challengers, you ask?

Ace Morgan: Former test pilot – now leader of the Challengers!

Rocky Davis: Onetime champion heavyweight wrestler!

Red Ryan: Electronics expert and world renowned mountain explorer!

Professor Haley: Scientific genius and deep diver into – the unknown!

Oh, and just in case you think this is a boys only club:

June Robbins: honorary Challenger and research physicist.

June is the buxom blonde who Rocky and Red have a falling out over. Yes, it’s that hokey.

Anyway, there are two main Challengers of the Unknown storylines. The first has them going back to the charmingly named town of Perdition to fight the reawakened spirit of the Lovecraft-demon M’Nagalah in a surprisingly yucky bit of horror, and the second has them jumping forward 12 million years to fight a bunch of solar tyrants who are offloading their excess monsters onto twentieth-century Earth. Beginning, alas, with Toronto: “an orderly city. A city of peaceful and pleasant people. A city with one of the lowest crime rates on the continent.” These stories are plenty crazy enough, but Swampy is just an extra, albeit more competent at smashing bad guys than the Challengers. His fight with the Persuader is the highlight.

Also included are a couple of Brave and the Bold team-ups with Batman and a frankly kind of lame crossover that has him fighting alongside Solomon Grundy against Superman (it’s complicated, but Swampy is still a good guy).

I think there are interesting storylines here, some of which had to be left as dead ends when this run was canceled. We never hear anything more about Alec Holland’s brother Edward, for example, a guy who seemed to have a pretty justifiable grudge against his brother. Like his arm restoring itself, however, cutting the series off wasn’t going to be the end of the “mossy man-brute.” He’d be back!

Graphicalex

Trashed

Trashed

The matter of dates niggled at me while reading Trashed. The book grew out of stories that were initially based on Derf Backderf’s stint as a garbageman in 1979-1980 and which were first published in 2002. He then turned the material into two web comics that ran in 2010 and 2011. And finally the stories were fictionalized and turned into this book in 2015.

So the question that bothered me was just when the events being described were happening. One thing I noted is that the story is about a year in the life of garbageman J.B., who along with his pal Mike rides along on the back of a garbage truck, tossing the garbage in. That’s two men hanging on the back of one garbage truck, which is something I have never seen. Not even decades ago. Today, and this goes back at least twenty years now in my hometown, the trucks all have claws that extend from the side of the truck that grab the bins to empty them, so the driver does everything. And even if there is someone riding with the truck, it’s only one person, never two.

This all made me figure the events described were reflective of Backderf’s experiences circa. 1980, and in his endnotes he mentions how he started doing the job six months after the events in My Friend Dahmer, and that Jeffrey Dahmer had cut up the remains of his first victim and put them out with the trash only a few months earlier. This is one timestamp then. But in the book there are also references to online shopping, iPods, and we even see someone using a tablet. None of this is a big issue, but like I say it niggled at me. When is this story taking place?

This question didn’t detract from my enjoyment of the book too much though. Backderf actually packs a lot of information into a fun story arc that actually had me laughing out loud a couple of times (I knew nothing of “yellow torpedoes”). The art is suitably cluttered, with the whole world, indoors and outdoors, turned into a dumping ground right from the first page and the chaos of J.B.’s bedroom. I spent a few minutes reading that. There’s also a realistic presentation of what such a job means to people in J.B.’s position, from his showering after work and sighing “I don’t think I can ever be truly clean again” to his conversations with Mike about their doing such labour (“The irony is, we are both too good for, and also totally incompetent at, this kind of work”). It’s remarkable how much exposition Backderf can drop in, alongside political commentary, without making the book feel like a heavy polemic. Maybe it’s just the subject matter. When J. B. says at one point “Think of the economy as a giant digestive tract. And we’re here at the rectum of the free market to clean it all up.” it doesn’t seem like a lecture point so much as a simple statement of fact.

I really liked My Friend Dahmer and went into this thinking it would probably be a bit of a letdown. It wasn’t, and that’s high praise. What’s more, without serial killers Trashed is a book I can recommend to anyone.

Graphicalex

TCF: The Con Queen of Hollywood

The Con Queen of Hollywood: The Hunt for an Evil Genius
By Scott C. Johnson

The crime:

Hargobind “Harvey” Tahilramani, an Indonesian of Indian descent who was partly educated in the U.S. and who for most of his working life resided in England, seems to have made a living (how, I’m not sure) out of impersonating various Hollywood power players. His main scam involved calling up individuals looking to get into the movie business and pretending to be a big-shot producer offering them a break. He would then send his marks running around Indonesia, racking up expense bills that he profited from in some way. After being tracked down by a private security firm and a reporter on the case he was arrested in Manchester.

The book:

I had deeply divided feelings on this one.

On the plus side, I thought the story itself was fascinating, and the gradual uncovering of the scam by Scott C. Johnson played a bit like that of the journalists tracking down the mail-fraud operation in A Deal with the Devil, which was a book I loved.

On the other hand . . .

I didn’t think Johnson did a great job explaining the operation of Tahilramani’s scam. Perhaps, as the book was written before there’d been any trial (we leave with “Harvey” still awaiting extradition to the U.S.), little was known or could be said for sure. Johnson did try his best to follow up various leads, but I found myself scratching my head as to how money was being made off of the people Tahilramani was sending on various wild goose chases. Kickbacks on taxi fares? If most of the money spent went to what would have been legitimate expenses on any trip (travel, accommodations) how much of it went into Harvey’s pockets? The FBI estimates he might have made around $5,000 per person he sent to Indonesia, and maybe a million dollars over the years, but that strikes me as perhaps inflated and in any event no more than a guess. He was almost certainly lying when he told Johnson that there was another figure further up the chain of fraud who was making the real money, but it’s a lie that makes more sense than the truth.

The point is stressed by Johnson, however, that Tahilramani wasn’t in it for the money. Which then leads to an attempt at understanding exactly why he was doing it. Was it only for amusement? He confessed to that much. Did he have “a penchant for deception”? Given all of his pseudonyms (among others: Harvey Taheal, Gavin Ambani, Anand Sippy, Gobind Tahil) and the sheer amount of time he spent calling people (the better part of every day was spent on the phone) one feels that there was something like an addiction in play. Was pretending to be someone else empowering, or even an expression of gender dysphoria (he specialized in impersonating women, and when caught he claimed he would take his punishment “like a man, or a woman, it’s the same thing to me”)? Perhaps there was some of that too. Did he just like yanking people’s chains? Absolutely. Was he sadistic? This is a label Johnson applies a few times, though to me it doesn’t feel right. Sadists, at least in the classic understanding of the term, derive some sexual stimulation from inflicting pain on others, and Tahilramani seems to have been asexual. Indeed he claimed to be impotent and there’s no evidence here that he ever had intimate relations with anyone of either sex. Of course, it goes without saying that he had no friends.

But while Tahilramani is a hard character to figure out, it would be a mistake to extend him any sympathy or respect. In the case of the former, it’s part of every villain’s playbook, at least in the twenty-first century, to claim victim status. Tahilramani seems to have been gay, and may have been subjected to some form of gay conversion therapy while institutionalized in Indonesia, but that’s as far as his victim credentials extend. When being interviewed by Johnson he “hammered away at the victim narrative” of his life by blaming his sisters for the way he turned out, which seems to be far from the mark. What he understood, however, is the way being a victim gives one a pass for any amount of bad behaviour. We are even told that he held the view that Harvey Weinstein, the disgraced movie producer he admired, was “a tragic victim of the #MeToo movement,” which tells you something about the kind of lessons he took from that.

As for respect, that was even extended to Tahilramani by one of his marks. An aspiring screenwriter named Gregory Mandarano (who’d go on to write a script about the Con Queen) initially

expressed admiration and even awe at what his deceiver had been able to achieve. It had been a feat of spectacular creativity, a virtuoso display. As the years went on, his view began to change and, in the end, he felt disappointed – not so much by what he had suffered, but by what the scammer had failed to achieve. As a character in one of Gregory’s screenplays, Harvey could use his grifting talents to perform some truly ingenious, worthy crimes. If only the truth had been different, he might have created “something of value.”

By “ingenious, worthy crimes” I think something like the crimes of a Tom Ripley is meant. But then Harvey wouldn’t have been caught, and in the end nothing of value would have been created except I guess a life as a work of art.

Harvey was good at doing voices. I’ll give him credit for that. But the bottom line as I see it is that Tahilramani was just someone who held an intense hatred of the human race almost from birth. I don’t know where such bitterness comes from. He was born into a family of privilege and his parents both doted on him. His mother’s love in particular was an example of “rare codependency.” When you spoil people (young or old, makes no difference) it rarely turns out well. But this is a point I’ve remarked upon before.

The result was the kind of person an acquaintance of mine once described as “a black hole of shit.” One of his sisters, who perhaps knew him better than anyone, refused to refer to him by name, calling him only “the Monster.”

She saw him as a social predator devoid of empathy or remorse, a man without conscience who viewed other people as sources of personal gratification and gain. He was unable to love, a manipulative liar who had alienated his entire remaining family. He had no friends, no one to rely on. She described him as a “malignant tumor,” and said that even employing the terms brother or relative to describe their biological kinship was itself “cruel.” People who wished him harm, she said, were justified.

Even more succinct a condemnation is the assessment made by an “old acquaintance”: “He was, she believed, a dark malignancy in semi-humanoid form, glomming on to souls and retching on their dreams.”

Not, properly speaking, a human being at all then, but a form of life, like a “cancer” or “malignancy,” that feeds on humans. The final section of Johnson’s book is simply given the name “The Entity,” deriving from his sister’s description of her brother as “an evil entity.” Which I think is good, even if it does constitute a sort of throwing up of one’s hands.

What bothered me the most about The Con Queen of Hollywood though was the way Johnson kept trying to shoehorn in bits of his own family history, for no reason whatsoever that I could see. His father was a CIA agent and his mother had been sexually abused (I think) by his grandfather. None of this has any connection at all to Tahilramani’s story. Now I didn’t mind his account of tracking Harvey down to the apartment he was renting in Manchester, England. That was fine, and Johnson was aware of how it marked “the moment I stopped being merely an observer and became a character in his [Tahilramani’s] story.” But the family background was an unnecessary distraction and I felt like it led to the book losing focus on the portrait being drawn of the Con Queen, and indeed drawing us away from a better understanding of him.

Noted in passing:

Scammers have been around forever, and as with so many other unpleasant things we have today the Internet has only made the problem worse. What the story here underlines are the various ways this has happened. For one thing, there is no longer a barrier “that once separated the relative safety of ‘reality’ from the constant intrusions of online life.” Our virtual and real lives have merged. In addition, while the Internet has a global reach (Tahilramni had victims on six continents) it also fosters “the illusion of proximity”: “people who would otherwise be far removed and inaccessible are made to seem closer and more familiar.” And of course the cost of such scams is reduced to nearly zero, while at the same time making them exponentially more damaging.

How to defend yourself? Well, to be brutally honest there is no defence aside from staying off the Internet entirely. Even a group of Navy SEALs were taken in by Harvey, and indeed made to put on sexual performances for him (that they considered such behaviour to be at least somewhat normal is another sad fact of the digital age). But one bit of advice I remember from the early days of the Internet might help: your online presence should not be about you, but about what interests you. In the days of carefully curating a personal online presence (or brand) this is worth keeping in mind, especially if you’re really engaged with social media.

While some [of Harvey’s] victims were talented photographers, by and large their true dominion was social media. They had mastered the art of self-promotion, and were comfortable posting – advertising – the details of their lives. Masters of the selfie, they crossed back and forth between journalism and the more nebulous but profitable world of branding. . . . [Harvey’s] deep knowledge base could be scraped off the internet, an open vault where ambition and oversharing collided. Once in possession of a mark’s professional trajectory, along with the names of past collaborators or clients, [Harvey] could weave a tale to suit each one.

Again, I don’t think there’s any way to avoid risk completely. But you need to be aware of the risk and try to limit your exposure to it.

Takeaways:

I think one of the hardest things for any parent to do is to recognize that their child is, in fact, a completely worthless piece of shit and menace to society. Parents are, all too often, the enablers of last resort for such monsters. Which, in turn, leads into the point I made earlier about the disastrous effects of codependency.

All the more credit then to Tahilramani’s father Lal, who on his deathbed cut his son out of his will and “urged his daughters to distance themselves from him. He explained that they would face two great challenges in life: cancer [a family predisposition] and Harvey.” Again the link between the Monster and malignancy. Lal told his daughters he was sorry for what they’d gone through and that if there was any silver lining it was that they had already seen “the worst human in our midst.”

This is the correct response to have, but I’ve only personally known a couple of parents who have gone so far. The thing is, you owe your child a lot, but not a blank cheque supporting a lifetime of bad behaviour. So don’t bother with “tough love.” Just cut the damn cord and move on, even if it’s the last thing you do.

True Crime Files