Cemetery Beach
With that title, and a bleak if indeterminate cover, I went into this thinking it was a horror comic. It’s not. It’s an SF-action title set in some future with an alternate history where interdimensional travel was discovered a hundred years ago. Our hero is a “pathfinder” named Mike Blackburn who has been sent to explore an off-world dystopia that we set up back in the early twentieth century. Whatever the idea behind the place was in the first place, it’s now basically a fascist state run by a Baron Harkonnen figure.
Mike begins the story being interrogated in one of the state prisons, but he quickly escapes along with a rebel chick named Grace and they spend the rest of the book running away from the army/police and trying to get to Cemetery Beach, which is where Mike’s transport back to Earth (a place natives call “oldhome”) is parked.
There are things to like here. Artist Jason Howard does action well and there is a lot of action on tap here. It’s really just one long chase scene, with lots of explosions and vehicle crashes. There are series of pages with no dialogue, or even sound effects, at all. And I was intrigued by some of the hints at world building by Warren Ellis. There’s a germ pool on the planet that keeps people alive forever but has the side effect of turning them into “mushroom cancer soldiers.” The relation between Earth and the place Mike goes to reminded me a lot of Frank Herbert’s Dosadi. And I liked the way the fashion sense of the natives has stayed stuck in the 1930s, which fit the fascistic tone.
But these are all just hints that something bigger is going on. As noted, the plot doesn’t allow any time for expository dialogue beyond quick descriptions of the different zones Mike and Grace are traveling through. And the series itself, which ran for seven issues, breaks off abruptly, as though there was more to come. But I don’t think it’s been continued in the years since it came out in 2019.
So it’s not bad for what we’ve got, but it still feels a bit like half a comic. It’s frustrating that some of the interesting avenues for exploration that are opened up remain unexplored. If you just like the shoot ‘em up and blow ‘em up stuff though I’d recommend it.
Sounds like covid struck. da da dum!!!
LikeLike
Either that or somebody played the infinity damage combo.
LikeLiked by 1 person
Ahhh, if only they had had a jade statue, all would have been well.
LikeLike
We could all use a jade idol every now and then.
LikeLiked by 1 person
Mushroom cancer soldiers. WTH?
LikeLike
I wish they’d said more about how that all worked. But it’s just part of the world-building that’s floated out there.
LikeLiked by 1 person
It occurs to me that I like action movies, but generally because of the star. So if this was Cemetery Beach, starring Sylvester Stallone or something….
You don’t mention the characterization. Is Mike compelling at all? Any romance with Grace? I’m afraid I’d be flipping through the pages going Yeah, yeah, what’s the point?
LikeLike
They don’t spend much time building the characters. Like I say, it’s mostly one long chase, with lots of explosions. Mike and Grace don’t have time to get romantically acquainted, but they obviously like each other and in the end he sort of sacrifices himself to send her back to Earth while he stays to fight the bad guy. And that’s where the story ends.
LikeLike
Now that’s completely bizarre. It’s another dimension. Who cares about the bad guy? Just forget it and go home. (And anyway he was sent to explore, not “fight the bad guy.”) Priorities, man. Your own dimension comes first.
LikeLike
If I remember correctly, and I’m not sure I do, only one person can go home and Mike lets the girl go. So he’s being noble and all.
LikeLike