Batman: Reptilian
I went through a range of responses while reading Reptilian. For example, at first I found myself really grooving to the art by Liam Sharp, which has a thick, painterly atmosphere to it. If that art was dark, well, that’s the Batman universe. And not just any Batman universe, but the DC Black Label Batman universe.
But then I didn’t like how the art stayed so dark, and how the thickness started to just seem muddy. There were action sequences where, even going back to examine them more closely, I honestly couldn’t tell what was going on. There were climactic moments, such as Killer Croc appearing with an external womb like Nola in The Brood, that I couldn’t see at all. I had to take cues from the text to understand what was happening. This was a shame because Sharp really imagines the characters in interesting and original ways but I felt like I was only seeing them through a glass, darkly. Batman himself is all shadow and silhouette, which I guess is apt for the character but also got tiring after a while.
I felt the same mix of good and bad with the writing. Garth Ennis is a writer known for pushing the boundaries of what I’ll call good taste. This title isn’t as crazy as some of his stuff, but then he was writing for an established DC character and they probably had him on some kind of leash. As it is, his Batman is a cold, sarcastic bastard and Killer Croc a sympathetic villain. There’s also a violent plot (though the violence is mostly witnessed in the aftermath) that involves a lot of xenosexual shenanigans. In sum, it wasn’t what I was expecting, but it was something new, which isn’t easy to pull off when we’re talking about a Batman comic. Some of the dialogue felt awkward, and given the aforementioned issues I had with the art the story became hard to follow in places. But on a second reading I did think it all made sense.
So I came away respecting it. I could see a real Batman purist taking offense, but that’s the Black Label brand. The art at least had a lot of interesting design elements, though the monster looked a bit too Giger-ish and as noted it’s all far too dark. And Ennis did come up with a story that I think even his detractors will admit is hard to forget. There aren’t many comics that give us that much.
The cover is cool!
LikeLike
Yeah, sometimes keeping it simple really works.
LikeLiked by 1 person
Extreme darkness in movies pisses me off; it’d be even worse in a comic.
Do you often not include year of release on purpose? If so, may I enquire as to the nature of that purpose?
LikeLiked by 1 person
Yeah I don’t like movies I can’t see either. Or that I can’t hear. Which is why I always have subtitles on.
Just don’t bother with dates on comics. No reason. Different editions come out all the time anyway. This comic first ran in 2021-22.
LikeLike
I see. I think it’s good information, though. Especially with a character that’s been around a hundred years! Like here, some of the content makes more sense to me now that I know it’s from only a few years ago. Anyway, that’s my two cents. : -)
LikeLike
Yeah, this definitely isn’t your great grandfather’s Batman.
LikeLike
I am with Brian about not seeing things. Bugs me to no end, so I suspect I’d be just as po’d about it in comics.
But as you say, this is Black Label. That is something I’d have avoided on general principle because I know I’d probably hate it from the get-go, so why subject myself to that? 😀
I’m assuming this was an omnibus of the min-series? How many pages was it?
LikeLike
120 or so? I got it out of the library so it’s not at hand.
The Black Label part of it wasn’t the problem. It’s edgy but had a decent story. I wasn’t sure about the character of Batman though, as he’s a real jerk here. I just didn’t like the handling of more nuts-and-bolts stuff.
LikeLiked by 1 person