The Immortal Hulk Volume 4: Abomination

The Immortal Hulk Volume 4: Abomination

At the end of Hulk in Hell I mentioned how immortality seemed to be catching, with characters like Rick Jones and Betty Ross climbing out of their graves. They’re both back here, reborn as the Abomination and Harpy respectively. How could you imagine unquiet slumbers for the sleepers in this quiet series? I mean, Harpy even tears the Hulk’s heart out and eats it here, not in order to destroy him but as a way of giving him a “hard reset” that will jump-start his healing after he’s basically been dissolved by the Abomination’s acid reflux.

Aside from this, the roller coaster I’ve been on with the Immortal Hulk series continues even within this volume, which abruptly mixes good and bad. In the latter parts we get blocks of exposition with repetitive art as characters try to give us some idea of what is going on. Which helped a bit, though I was still confused even when Bushwacker held up a helpful chart on which he’d broken down the different Hulk identities in play. On the plus side though there’s a pretty good three-way battle between the Hulk, Abomination, and Harpy. The main monster motif throughout this series is a plasticity in form that recalls the shape-shifting monster in John Carpenter’s The Thing. The Hulk can get big or skinny and even displays the faces of victims he’s eaten when he transforms. Inside the head of Abomination he sees various smaller heads. Bushwacker’s very body is some military-grade plastic and can transform into various weapons. All these bodies keep melting and reconstituting over and over, Thing-style. This means that the fight scenes get really messy, even though given that no matter how badly characters get torn apart they keep coming back it plays out less as horror than as a sort of gory kaiju.

On the strength of the monster mash stuff I’d recommend this. I still don’t understand what’s going on with the “Cosmic Satan,” the “one below all” who’s coming through the green door, and I have a suspicion that I’m not going to be terribly impressed when I find out, but it’s a series worth sticking with a bit longer.

Graphicalex

TCF: Number Go Up

Number Go Up: Inside Crypto’s Wild Rise and Staggering Fall
By Zeke Faux

The crime:

In 2022 the cryptocurrency exchange FTX (short for “Futures Exchange”) went bankrupt, after having hit a peak valuation of $32 billion just weeks earlier. The founder and CEO Sam Bankman-Fried (popularly designated SBF) was later convicted of fraud, conspiracy, and money laundering.

The book:

The FTX story is only the best known part of the crypto chronicle Zeke Faux tells here. There’s a funny image of an SBF coin on the cover with the latin tag “Nihil Valet” (No Value), but this is really a more general look at, as the subtitle has it, the rise and fall of cryptocurrency. In fact, the main target of Faux’s suspicions throughout is the “stablecoin” Tether, which turns into a kind of crypto white whale that he never lands. Nevertheless, Money Go Up is a great read: tart, funny, and filled with telling anecdotes from a journalist who circled the globe, apparently several times, to get the story. I burned through it in a day.

It’s not the whole story of crypto, or, for that matter, of FTX. For example, Faux deliberately eschews going into much detail about how cryptocurrencies works. This is something I can’t fault him for though, as I’ve consumed a number of explainers on the subject and come away with only the fuzziest notion of how the system operates. In my personal experience, however, I’ve found I know more than most people who’ve dabbled in cryptocurrency (including many obnoxious true believers mixed in with the merely crypto-curious), and there are several times in Faux’s narrative where he has crypto insiders admit that they don’t know much more.

Of course, being opaque has always been a feature and not a bug when it comes to crypto. As its name suggests, this is a currency whose whole point is to slam the door on transparency. And it is this character that, in turn, has made crypto the currency of choice for all kinds of criminal activity: Internet scams, tax evasion, human trafficking, and (most of all) money laundering. As a lawyer I knew told me back when this stuff just started taking off: there’s a reason why they want to keep it secret. And as I wrote here several years ago:

As with anything involving a lot of tech, a lot of money, and a lot of secrecy, I am suspicious of all of this. “Cutting out the middleman” and facilitating faster financial transactions may be of some value, but they don’t seem like really pressing needs for anyone. Meanwhile, avoiding any oversight is the kind of thing mostly bad actors want to take advantage of.

What’s the point of crypto anyway? As Faux entertainingly makes clear, it is not a convenience. The middlemen aren’t cut out, and indeed they take an even bigger piece of the crypto action than the much-despised banks do with regular (fiat) currency. When, strictly for journalistic purposes, Faux purchases and then sells a mutant ape NFT he names Doctor Scum the process is described as “excruciating” and confusing (the NFT is actually sold hours before he knows about it, which he accounts “some of the worst hours of my life”). Then there are the extra costs involved (and keep in mind this was only a $20,000 sale):

Had I been trading in U.S. dollars, I would have lost about $800. But in crypto, there’s a fee associated with every transaction. I ended up wasting at least another $1,160: $36 to Coinbase, $497 to Yuga Labs for their 2.5 percent cut on all ape sales, another $497 to the NFT marketplace, $90 to Bank of America, and about $40 in Ethereum fees.

Convenience? Getting rid of the middle man? Lower fees and transaction costs? Not likely. When Faux travels around the world trying to use crypto, even in states where its use is encouraged by the government, all it leaves him with is

a new appreciation for my Visa card. It worked instantly, with just a tap, charged no fees, and never asked me to memorize long strings of numbers, or to bury codes in my backyard. It even gave me airline miles. When my wife’s account was hacked and used to book an Airbnb, we were given a full refund with just a phone call.

Say what you want about the inconvenience of dealing with your bank, and I could say a lot, when it comes to customer service for your cryptocash account the bottom line, as relayed by one artist profiled here, is “SORRY YOU’RE FUCKED.”

The inconvenience of actually using crypto for anything leads to some funny stories, but they underline that question I asked earlier: What’s the point of crypto? Some of its popularity seems to be driven by the kind of thing that in politics is referred to as negative or affective polarization. A good example of this comes when Faux attends a crypto conference in the Bahamas (a “giant volcano of crypto bullshit”) where SBF was interviewed on stage by business author Michael Lewis. Now at the time Lewis was writing a book on Bankman-Fried (Going Infinite), which is always a bad sign. A very bad sign. Faux describes him as “lavishing praise” on big tech’s latest wunderkind, and asking questions “so fawning, they seemed inappropriate for a journalist.” But aside from that, it’s interesting to note some other things.

Lewis said he knew next to nothing about cryptocurrency. But he seemed quite confident that it was great. The writer said that, contrary to popular opinion, crypto was not well suited for crime. He posited that U.S. regulators were hostile to the industry because they’d been brainwashed or bought off by established Wall Street banks. I wondered if he simply hadn’t heard about the countless crypto scams, but the thought seemed preposterous.

“You look at the existing financial system, then you look at what’s been built outside the existing financial system by crypto, and the crypto version is better,” Lewis said.

Better? In what way? Michael Lewis is no dummy. So why, aside from the fact that he was being given access to SBF in order to write his book, was he so deep in the tank for crypto? One part of it, I think, is that negative polarization I mentioned. Crypto is obviously shady, but the government, the “established Wall Street banks,” “the existing financial system” and the elites running it, they are the enemy that needs to be destroyed. The hate, amplified by media and social media, becomes such a powerful drug that even successful elites become willing to cut off their nose to spite their face.

Another draw for crypto is that it is, effectively, a form of gambling, with supposed insiders and people who know the system making piles of money off of the suckers. At several points Faux even likens the crypto exchanges as being a casino. Meanwhile, time and again he tries to think of some real world use for cryptocurrency and comes up with nothing, aside from (obviously) enabling and concealing criminal activity. And, I suppose, letting rich kids play at being crypto bros, happy to give their money to bored billionaires rather than having to do anything so déclassé as paying taxes. Bored billionaires who, in turn, don’t give a damn about consumer protections or safeguards and are just squirreling their money away in offshore boltholes while running schemes many of them openly acknowledge to be fraudulent. One crypto executive thought his job title should be “Ponzi Consultant.” Another “happily” described his business as a “never-ending Ponzi scheme . . . what I call Ponzinomics.”

One thing that struck me is how brief a run FTX enjoyed. The exchange was only founded in 2019, took just a couple of years to reach stratospheric valuations, and was then kaput by 2022. The rise and fall of crypto (and at this point we can only pray that crypto won’t make a comeback, at least to the kind of hysterical levels described here) didn’t take very long. J. P. Morgan CEO Jamie Dimon compared it to a pet rock, and I don’t think NFTs lasted any longer than that iconic fad from from the 1970s. Do we even remember the bored ape NFTs anymore? Or Razzlekhan, the self-styled rapper who was one half of the biggest heist in history? If not, at least we won’t have to explain them to future generations.

That said, crypto is still with us, and all the terrible shit that comes with it. As Annie Lowrey recently reported in The Atlantic:

The FBI reports that cyper-investment scams cost Americans $4.6 billion in 2023 [remember: FTX collapsed in 2022], up 38 percent from the year before, and 1,700 percent over the previous five years. That’s more than ransomware scams, fake tech-support swindles, web extortion schemes, phishing attacks, malware breaches, and nonpayment and nondelivery frauds combined. And it is an undercount, given that it includes only complaints made to law enforcement; most folks don’t bother making a police report in an attempt to get their bitcoin back, knowing it is hopeless.

So why does crypto persist? Because people, greedy people looking to make a very quick and very easy million, or billion, want to believe in it. It’s basically a cult, and Faux isn’t under any illusions that it will be going away anytime soon.

I didn’t think the prices of all of the cryptocurrencies were about to go to zero, or that we’d never see another hot new coin mint overnight billionaires. On the stock market, pump-and-dump scams have persisted for hundreds of years, and yet there are still new suckers willing to buy shares in some shell company that claims to have struck gold.

The one coin I especially wouldn’t bet against is Bitcoin. It’s not that it’s useful – if anything, it’s more unwieldy than the others. But Bitcoin’s true believers are so convinced that it’s hard to imagine anything will change their minds. To them, whatever the question, the answer is “buy Bitcoin.” Everything they see is evidence Bitcoin will rise, like the members of a cult certain that the apocalypse – and their salvation – is just around the corner.

What surprised me, after finishing Number Go Up, was how little I ended up caring about SBF. Perhaps it’s just because that, while a crook, he was far from the worst crook in an industry rife with scammers. But I also couldn’t help feeling that he didn’t care all that much either way about the money. To be sure, he was no altruist, effective or any other kind. But the impression I had was that he knew all along FTX was a joke, a funhouse ride filled with smoke and mirrors, and he was just waiting for the inevitable collapse in his 12,000-square-foot Bahamian penthouse, eating junk food and playing videogames until the Feds came calling. Faux registers surprise at how blasé he appeared when the whole house of cards came crashing down, which for some reason made me think of the response the chief weapons investigator had when he informed George W. Bush that Iraq didn’t have any weapons of mass destruction. He was struck by how uninterested the president seemed. Did he believe they did? Or did he just not care? That’s the thing about bullshit, as defined by Harry Frankfurt. It’s not a lie if you don’t care if it’s true or not. I think SBF was living in an entire ecosystem of bullshit, unconcerned over whether any of it was real.

This is part of what makes Number Go Up such an entertaining and even downright funny a book. But that would be the wrong takeaway. Yes, there are plenty of freaks and geeks to amuse us, like the “laughably weird founders” of Tether. The crypto world is one, Faux tells us, “where a lack of experience or competence has never been a barrier to fame and fortune.” So much for the meritocracy! But dig a little deeper, as Faux does, and you see beyond the great fortunes to the destroyed lives and violent crimes that are such a big part of the crypto story. The book gets progressively darker, finally taking us to a slave-labour cyber-scam camp in Cambodia. It’s a horrifying vision of a world we rarely get to see, and the worst part of it is that it’s probably not even the smallest or most evil part of what’s really going on.

Noted in passing:

What does money buy?

Alex Mashinsky was co-founder and CEO of the crypto lending network Celsius, a company whose business model never seemed to make the slightest bit of sense. When we last see Mashinsky it’s in a Manhattan courtroom, as part of a hearing into a dispute between Celsius and a former employee after Celsius’s bankruptcy (Mashinsky himself would later be arrested and tried for fraud). But when Faux interviewed him at a smoothie shop he was still riding high.

The interview doesn’t go well. Mashinsky blows a bunch of smoke at Faux about Celsius being a five-legged stool or a candy shop, but then gets distracted by his disintegrating paper straw which requires him to order his public relations representative to bring him another one. I’m sure it’s just me, but I would hope that if I ever get to be really rich I’ll never ask someone to fetch me a straw. I’ll get my own.

Things get worse though when Mashinsky gets annoyed at the noise of the smoothie shop’s blender (something I would have thought very much part of the atmosphere in such a joint). “Can we get out of here? It’s just driving me crazy!” he yells. Retreating to his $8.7 million apartment the interview continues as picks “at a tray of fruit brought by another assistant.”

Why do people want to be rich? For some of them it’s just so they can be like this.

Takeaways:

You don’t really invest in cryptocurrency. Investment means buying shares in a company which then does things in a real economy, like employ people and make things. At best, cryptocurrency is a form of gambling. As Faux concludes, the promises made about crypto have proven empty, while “the benefits of crypto to the rest of the world seemed to be limited to enabling a zero-sum gambling mania.” And gambling is always odious and profoundly damaging to society and individuals.

And, just to repeat: it’s only gambling at best. It can be a lot of other things that are worse.

True Crime Files

Archie vs. Predator

Archie vs. Predator

Archie vs. Predator isn’t part of the Archie Horror imprint that launched in 2013 with the zombies-in-Riverdale title Afterlife with Archie, but is instead a mash-up from Dark Horse Comics that was no doubt inspired by the success of Afterlife but also by a much earlier crossover, Archie Meets the Punisher (1994). And indeed it’s closer in spirit to the latter in that it’s illustrated in the classic Archie style (very unlike the Archie Horror comics where even Archie himself is unrecognizable) and keeps something of the sweetness and innocence of the Archie-verse going in a story filled with splatter and just the slightest suggestion of an adult gaze (as both Betty and Veronica provocatively strip down to their underwear at different points). It’s a comic that wants to have its cake and eat it, and for the most part it works. When Betty says to the Predator “You are one ugly melon farmer,” it’s a good line.

But while enjoyable, I thought the writing was quite a letdown from the Archie Horror comics I’ve read. There are no funny jokes and the plot is incredibly slapdash, even by Archie standards. Why whisk the gang down to the Caribbean for a holiday? Why wouldn’t the Predator just land in Riverdale? Why introduce all the nonsense about the curse of the local Jaguar Goddess into a Predator story? Did it even mean anything? Is the teenage Predator in love with Betty and Veronica? Does that add anything? The skips in the narrative made the breaks between the individual issues invisible, and led me on at least two occasions to try to pull pages apart because I was sure something had gone missing. As a way of shuttling things along, Mr. Lodge’s medi-lab serves as a really awkward plot device. I mean, it gets us Super-Archie and the gag ending, but you’d think they would have come up with something a little more grounded. A lot of what goes on here doesn’t feel like it belongs in either the Archie or the Predator universe.

There are some parts that did share a strange continuity with the Archie Horror titles. Like the pre-eminence of Jughead as the ultimate victim (he’d been the first human zombie in Afterlife, and the werewolf in Jughead: The Hunger). Here he gets his severed head and spinal column stuffed in a snack machine. Meanwhile, Dilton Doiley has gained in importance from the classic Archie days as Reggie Mantle has all but disappeared. There’s one great panel that has Reggie taking a selfie of himself blasting away at the Predator with a machine gun, but I think he’s blown up just after this. And the fact that I have to say I think he gets blown up is telling, because I wasn’t sure and anyway that’s it for him. He doesn’t get a signature execution scene or anything. He just disappears. I find this strange because Reggie was one of the four main characters in the comic, being the dark foil to Archie, so that the two balanced out the equally light/dark competition between frenemies Betty and Veronica. He was a more interesting character than Jughead, and more worthy of receiving a gory comeuppance, but in the alt-Archie comics he’s largely forgotten.

Overall then, Archie vs. Predator is a lot of fun but not as good as I was expecting. I really liked seeing the Predator drawn in the Archie style, along with the assorted mayhem, but as I’ve pointed out the writing doesn’t deliver. It’s just not as clever a comic as it could and should have been.

Graphicalex

No more books

A subject that always gets me to sit up and take notice whenever it’s mentioned in the news is the ongoing decline in reading. So of course I had to click on a story headlined “Not-so-great expectations: Students are reading fewer books in English class.” Here are some highlights.

In many English classrooms across America, assignments to read full-length novels are becoming less common. Some teachers focus instead on selected passages — a concession to perceptions of shorter attention spans, pressure to prepare for standardized tests and a sense that short-form content will prepare students for the modern, digital world.

I hear this a lot. I can understand cutting reading requirements because we no longer live in a text-based culture. Reading novels, even for English class, may be seen as having few practical applications in the real world. But I don’t buy that studying short-form content will prepare students for much of anything.

The National Council of Teachers of English acknowledged the shift in a 2022 statement on media education, saying: “The time has come to decenter book reading and essay-writing as the pinnacles of English language arts education.”

The idea is not to remove books but to teach media literacy and add other texts that feel relevant to students, said Seth French, one of the statement’s co-authors. In the English class he taught before becoming a dean last year at Bentonville High School in Arkansas, students engaged with plays, poetry and articles but read just one book together as a class.

This is another idea I’ve always taken exception to. I remember arguing against this kind of thinking thirty years ago. It’s typical of people advocating for change to say that they’re just adding new kinds of learning but keeping all the old. It’s not an “either . . . or” proposition, but “both . . . and.” Which is nonsense. It’s a zero sum game when it comes to students’ time and attention. The “idea” may be “not to remove books” from the curriculum, but that’s what’s going to happen.

Also, it’s not so much that book reading and essay-writing are the “pinnacle of English language arts education” as it is that the Humanities are essentially fields of study that are grounded in the reading of books. That’s what a degree in Literature, History, Philosophy, etc. is. The arts without reading is a contradiction in terms. If students aren’t prepared for that in grade school than the game is already over.

There’s little data on how many books are assigned by schools. But in general, students are reading less. Federal data from last year shows only 14% of young teens say they read for fun daily, compared with 27% in 2012.

Whoa! The number of kids reading for fun (meaning: the number of kids reading at all) has been cut in half in only ten years?

Teachers say the slide has its roots in the COVID-19 crisis.

“There was a trend, it happened when COVID hit, to stop reading full-length novels because students were in trauma; we were in a pandemic. The problem is we haven’t quite come back from that,” said Kristy Acevedo, who teaches English at a vocational high school in New Bedford, Massachusetts.

Wouldn’t spending lots of time indoors, in lockdown, mean that you’d be likely to read more? I guess not. Because . . . trauma.

For some students, it’s a struggle to read at all. Only around a third of fourth and eighth graders reached reading proficiency in the 2022 National Assessment of Educational Progress, down significantly from 2019.

Another “significant” and recent decline. And I wonder what “reading proficiency” means. Are we talking basic literacy? So only a third of these students are literate? And we’re talking about reading proficiency here. I assume that anyone who isn’t able to read proficiently also can’t write. That’s the way these things usually work.

Terri White, a teacher at South Windsor High School in Connecticut, no longer makes her honors ninth-grade English class read all of To Kill a Mockingbird. She assigns about a third of the book and a synopsis of the rest. They have to move on quickly because of pressure for teachers to cram more into the curriculum, she said.

A ninth-grade English class can’t read all of To Kill a Mockingbird! So the teacher assigns a third of it and hands out a synopsis of the rest. What percentage of the class even reads the third of the book that’s assigned? And the idea of just giving kids a synopsis of the book is wrongheaded. You don’t read literature to find out what the story was about, who died in the end and whodunit. That’s treating books as just being sources of information. But unless we’re talking about some (not all) reference works, books also contain ideas and experiences that the act and (I would say) art of reading draws out. A bare synopsis misses all of this.

But of course, if you’re just looking to acquire information from a book in order to pass some standardized test, then I can see thinking that reading is no longer the pinnacle of an arts education. Or, for that matter, even relevant.

Talent

Talent

I give Talent high marks for its premise. It’s brilliant. A bomb takes out a passenger jet and there is one survivor, Nicholas Dane, who has somehow taken on the memories and talents (there’s your title) of everyone else who was on the plane. This serves him in good stead when the ruthless gang that bombed the jet come hunting after him, because now he instead of just being a lowly English professor (and that’s really low!) he is a trained killer, among other things.

The potential such an idea has is immeasurable. But it remains potential. A great premise is not a great story, it’s just the start. And the story here is lousy. The criminal enterprise that’s hunting Dane is a clichéd conspiracy of hooded figures known as the Cardinals. I had no idea who they were or what they were up to. After four issues the series abruptly ended in 2006 and hasn’t been continued.

Nor do I have any idea of how Dane got his powers. A mysterious female figure appears to him on occasion to try to explain what’s going on, but things remain pretty . . . vague. Basically he has become an agent of something called “the balance.” What is the balance? “It is what it is. The balance of all things, light and dark – yin and yang – good and evil, if the concepts do not offend you. The balance is the power that keeps the two opposing forces in check.”

Wow. “It is what it is.” I do not think they put a lot of time into figuring this balance thing out.

What disappointed me the most about Talent is that the concept could have been taken in so many interesting directions. There’s so much talent out there! Nearly everyone you meet has a talent for doing something. I could imagine storylines where Dane is tapping into the talents of an electrician or a cab driver or a dental hygienist. But they don’t do anything like that. The only talents sampled are those of a hired killer, a champion boxer, and a woman who makes origami. Now the first two are very useful in terms of their particular set of skills, but also a bit dull. There’s nothing interesting about how their talents are put to use. Dane just beats people up and shoots them.

So in the end I can’t say I liked this very much. Paul Azaceta’s art is very chunky, turning people into shapes and thick lines, so you don’t get to read any emotion on the faces. Indeed, it can be hard telling some of the characters apart. And the story is just a mess. Is Dane only staying alive, or is he on a mission of vengeance? Or is something else going on? I guess at some point they had plans for taking this further but for whatever reason that didn’t happen so what we’re left with is something that doesn’t add up and doesn’t come to any sort of a conclusion.  But apparently it’s in development as a cable series, and they still might be able to make something good out of it. I hope they do, because as I say the idea here is great.

Graphicalex

1984

1984

One of the points I sometimes make about film and comic adaptations of classic novels is whether they provide a decent crib for students who don’t want to bother reading the book they’re based on. Because let’s face it, that’s what students do. Most of the time these “classics illustrated” are no substitute at all for the original works, but Fido Nesti’s adaptation of George Orwell’s famous dystopian text is an exception.

I’m not saying people can or should pass on Orwell and just read this comic version. I’d never recommend that for any book. But what Nesti gives us here is a remarkably thorough adaptation, including not only the complete text of Goldstein’s book but also “The Principles of Newspeak” appendix. You’re going to do a lot of reading here. Of course you’re not getting the full book, but there are times when you may feel like you are.

And that’s not to put down Nesti’s art. I really like what he’s done here. The generally drab colouring and layouts only make the imaginative moments (like the surveillance technology becoming a snaky network of wires, tubes, and monitors) stand out more. Plus the world of Airstrip One is supposed to be drab, with Winston and Julia just a couple of Claymation potato people with holes for eyes, fishy lips, and lumpy overalls. The lead comes straight from Orwell: “It was curious how that beetle-like type proliferated in the Ministries: little dumpy men, growing stout very early in life, with short legs, swift scuttling movements, and fat inscrutable faces with very small eyes. It was the type that seemed to flourish best under the dominion of the Party.” So if eyes are the windows to the soul it makes sense that O’Brien doesn’t seem to have any, as they’re either hidden behind his glasses or are just dots (in the case of the former there may be a nod here to Orwell’s description of speakers of propaganda in “Politics and the English Language” whose spectacles become “blank discs which seem to have no eyes behind them”). The only time O’Brien seems to come to life is when he’s really laying it on Winston. But soul by this point has leached out of everyone anyway.

I think of a good graphic novel adaptation as being like a band covering a classic song. The artist needs to bring something fresh to the table, some display of talent, imagination, and personality that does justice to the original while adding to it and making it new. I think Nesti does that here and his 1984 is more than a cut above the usual run of these things. Not a substitute for reading Orwell, but a worthy complement to his timeless prophecy.

Graphicalex

Marple: The Affair at the Bungalow

I don’t think there can be any question that Agatha Christie got tired of the mystery formula. And indeed in her Miss Marple novels and stories she often takes a poke at its conventions. The events are often compared, for example, to the sort of thing you might read in detective fiction. The Body in the Library makes this explicit, with the titular crime being a challenge Christie set for herself to try to see what she could do with such a cliché.

“The Affair at the Bungalow” is another such experiment in playing with the reader’s expectations. We’re led to have our doubts about the story Jane Helier is telling right from the start, but the trick Christie is playing is in the fact that, satisfied with knowing this much, we don’t doubt Jane any further.

It’s a clever conceit, but the crime that doesn’t happen in this case is just as far-fetched as most of the crimes that do in the Marple canon. Making it something different, but not in a good way or enough.

Marple index

TCF: The Doomsday Mother

The Doomsday Mother: Lori Vallow, Chad Daybell, and the End of an American Family
By John Glatt

The crime:

Lori Vallow was living with her fourth husband, Charles Vallow, when she met Chad Daybell, a Mormon author of religious-themed end-time books who was married at the time to Tammy, with whom he had had five children. Vallow had a young daughter, Tylee, by a previous marriage and had adopted an autistic grandnephew of Charles named J.J.

As near as can be reconstructed, Lori talked her brother Alex into killing Charles. (Alex would not be prosecuted for killing Charles, arguing he had shot him in self-defence. Then Alex would die, apparently of natural causes, before the later trials involving Lori and Chad, though he was complicit in those murders as well.) Both Tylee and J.J. disappeared and were found to have been murdered and buried on Chad’s property at his home in Idaho. Chad is thought to have then killed Tammy. Chad and Lori, cashing in on the deaths, flew to Hawaii where they married. That is also where they were later arrested. At trial after being returned back to Idaho, Chad was found guilty of the first-degree murder of Tammy, Tylee, and J.J. and sentenced to death. Lori was found guilty of the murder of Tylee and J.J. and conspiracy to murder Tammy. She was sentenced to life imprisonment.

The book:

While the story of the Vallow-Daybell doomsday murders (as they came to be known in the media) is a singular and horrifying one, it also hits on a lot of themes that readers of the True Crime Files will be very familiar with. For example, in two previous books by John Glatt (Love Her to Death and Tangled Vines) I’ve noted how bad an idea it is for women to meet up with their exes, or soon-to-be-exes, on their own. In both those books the wives in question ended up being murdered. In this book it’s slightly different in that it was Lori wanting to meet with Charles. He had a bad feeling about this, and even mentioned to Lori’s (normal) brother Adam some misgivings. He ended up being shot to death by Alex.

Charles should have also paid more attention to what were clear red flags. Actually, calling them red flags at this point would be putting it mildly. When she met Charles, Lori had already been divorced three times, with two kids by two different fathers. All by the age of 32. That’s not a red flag, it’s a klaxon. By the time of the fatal visit Lori was clearly a madwoman, and Charles had even arranged to have her committed. After all, in the days just proceeding their fatal meet-up she’d (1) cleaned out his bank accounts and then changed the numbers on them so he couldn’t access them (because he ran a business this meant he couldn’t make payroll); (2) was clearly interested in another man; (3) changed the locks on their house; (4) stole his truck, and (5) accused him of being possessed by an evil demon.

But he still “loved her to death” (his death, as it turned out). Alas, as I’ve had occasion to remark several times in these case files, there’s just no talking to a guy who’s in love.

You’d think any man would have to be crazy to take up with Lori after all this, but then crazy came along. Chad not only knew all about Lori’s history before getting involved with her but took notes on her previous relationships and family connections. To be sure, Chad was messed up himself, but it’s also true that some women just have a poisonous “it.”

Another familiar story worth flagging (because, as I’ve long maintained, we’re supposed to be taking notes and learning something from all this) is the significance of life insurance policies. Just before his wife’s death Chad “made ‘significant increases’ on several life insurance policies he had taken out on Tammy, bringing them to the maximum legal payout allowed.” And yet this wasn’t any kind of tip-off to the underwriters or police when Tammy just suddenly died. Meanwhile, I did get a bit of a kick out of how upset Lori was that Charles had made his sister the beneficiary of his policy just before he was killed. If she wanted that money I guess she should have moved a little faster.

In ways like this, and I’m being selective, what we have here then is a fairly standard murder story: married man meets married woman and they have to get rid of spouses and children to enjoy their new lives together. There are two twists that give it special interest though. The first is the apocalyptic belief system and “prepper” culture that Chad and Lori were immersed in. In fact, Chad could be described as the leader of a mini-cult that separated people out in the usual way (the saved and the damned, the sons of light and the spawn of darkness) in anticipation of the Rapture. Like a lot of modern cults, there also seemed to be some heavy drawing from pop culture. This goes back at least as far as L. Ron Hubbard and the roots of Scientology in C-list science fiction stories. Here’s something I took note of in my review of Steven Singular’s book Killer Cults that I think is relevant:

What is the link between cults and the products of pop culture? Charles Manson thought the song “Helter Skelter” from The Beatles’ White Album contained a hidden message about a coming race war. Adolfo Constanzo based his brutal crime cult on a 1987 flick called The Believers starring Martin Sheen and Jimmy Smits that I have only the vaguest recollection of today. The Heaven’s Gate cult took its lead from Star Trek mythology, with its members thinking of themselves as parts of an “Away Team” as they killed themselves. Why do so many people put so much faith, or even find any meaning, in such crap? I know that’s a question every outsider asks of any belief system, but Star Trek? I guess fandom and cult membership have to be plotted on a spectrum.

Insofar as Chad was starting his own cult he seems to have borrowed from the same range of sources. We’re told he believed, for example, that the spells and curses in the Harry Potter books actually existed but required “great focused will to use.” Indeed, Chad even described himself to Lori as “a grown-up version of Harry Potter.” Meanwhile, one observer “felt like many of them [the cult’s beliefs] were ripped out of a Dungeons & Dragons manual. Between the stats, accounts of dark and light weapons . . . it sounded like someone had created a tabletop [Book of Mormon game] based on the Bible.”

It wasn’t clear to me from the evidence Glatt presents just how much of the stuff about light and dark spiritual possession and people turning into zombies Chad, as opposed to his followers, really believed. But this aspect of the case is gone into in more depth in Leah Sottile’s book When the Moon Turns to Blood so I won’t say more about it here.

The other thing that makes the story interesting is that we don’t really know that much about how Charles, Tylee, J.J., and Tammy were killed. By that I don’t just mean the actual causes of death, but how their murders might have been planned and arranged or who was directly involved. Clearly, however, Chad and Lori were responsible. This leads, however, to the deeper question of who was the dominant partner in their relationship.

As Glatt remarks in his postscript, despite all the coverage that the case received none of the accounts “have explained how the seemingly mild-mannered end-times author Chad Daybell managed to lead the glamorous grandmother into homicidal madness. But the real question is, what came first, the Lori chicken or the Chad egg?” Did Chad really lead Lori along, or was she leading him?

Let’s look at both sides.

The case for Lori being led by Chad was put by Special Prosecutor Rob Wood, who called what Chad did “spiritual abuse” and “spiritual manipulation”:

“I’m so torn. It’s such a conflicting feeling to know that this person’s been good her whole life, and then made this error in judgment and got sucked into this vortex of this man [Chad]. I feel for her. I just have so much compassion towards her because I know that’s not what she would have ever done on her own. And I hate her for that.”

Now Wood was talking to Lori’s sister at the time he said this, so not all of it may have been sincere. Lori had hardly been good “her whole life.” Not even close. But it does seem clear that she took a swerve for the worse when Chad entered in her life. Her marriage with Charles seemed to have been working, enough for him to have risked everything to save it. And even J.J.’s grandparents thought she’d been great with J.J. up until she met Chad. “You couldn’t ask for a better mother,” said J.J.’s grandfather. “She loved J.J. She loved Charles, and I don’t know what caused this conversion. You don’t go from being the mother of the year of a special needs [boy] to the person that won’t even tell you where they are. That just doesn’t happen.”

If you buy into the idea of Chad as cult leader you also find support for this notion of him leading Lori on. It’s telling in this regard that after their arrest Chad did talk her out of cooperating with the police and making a plea deal with prosecutors. One cult expert interviewed by Glatt says Chad was “still manipulating his new wife, even while she was behind bars” with his daily calls and scripture readings.  “He continued the marination of her mind.” Another expert interviewed by Sottile says Chad used “classic grooming techniques” on Lori. This strongly suggests someone very much in control.

On the other hand . . .

I don’t think Lori was ever normal. There seem to have been mental health issues running in her family.  Her father waged a quixotic life-long legal campaign against the government, claiming that he didn’t have to pay any taxes. Her brother Alex, who shot Charles, probably killed Tylee and J.J., and who attempted to kill the husband of Lori’s niece, may have had improper relations with Lori when they were both kids. Her sister Stacey went crazy starving herself to death, fearing that all food was poison. Stacey’s husband would liken the family to “a psychological hornet’s nest,” and that may have been selling it short. I don’t like the overuse of the excuse of mental illness when it comes to a lot of criminal cases, but it’s clear that Lori was sick.

As far as her personal relationships go, Lori also seems to have been a dominant personality. A friend named Melanie was described by someone who knew them both as “almost subservient to Lori . . . a passenger on Lori’s bus.” “Lori was definitely running the show,” was how the friendship was characterized. This seems to chime with the powerful hold Lori had over her brother Alex, and makes one wonder about her relationship with Chad. According to the minister who presided over their beach wedding in Hawaii: “Lori was definitely more forward than Chad . . . She really did all the pushing on this. She was definitely wearing the pants that day.” Also: “There were a couple of times when he really manned up, but most of the time she was the pilot.” For what it’s worth, this is the same impression I got seeing the video of them together when they were ambushed by a reporter in Hawaii. Lori seems far more in charge, with Chad sort of trailing beside her like he’s on a leash. As reported in When the Moon Turns to Blood, the police who first called on Chad and Lori when doing a wellness check on J.J. were singularly unimpressed with the man of the house:

Daybell was a jowly, potbellied man with an awkward, quiet demeanor, who gave off the air of a person who was deeply unsure of himself. He wore too-large clothes and walked with a forward-leaning slant, and when he spoke, he mumbled sleepily, like his words were smooth river rocks dropping from his lips.

That image of rocks dropping from his lips is an odd one, but the picture is pretty clear. In the language of the manosphere, Chad, despite his archetypal alpha name, was a confirmed beta. Whenever Chad’s father phoned him as the case became public he tried to speak to him alone, but Chad would always click the call on to speaker so Lori could listen in. Again, this sounds like Lori was in control.

Having set out the two arguments I’ll conclude by sharing the blame. What seems most likely to be the case is that Lori and Chad were an instance of folie à deux, or shared madness. My hunch is that Lori was a stronger personality, that she was (pick your metaphor) driving the bus or piloting the plane, but for things to go so spectacularly bad they had to come together.

Glatt was once again writing a timely book here, that’s his métier, and went to press before either Chad or Lori had gone to trial. That said, this is a readable account of a series of terrible crimes and one that helps set the complicated story straight. In his postscript Glatt tells us that “In my many years of writing true crime books I have never seen another case as terrifying as that of Lori Vallow Daybell. It simply defies logic, lying somewhere between cold-blooded murder and wild religious science fiction – the very embodiment of the truth being stranger than fiction.” But was it really so strange? Chad and Lori were just kindred spirits, not so much for their shared heretical beliefs (both were excommunicated from the LDS Church, eventually) as for having arrived at a point in their lives where they just didn’t care about anyone or anything very much anymore aside from having a good time. And that level of indifference to others can result in incredible cruelty.

Noted in passing:

Lori liked to live large and spend a lot of money, something perhaps related to her being raised in privilege but her family having come down in the world due to her father’s legal problems. But after her third divorce, at the age of around 30, she apparently owed $724,000 to creditors. At the time she was working as a self-employed hairstylist. How do you burn through that kind of money?

“In September 2001, Chad won a Cedar Fort Publisher’ House Award for his Emma Trilogy, despite the conflict of interest as they had published it and just hired him.” Ha-ha. Oh, literary awards. How does anyone take them seriously?

A week after killing Tylee and burying her burned remains in what amounted to a pet cemetery, Chad and Lori did a podcast entitled “Chad Daybell Sharing Jesus’ Love.” You can see why so many people today are cynical about religion.

Joe Ryan, Lori’s third husband, died alone, his body only discovered three weeks later in his apartment, with “an open jar of spaghetti and dirty dishes in the sink.” A jar of spaghetti? Or a jar of spaghetti sauce? The latter seems far more likely.

Takeaways:

Apocalyptic beliefs usually have something nasty about them, viewing most of humanity as either damned or worthless, which in turn justifies seeing all the zombies sent straight off to hell. But such beliefs are also dangerous, because if you think the end of the world is coming soon then you don’t have to care much about the long-term consequences of your actions. If you meet someone who’s convinced the Rapture is imminent (as opposed to thinking that the world is sliding into a more secular sort of catastrophe at its own leisurely pace) I’d keep a polite distance.

True Crime Files

Green Lantern Corps Volume 1: Fearsome

Green Lantern Corps Volume 1: Fearsome

I’ve mentioned somewhere before about how inflation is built into superhero comics. The good guys have to take on increasingly powerful bad guys, or more of them. Then the good guys have to multiply so that you get more of them too, either by being paired with regular sidekicks or assembled into teams of heroes.

For the Green Lantern this translated into series like the Green Lanterns (plural) for the DC Universe Rebirth (I made some notes on Rage Planet here), and the Green Lantern Corps for the New 52. I don’t follow these things closely enough, so I wasn’t sure which came first. On checking into it, the New 52 was launched in 2011 and Rebirth in 2016. So now I know.

In any event, the GL Corps weren’t new in 2011 since they’d been around since near the beginning (I even remembered them from when I was a kid), but having armies of “Lanterns” (as they’re called) in every issue felt to me like just part of the same “more is more” mentality. And what makes it worse in the case of the Lanterns multiplying is that they’re all basically the same. They’re different species united from all the far corners of the universe, but their super powers are all just whatever “constructs” they generate from their rings. So having two of them, or 7,000, just feels redundant if not overkill.

Well, on to this iteration of the Corps and its ceaseless battle against evil in all its forms.

Things kick off here on a very dark note indeed. Some evil force attacks a Lantern Corps “sector house” and quickly disposes of the two Lanterns stationed there, decapitating the one and slicing the other in two. This sets off an alarm back at Lantern HQ (on the planet Oa), and a team of Lanterns, headed by Earth representatives Guy Gardner and John Stewart (not of The Daily Show), is sent out to investigate. They soon discover another major crime against the universe: All the water has been sucked off of a planet inhabited by a race of friendly-looking beaver creatures, leaving behind a dry sea-bed of corpses. Then, just to send a further message, the resident Lantern guardians of the blue beaver planet have been left impaled on stakes.

To be honest, after reading the first couple of issues of this one I wasn’t sure I wanted to keep going. It just seemed grim. I’m no prude when it comes to splatter, but there was an incongruous cruelty to the proceedings here, with various scenes of torture thrown into the mix that I really didn’t care for. And nobody rises above it. I didn’t even like Guy and John very much, and thought the only way they were being made bearable was because of how bad the bad guys were.

As for those bad guys . . . they weren’t working for me at all. They go by the name of the Keepers because of the role they had watching over the Great Green Lantern Power Supply (a.k.a. the Central Power Battery), before the Lanterns decided to up sticks and move, leaving the Keepers to rot on their miserable home planet. So they had a legitimate grudge, but I didn’t really understand all the politics. As for the Keepers themselves, they’re just the usual army of mooks, made to look like zombies. They have incredible will power and an imperviousness to the constructs of the Lanterns, so they can just sort of overwhelm the Lanterns until the green guys power up with some old-school weaponry. Even so, they’re looking likely to take over until Guy hits upon the expedient of dropping a fear bomb on them that turns them into a bunch of crybabies who are then sentenced to dig graves for all their victims on the blue beaver planet.

I didn’t care for this at all. It’s dark but not very smart and even by the end I hadn’t managed to keep any of the Corps members’ names straight. But I picked up almost the whole series of these when the library got rid of them in an overstock shelf-clearing, so I’ll read a few more anyway and see if things get better.

Graphicalex

The Immortal Hulk Volume 3: Hulk in Hell

The Immortal Hulk Volume 3: Hulk in Hell

This series is yanking me up and pulling me down. I thought the first volume (issues #1-5) lacking, but the second (issues #6-10) very good. Expectations raised, I was ready to enjoy Hulk in Hell, which kicks off with skinny Hulk and various tag-alongs having passed through the sadly unerotic Green Door and winding up in some sub-dimension of evil. But I was in for a disappointment.

Writer Al Ewing feels like he’s channeling Alan Moore (bad Alan Moore) with a sporadically literary pastiche of psycho-mythology. Thus the explanation for what’s going on here: “Gamma radiation is science. It’s measurable, predictable, it has rules . . . until it doesn’t. Until it makes Hulks and Sasquatches and Leaders. Metaphor people. Until it’s magic. When the first gamma bomb went off, it unleashed forces beyond our control. Unified forces. It opened a door, deep down into the pit of reality. Into the lowest hell. And any high concentration of gamma – that’s a door too. Including gamma people.”

What does all this add up to? Just another example of the old trope of a portal to another dimension that our heroes have to close in order to save the world from an evil invasion. Except that the Hulk himself is a door. So “What will the Hulk be? The accuser or the adversary? Khamael or Satan? Is he of Geburah or of Galachab?” Etc. The Hulk’s abusive father again puts in an unwelcome appearance, which is an angle I care for less and less. And the way things are going it looks as though immortality is a side-effect of all the gamma energy flowing everywhere, as various characters – Crusher Creel (Absorbing Man), Thunderbolt Ross, Doc Samson, Betty Banner, Rick Jones – start climbing out of their graves. Throw in the usual shadowy government agencies who are up to no good, epigraphs drawn from the Bible, Shakespeare, Dostoyevsky, and Camus, and I thought it all a lot too much. There’s even a “Devil Hulk” which is the big green guy’s id, and a Moore-ish master plot about the Hulk (the basic model) wanting to destroy humanity in order to save it.

Still, I can’t help thinking there’s something here worth sticking with. So I’ll see what volume 4 has to offer anyway.

Graphicalex